| A Good Git-Together | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1959 | |||
| Recorded | 1959 | |||
| Genre | Vocal jazz | |||
| Length | 62:43 | |||
| Label | Pacific Jazz | |||
| Producer | Richard Bock | |||
| Jon Hendricks chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [1] |
| The Penguin Guide to Jazz Recordings | [2] |
A Good Git-Together is a 1959 studio album by Jon Hendricks. It was Hendricks' first solo album, and featured Cannonball Adderley and Wes Montgomery. [1]
All songs written by Jon Hendricks, collaborators indicated.
Somethin' Else is a jazz album by alto saxophonist Julian "Cannonball" Adderley, his only album on the Blue Note label, recorded and released in 1958. Also on the session is trumpeter Miles Davis in one of his handful of recording dates for Blue Note. Adderley was a member of Davis' group at the time, and the album was recorded shortly after Davis' own landmark album Milestones. The Penguin Guide to Jazz selected Somethin' Else as part of its suggested "Core Collection."
Out There is a bebop album by jazz vocalist Betty Carter with an ensemble under the direction of alto saxophonist Gigi Gryce. The arrangements were provided by Gryce, Ray Copeland, Melba Liston, Benny Golson and Tommy Bryce. The album was produced by Esmond Edwards and released 1958 on Peacock Records. Ron Wynn of Allmusic called the album "a dynamic set."
The Hottest New Group in Jazz, also known by its full title Lambert, Hendricks, & Ross!: "The Hottest New Group in Jazz" or alternatively considered self-titled, is the fourth album by Lambert, Hendricks & Ross, released in 1960. The title is a quote from Downbeat magazine. The CD reissue combines the full original album with the group's two other Columbia albums: the 1961 LP Lambert, Hendricks & Ross Sing Ellington and the 1962 LP High Flying. The CD release additionally includes seven previously unreleased "rarities", recorded in 1962. On all these recordings, the group is backed up by the Ike Isaacs Trio.
Cannonball in Japan is a live recording by the Cannonball Adderley Quintet at the Sankei Hall in Tokyo which was first released on the Japanese Capitol label in 1966 before being more widely released on CD in 1990.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones and Jimmy Cobb. The front cover photograph was by Chuck Stewart taken at the Ulysses S. Grant Monument, Chicago, Illinois.
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
Cannonball Adderley and the Poll-Winners is an album by jazz saxophonist Julian "Cannonball" Adderley released on the Riverside label, featuring performances by Adderley with Wes Montgomery, Ray Brown, Victor Feldman, and Louis Hayes.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
Accent on Africa is an album by jazz saxophonist Cannonball Adderley recorded in 1968 for the Capitol label featuring performances by Adderley with Nat Adderley and unidentified percussion section, vocalists, and big band.
The Price You Got to Pay to Be Free is an album by the Cannonball Adderley Quintet recorded, in part, at the 1970 Monterey Jazz Festival. A portion of the performance is memorialized in the 1971 Clint Eastwood movie Play Misty For Me. Additional "live in-studio" tracks were recorded the following month at the Capitol Records Tower, in Hollywood, to stretch the Monterey material into a double album. The album features Adderley with brother Nat Adderley, Joe Zawinul, Walter Booker and Roy McCurdy and guest appearances by Bob West and Cannon's 15-year-old nephew Nat Adderley Jr. who wrote and performed the gospel-influenced protest title song.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Domination is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances by Adderley with an orchestra conducted by Oliver Nelson. The CD release added the bonus track "Experience in E" composed by Joe Zawinul and originally released on the 1970 album The Cannonball Adderley Quintet & Orchestra.
Pyramid is an album by jazz saxophonist Cannonball Adderley recorded at Fantasy Studios in Berkeley, California in 1974 featuring performances by Adderley's Quintet with Nat Adderley, Hal Galper, Walter Booker and Roy McCurdy with guest appearances by Phil Upchurch, George Duke, and Jimmy Jones.
Introducing Nat Adderley is an album by jazz cornetist Nat Adderley first released on the Wing label featuring performances by Adderley and his brother Julian "Cannonball" Adderley, Horace Silver, Paul Chambers, and Roy Haynes. The album was later released on the Emarcy label and also rereleased on the Limelight label as Them Adderleys
Soul of the Bible is the second collaborative studio album by the Nat Adderley Sextet and Rick Holmes, presented by Julian "Cannonball" Adderley. It was released as a follow-up to Soul Zodiac through Capitol Records in 1972. Recording sessions took place at Capitol Records Studio in Hollywood, California with production handled by David Axelrod and Cannonball Adderley.
At Newport '63 is an album by the jazz vocalese group Lambert, Hendricks & Bavan recorded at the 1963 Newport Jazz Festival. The album features the group who had re-formed in 1963 featuring Dave Lambert and Jon Hendricks, with Yolande Bavan replacing Annie Ross who had left the group in 1962.
Earl Coleman Returns is an album by American jazz singer Earl Coleman recorded in 1956 and released on the Prestige label. The 1994 CD reissue added four additional tracks originally released on 78 RPM singles.
