80's Cheesecake | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | 1981–82, Terse Tapes, Australia | |||
Genre | Experimental | |||
Length | 50:54 | |||
Label | Terse Tapes | |||
Producer | Tom Ellard | |||
Tom Ellard chronology | ||||
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80's Cheesecake is a solo album produced and written by Tom Ellard of Severed Heads. It was released in 1982 as a C60 cassette tape through his own Terse Tapes label. According to Ellard, the album, along with his previous one, Snappy Carrion (1982), were recorded out of interest in making pop music. [1] It is a precursor of Severed Heads' shift in sound, from their early industrialised sound to the more accessible electronic styles of their later recordings. Tracks from this cassette appeared on the Severed Heads' compilation album Clifford Darling, Please Don't Live in the Past (1985).
Review scores | |
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Source | Rating |
Juno Download | Positive [2] |
Resident Adviser | ![]() ![]() ![]() ![]() ![]() |
All tracks are written by Tom Ellard, except for "Touch", co-written by Garry Bradbury.
No. | Title | Length |
---|---|---|
1. | "Glass" | 5:40 |
2. | "Saturday" | 2:52 |
3. | "Man Dat Hip" | 1:32 |
4. | "Epilepsy II" | 5:38 |
5. | "Sixteen" | 12:35 |
No. | Title | Length |
---|---|---|
1. | "The Louis Armstrong Story – Born to Horn" | 3:43 |
2. | "The Louis Armstrong Story – Hits Big Time 3 1/2" | 1:27 |
3. | "The Louis Armstrong Story – Slave of Speed" | 2:09 |
4. | "The Louis Armstrong Story – Kalama Zoo Zoo Zoo" | 2:09 |
5. | "The Louis Armstrong Story – Mom's Grave" | 1:17 |
6. | "The Louis Armstrong Story – 1st Love (It Was Madness)" | 2:27 |
7. | "The Louis Armstrong Story – Smeared in Smashed Ascent" | 9:25 |
No. | Title | Length |
---|---|---|
1. | "Anthem 82" | 4:24 |
2. | "Bullet" | 2:44 |
3. | "Mount" | 2:15 |
4. | "Eats" | 2:41 |
5. | "Word" | 3:15 |
6. | "Cross" | 3:23 |
7. | "Blame" | 3:11 |
8. | "Hold" | 1:53 |
9. | "Our Work for Love at Home" | 5:21 |
10. | "Power Circles in Paris" | 3:09 |
11. | "These Are the Words" | 5:58 |
12. | "Touch" | 2:57 |
13. | "Brain" | 5:44 |
14. | "Hair" | 6:00 |
15. | "The Louis Armstrong Story" | 13:31 |
Total length: | 66:26 |
No. | Title | Length |
---|---|---|
1. | "Anthem 82" | |
2. | "303B the East Is Red" | |
3. | "Big Eats" | |
4. | "The Ritualistic" | |
5. | "Babies" | |
6. | "These Are the Words" | |
7. | "Word" | |
8. | "Touch" | |
9. | "Cross" | |
10. | "Hold" | |
11. | "Our Work for Love at Home" | |
12. | "In Her Hair" |
Region | Date | Label | Format | Catalog | Release Notes |
---|---|---|---|---|---|
Australia | 1982 | Terse Tapes | C60 | TRS017 | Initial release |
2002 | Sevcom | CD-R | N/A | First reissue, complete with new artwork and a new track listing that includes previously unreleased material. | |
United States | 2014 | Dark Entries | LP | DE-076 | First ever pressing on vinyl. Includes another new track listing and remastering |
Severed Heads are an Australian electronic music group founded in 1979 as Mr. and Mrs. No Smoking Sign. The original members were Richard Fielding and Andrew Wright, who were soon joined by Tom Ellard. Fielding and Wright had both left the band by mid-1981. Throughout the next decade, several musicians joined Severed Heads' ranks, including Garry Bradbury, Simon Knuckey, Stephen Jones and Paul Deering.
Thomas Temple (Tom) Ellard is an Australian electronic musician best known as the founding member of the electronic and industrial music group Severed Heads.
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This is a discography of releases from the Australian experimental band Severed Heads. Since their creation in 1979, the group has released 23 studio albums, 1 split album, 14 compilation albums, 1 soundtrack, 3 extended plays, 14 singles, and 8 home video releases. The group's 1984 single "Dead Eyes Opened" peaked at #16 on the Australian ARIA Charts when remixed and re-issued in 1994, and singles from their 1989 album Rotund For Success, "Greater Reward" and "All Saints Day", both charted on Billboard's Top Dance Tracks charts at #19 and #25, respectively.
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Garry Bradbury is an English born electronic musician active in Sydney's experimental music scene since 1979. His first significant collaboration was in 1980, along with brothers Simon and Tim Knuckey as The Wet Taxis; a band specializing in heavily treated guitar and drum machine and various tape manipulations. The sound was uncompromisingly psychedelic yet fiercely industrial.
Since the Accident is the fourth studio album released by Australian electronic dance music group Severed Heads, first released in 1983. Released through Ink Records, it was the first major label release by the group. The album's lead single "Dead Eyes Opened" received critical and commercial success, peaking at #16 on the ARIA Charts. Throughout the years following the album's initial release in 1983, the recording has been reissued many times on multiple different formats through a variety of record labels.
Blubberknife is the third studio album released by the Australian experimental group Severed Heads, originally as a C90 cassette tape. It's the first album by the group to feature contributions by Stephen Jones, and it is also the first recording by the group to catch the attention of Ink Records, who helped release Since the Accident a year later. As with most of their discography, Blubberknife has been reissued several times.
"You Got Lucky" is the first single from Tom Petty and the Heartbreakers' album Long After Dark. The song peaked at #20 on the Billboard Hot 100 and #1 on the Billboard Top Tracks chart, where it stayed for three weeks at the end of 1982. Somewhat unusually for a Petty song, guitars give up the spotlight to allow synths to carry the song's main structure.
City Slab Horror is the fifth studio album by the Australian experimental pop music group Severed Heads. First released in 1985 through Ink Records, it is the second major label album the group has ever released, following the 1983 album Since the Accident. The track "Goodbye Tonsils" was released as a single to promote the album, which met favorable reviews from some critics and no reviews at all from the vast majority of the remaining critics.
Come Visit the Big Bigot is the sixth full length studio album by Australian experimental group Severed Heads, released in 1986. The tracks "Twenty Deadly Diseases" and "Propellor" were both released as singles to help promote the album.
Bad Mood Guy is the seventh studio album by the Australian experimental group Severed Heads, first released in 1987. Upon its initial release, the album met positive reviews with critics, one in particular referring to it as "punishing pop with crunching rhythms". The album's lead single "Hot With Fleas" did well on independent radio stations, peaking at #4 on Rockpool's dance charts during the week of 31 December 1987. In 2002, after an attempt at making a version 2 of the album which was aborted due to the master DAT tape being irreparably damaged, Tom Ellard made a new version available on CD-R on his SevCom label, which substituted demo and live versions of some tracks and added extra material. This version is what Tom made available on the official Severed Heads Bandcamp page.
Rotund for Success is a studio album by the Australian electronic music group Severed Heads, released in 1989. Three singles were released from the album: "Greater Reward", "All Saints Day" and "Big Car", the first two reaching the top 30 on Billboard's Dance Club Songs chart. Much like the rest of the band's discography, the album has been issued many times in several formats through a variety of labels.
Cuisine is the ninth studio album released by Australian electronic music group Severed Heads, issued in 1991. The album's lead single, "Twister", was released a year later.
Gigapus is the tenth studio album by the Australian electronic music group Severed Heads. Recorded between 1992 and 1994, the album was first released in 1994 with a bonus CD-ROM disc titled Metapus that had additional multi-media content on it. Because of this, it is the first album released in Australia to include a CD-ROM disc. Due to the extra disc, the album was initially priced at $40 when it first came out. As with most of the Severed Heads discography, the album has been reissued multiple times.
Clean is the second full-length studio album by the experimental Australian group Severed Heads, released in 1981 through Dogfood Productions and Terse Tapes, two labels that the band themselves operated. Originally released on vinyl and cassette formats, both of which contained unique artwork and were released in small quantities, the vinyl in particular only being released as an edition of 400. Ellard reissued it on CD-R in 2005 on his own Sevcom label, with the order shuffled, the song "Food City" removed, and bonus tracks. In 2020, the album was reissued on LP by Dark Entries in its original form, with a second LP featuring 14 bonus songs, five of which had never been released before, culled from live performances, the Side 3 cassette and a Clean demo tape that only resurfaced in 2019. It was also made available digitally on Bandcamp.
Haul Ass is the eleventh studio album by Australian electronic music group Severed Heads. After Tom Ellard's relationship soured with Nettwerk and Volition Records, he decided to release Haul Ass independently through his then newly formed Sevcom imprint, making Haul Ass the first independently released Severed Heads album since 1982's Blubberknife. The album was burned on CD-R discs, while the artwork for the jewel cases were home printed with the use of a computer printer. Two editions were made, the "standard edition", which had prominently red and grey artwork, and the "special edition", which included two extra tracks not included on the standard edition. The special edition was limited to only 1000 copies. Tom Ellard has described the album as "dark". The entire album was recorded with software called Session 8, the precursor of Pro Tools.
Under Gail Succubus is the twentieth studio album by Severed Heads, twelfth if you don't count the Op and Music Server series of albums. Released in 2006, the double disc recording was released in two editions: The standard edition, packaged in a DVD case with transparent artwork, and the metal box edition, which was packaged in a tin box. Ellard later expressed regret for the metal box edition, for it would usually come in damaged in some way during mail order delivery. The album itself is a double disc set, the second disc, sometimes referred to as Over Barbara Island, would later be issued as its own separate album on iTunes.
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