A Bullet for the General | |
---|---|
![]() Italian film poster | |
Directed by | Damiano Damiani |
Written by | Salvatore Laurani [1] |
Adaptation by | |
Produced by | Bianco Manini [1] |
Starring | |
Cinematography | Antonio Secchi [1] |
Edited by | Renato Cinquini [1] |
Music by | Luis Bacalov [1] |
Production company | MCM [1] |
Release date |
|
Running time | 115 minutes |
Country | Italy [1] |
Languages | Italian English Spanish |
Box office | £687.1 million [3] |
A Bullet for the General (original Italian title: Quién sabe?, which means "Who knows?" in the Spanish language), also known as El Chucho Quién Sabe?, is a 1966 Italian Zapata Western film directed by Damiano Damiani and starring Gian Maria Volonté, Lou Castel, Klaus Kinski and Martine Beswick. It tells the story of El Chuncho, a bandit and guerrilla leader during the Mexican Revolution, and Bill Tate/El Niño (The Kid), a counter-revolutionary contract killer who infiltrates his gang and befriends Chuncho. The story centers on the way this relationship changes everything for Chuncho, who discovers the hard way that a social revolution is more important than mere money.
During the Mexican Revolution, a Durango-bound government munitions train is forced to stop due to the presence of a crucified federal army officer on the tracks. El Chucho/Chuncho Muños, an arrogant gun runner and guerrilla figure who is loyal to the Zapatist revolutionary leader General Elías, leads his gang in an assault on the train. Lieutenant Alvaro Ferreira, who is commanding the rurales' escort of the train, attempts to save the officer, but after being fatally wounded by Chuncho he orders the train to run the captain and him over to escape the bandits. Bill Tate, a quiet and mysterious American passenger on the train, kills the engineer and stops the train again, allowing Chuncho and his gang to kill the remaining rurales and take their weapons. Posing as a former prisoner of the army, Tate joins the gang and is quickly befriended by Chuncho, who nicknames him "Niño" (which means "Kid" in Spanish).
After several heists, the gang travels to the town of San Miguel, where Chuncho meets with his old friend Raimundo to overthrow the weakhearted town boss, Don Felipe. Rosaria, Felipe's spirited wife, attempts to defend him; when Chuncho's men assault her, Tate angrily berates them for their behavior. Chuncho shoots Guapo, a gang member, for attempting to kill Tate during the discussion. Don Felipe is made to drive Chuncho and his gang back to San Miguel, and he is eventually executed.
Chuncho prepares to stay in San Miguel, drilling the villagers in the hopes of becoming a General himself; Tate convinces much of the gang to leave San Miguel so they can sell their weapons to Elías. Eventually missing his bandit lifestyle, Chuncho leaves San Miguel under the care of El Santo, his priestly half-brother, on the pretext of recovering a gold-plated Hotchkiss M1914 machine gun from his former gang. After killing one of them, Picaro, Chuncho resumes leadership of the others, hoping to sell the weapons to Elías before returning to San Miguel.
Elías' emissary arrives but is pursued by the Mexican army troops. Tate and Chuncho use the machine gun to decimate the troops, but nearly all of Chuncho's remaining gang is killed in the firefight. Unseen by the others, Tate also kills the emissary. Adelita, Chuncho's last surviving loyal gang member, abandons the pair after her lover, Pepito, is killed in the battle. During the ride to Elías' camp, Tate falls victim to a malaria attack. While getting quinine pills for Tate, Chuncho finds a golden bullet among his possessions; Tate later claims that the bullet is a good luck charm. Soon after, Chuncho decides to leave San Miguel with "El Niño" so they can sell their new guns and a cannon to General Elías. Chuncho's adopted brother, the hunchbacked former priest and guerrilla fighter known as El Santo, admonishes Chuncho for his overt greediness and insists to his brother that he must return quickly before the Federales/Mexican army attacks the unprotected town.
Chuncho and Tate arrive at Elías' camp after two days, where they encounter several starving revolutionaries. Chuncho sells the guns and is paid five thousand pesos before learning from Elías that the people of San Miguel were massacred by the army while he was away. Realizing his irresponsibility, Chuncho allows himself to be taken away to be executed by Santo, the sole survivor of the attack. Meanwhile, Tate, from a high vantage point, shoots Elías first and then quickly kills El Santo before Chuncho's sentence can be carried out. Tate escapes as Elías' doctors pronounce his death: shot in the head with a golden bullet.
Weeks later, Chuncho, now an impoverished beggar, tracks Tate to a hotel in Ciudad Juarez and tries to shoot him. Tate, insisting that he has been waiting for him, gives him a half-share of the reward he received from the Mexican Government for assassinating Elías: 100,000 pesos in gold. Chuncho, astonished by Tate's apparent loyalty and friendship, visits a barber, a tailor and a brothel.
The next morning the pair prepare to leave for a new life in the United States. However, when Chuncho watches as Tate cuts through a line to buy their train tickets, he begins to reconsider their relationship and his responsibilities. Learning that he had been further manipulated by Tate through his pretending to be an army prisoner, Chuncho suddenly declares that, although they are friends, he must kill him. Tate asks why, to which Chuncho replies "¿Quién sabe?", [Note 1] before shooting Tate dead while he is boarding the slowly moving train. The police arrive at the station and Tate's body begins its return to the United States while Chuncho, laughing maniacally, tosses his bag of money to a group of peasants near him and flees from the authorities down an external corridor of carriages, happily shouting and exhorting the poor to buy dynamite instead of bread.
The screenplay and story for A Bullet for the General is credited to Salvatore Laurani while Franco Solinas is credited with the adaptation and dialogue. [2] Film historian Howard Hughes noted that A Bullet for the General was the first Italian Western to seriously deal with the Mexican revolution and credited Solinas with the political aspects on the film. [2] Solinas was a Marxist writer best known in film for his screenplays for Salvatore Giuliano and The Battle of Algiers . [2] [4]
A Bullet for the General was directed by Damiano Damiani and shot in Almería between July and August 1966. [2] [5] Damiani had originally wanted to shoot the film in Mexico which proved to be impossible. [5]
A Bullet for the General was released in Italy in December 1966. [6]
In a contemporary review, the Monthly Film Bulletin declared the film to be "a lively sortie into the Mexican Revolution with a good deal of boisterous action and a spirited performance from Gian Maria Volonte". [7] The review noted the running time cut from 135 minutes to 77 minutes, stating "substantial pruning unfortunately plays havoc with the continuity (a character who was clearly of some importance in the original is here reduced to a few marginal references)." [7]
Damiano's film has been called a "serious statement about the Mexican Revolution" and has been recognised as an accomplished blend of "tension, action, politics and history". [8]
Coatepec Harinas is one of 125 municipalities in the State of Mexico, Mexico. The municipal seat is the town of Coatepec Harinas. The original name is "Coauhtepetl" which means 'serpent hill' in Náhuatl. Around 1825 because of a boom in flour production, the name "Harinas" was added.
For a Few Dollars More is a 1965 Spaghetti Western film directed by Sergio Leone. It stars Clint Eastwood and Lee Van Cleef as bounty hunters and Gian Maria Volonté as the primary villain. German actor Klaus Kinski plays a supporting role as a secondary villain. The film was an international co-production between Italy, West Germany, and Spain. The film was released in the United States in 1967, and is the second instalment of what is commonly known as the Dollars Trilogy.
Jaime Fernández Reyes was a Mexican actor. Over his career, he won 3 Silver Ariel awards — the Mexican equivalent of the Oscar — including one for what is arguably his best-known role, playing Friday, the protagonist's associate in Luis Buñuel's Robinson Crusoe. He appeared in over 200 films and served as the general secretary of the National Association of Actors (ANDA) for 11 years. His father was actor/director Emilio Fernández.
The Dollars Trilogy, also known as the Man with No Name Trilogy, is an Italian film series consisting of three spaghetti western films directed by Sergio Leone. The films are titled A Fistful of Dollars (1964), For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966). Their English versions were distributed by United Artists, while the Italian ones were distributed by Unidis and PEA.
Fernando Luján was a Mexican actor. He was a star of the silver screen in classic mexican films during the Golden Age of Mexican cinema.
Gian Maria Volonté was an Italian actor and activist. He is best known for his roles in four Spaghetti Western films: Ramón Rojo in Sergio Leone's A Fistful of Dollars (1964), El Indio in Leone's For a Few Dollars More (1965), El Chuncho Munoz in Damiano Damiani's A Bullet for the General (1966) and Professor Brad Fletcher in Sergio Sollima's Face to Face (1967).
Miguel Aceves Mejía was a Mexican actor, composer and singer.
Alfredo Sánchez Brell, known as Aldo Sambrell, was a Spanish actor, director, and producer who appeared in over 150 films between 1961 and 1996.
Damiano Damiani was an Italian screenwriter, film director, actor and writer. Poet and director Pier Paolo Pasolini referred to him as "a bitter moralist hungry for old purity", while film critic Paolo Mereghetti said that his style made him "the most American of Italian directors".
A Genius, Two Partners and a Dupe is a 1975 Spaghetti Western comedy film directed by Damiano Damiani. It was co-written and produced by Sergio Leone, who also directed the opening scene.
Joaquín Cordero was a Mexican actor of the cinema, theatre and telenovelas.
Lou Castel is a Colombian-born Swedish actor who became internationally known through his work in Italian films, in particular for his starring role in Carlo Lizzani's Requiescant (1967) and his co-starring role in Damiano Damiani's A Bullet for the General (1967).
Frank Braña was a Spanish character actor.
Luciano Catenacci was an Italian actor and production manager who worked on mainly Italian produced films during the 1960s, 1970s and 1980s.
Francisco Amado Córdova Ramírez was a Mexican character actor who has appeared in numerous films of United States and Mexico.
Enrique Lucero was a Mexican actor who appeared in over 120 film roles. He was nominated for the Ariel Award for Best Actor for his role in the film Canoa: A Shameful Memory (1976).
Blindman is a 1971 Spaghetti Western film directed by Ferdinando Baldi and co-written and co-produced by Tony Anthony. The film's protagonist, played by Anthony, is an homage to Kan Shimozawa's Zatoichi character: a blind transient who does odd jobs and is actually a high-skilled warrior.
Pablo García González, known as Tito García (1931–2003) was a Spanish actor.
Antonio de la Santísima Trinidad Pica Serrano was a Spanish actor.
Alfredo Jesús Fernández Sáenz was a Mexican film and television actor, nicknamed El Pichi.