A Quiet Storm | ||||
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Studio album by | ||||
Released | March 26, 1975 [1] | |||
Recorded | 1974–1975 | |||
Genre | ||||
Length | 36:01 | |||
Label | Tamla | |||
Producer | Smokey Robinson | |||
Smokey Robinson chronology | ||||
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A Quiet Storm is the 1975 third solo album by American soul singer, songwriter, and producer Smokey Robinson. The album received generally positive reviews, and spawned the hit single "Baby That's Backatcha", which spent one week at the top of the Billboard Hot Soul Singles chart. [2]
According to Pitchfork journalist Eric Harvey, A Quiet Storm revitalized Robinson's career after having left his group the Miracles, and typified what would become known as the quiet storm radio format. [3]
Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B [4] |
MusicHound R&B | 4/5 [5] |
The Rolling Stone Album Guide | [6] |
A Quiet Storm is one of the most highly-acclaimed soul albums of the 1970s. This album spawned three hit singles, including Robinson's first disco hit "Baby That's Backatcha", rising to number 7 on the Billboard Disco chart (Top 10 R&B). The album re-established Robinson's reputation as a master songwriter and producer and solidified his solo success after leaving his influential Hall of Fame group, the Miracles.
In a contemporary review for Rolling Stone , Robert Palmer said A Quiet Storm proved Robinson was "still a dynamic creative force" as it succeeded on the strength of his singing and production, although he highlighted the "sexy directness" of the title track and "Baby That's Backatcha". [7] Vince Aletti ranked it as the year's third best album in his ballot for the 1975 Pazz & Jop critics poll. [8] Robert Christgau was less enthusiastic, believing the title track was somewhat bold for concentrating Pure Smokey 's "drift into a style", but finding much of the record lacking rhythm, with the exception of "Love Letters" and "Coincidentally". [4]
A Quiet Storm was later named one of the greatest Motown albums of all time in a 1999 edition of Q . [9] According to Pitchfork journalist Eric Harvey, the record reinvented Robinson's brand of "contemplative romantic soul" with the Miracles, revitalized his career after two underperforming solo albums, and typified what would become known as the quiet storm radio format. [3]
Miracles member Marv Tarplin was also a contributor to this album.
All tracks composed and arranged by Smokey Robinson; except where indicated.
Year | Album | Chart positions [11] | |
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US | US R&B | ||
1975 | A Quiet Storm | 36 | 7 |
Chart (1975) | Peak positions |
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U.S. Billboard Pop Albums [12] | 77 |
Year | Single | Chart positions [13] | ||
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US | US R&B | US Dance | ||
1975 | "Baby That's Backatcha" | 26 | 1 | 7 |
"The Agony and the Ecstasy" | 36 | 7 | — | |
1976 | "Quiet Storm" | 61 | 25 | — |
William "Smokey" Robinson Jr. is an American R&B and soul singer, songwriter, record producer, and former record executive. He was the founder and frontman of the pioneering Motown vocal group the Miracles, for which he was also chief songwriter and producer. He led the group from its 1955 origins, when they were called The Five Chimes, until 1972, when he retired from the group to focus on his role as Motown Records vice president. Robinson returned to the music industry as a solo artist the following year. He left Motown in 1999.
The Miracles were an American vocal group that was the first successful recording act for Berry Gordy's Motown Records, and one of the most important and most influential groups in the history of pop, soul, R&B and rock and roll music. The group's international fame in the 1960s, alongside other Motown acts, led to a greater acceptance of Rhythm & Blues and pop music in the U.S., with the group being considered influential and important in the development of modern popular music.
"The Tracks of My Tears" is a song written by Smokey Robinson, Pete Moore, and Marv Tarplin. It is a multiple award-winning 1965 hit R&B song originally recorded by their group, The Miracles, on Motown's Tamla label. The Miracles' million-selling original version has been inducted into The Grammy Hall of Fame, has been ranked by the Recording Industry Association of America and The National Endowment for the Arts at No. 127 in its list of the "Songs of the Century" – the 365 Greatest Songs of the 20th Century, and has been selected by Rolling Stone as No. 50 on its list of "The 500 Greatest Songs of All Time", among many other awards. In 2021, Rolling Stone ranked the Miracles' original recording of "The Tracks of My Tears" as "The Greatest Motown Song of All Time".
Warm Thoughts is an album by the American musician Smokey Robinson, released in 1980. It features the top 40 hit, "Let Me Be the Clock". The album was arranged by Reginald "Sonny" Burke. This album also featured the semi-autobiographical tune "Wine, Women and Song", which proved to be the closest thing to a Miracles reunion that occurred in the 1980s, with Smokey doing a duet with his then-wife, former Miracle Claudette Robinson, and Miracle Marv Tarplin, with whom he shared songwriting credits, on guitar. The song "Travelin' Thru'" was written by Smokey's real-life sister, Rose Ella Jones, and two songs written by Robinson with fellow Motown artist, Stevie Wonder, and singer, songwriter, and former Starsky and Hutch star, David Soul. This album was a success, reaching the Top 20 of The Billboard 200 Pop Album chart, peaking at No. 14, and the Top 10 of Billboard's R&B Album Chart, peaking at No. 4.
Going to a Go-Go is a 1965 album by the Miracles, the first to credit the group as Smokey Robinson and the Miracles. It includes four of the Miracles' Top 20 hits: "Ooo Baby Baby", "The Tracks of My Tears", "Going to a Go-Go", and "My Girl Has Gone". It was produced by Miracles lead singer Smokey Robinson, along with Frank Wilson and William "Mickey" Stevenson.
Smokin' is a Smokey Robinson live album released in 1978.
"Going to a Go-Go" is a 1965 single recorded by The Miracles for Motown's Tamla label.
Greatest Hits, Vol. 2 is the second greatest hits album for The Miracles, released in 1968 on Motown Records' Tamla label. It contained the most popular singles from the successful Going to a Go-Go, Away We A Go-Go and Make It Happen albums of the 1965–1967 period. It also featured the 1964 non-album single "Come On Do The Jerk", and two B-sides, "Choosey Beggar" and "Save Me". The hit single "I Second That Emotion" was new to the album. This album reached the Top 10 on the Billboard 200 albums chart, peaking at #7, and peaked at #2 on Billboard's R&B album chart. Ten of the albums' 12 songs were written by Miracles members Smokey Robinson, Pete Moore, Marv Tarplin, Bobby Rogers, and Ronnie White.
Greatest Hits from the Beginning is a compilation double LP by The Miracles released in 1965. This was the first double album ever released by the Motown Record Corporation. It covers most of the group's hits from their pre-1965 albums, such as "Shop Around", "Who's Lovin’ You", "You've Really Got A Hold On Me" and "Mickey's Monkey", as well as the non-album singles from 1964: "I Like It Like That" and "That's What Love Is Made Of". The album was a success, reaching #21 on the Billboard Pop Album Chart. It was also the first Miracles album to chart on the Billboard R&B Album chart, where it was an even bigger success, peaking at #2.
Time Out for Smokey Robinson & the Miracles is a 1969 album by Motown group The Miracles. It reached #25 on the Billboard Pop Album chart, and contains four pop top 40 singles – "Doggone Right", "Abraham, Martin & John", "Here I Go Again" and the top ten pop smash hit "Baby, Baby Don't Cry". Time Out also features covers of Motown songs such as "For Once in My Life" and the Robinson-penned songs "My Girl" and "The Composer". Miracles members Marv Tarplin, Pete Moore and Ronnie White were also co-writers on several of the album's tracks, along with Motown staff songwriters Al Cleveland, Ron Miller and Terry Johnson. Miracle Pete Moore also co-produced two of the album's tracks, a prelude to his later production of the Miracles' massively successful platinum-selling City of Angels album of a few years later. The Miracles' Time Out album was originally released on CD in 1986, and again in 2001 coupled with their album, Four in Blue.
One Dozen Roses is a 1971 album by Smokey Robinson & The Miracles, issued on Motown Records' Tamla label. The penultimate album before lead singer Smokey Robinson departed the group for a solo career, One Dozen Roses features the Top 20 Billboard Hot 100 hit single "I Don't Blame You at All". Also included is the group's number-one smash hit "The Tears of a Clown", which was also made available through the reissue of the 1967 Miracles LP Make It Happen as The Tears of a Clown. Both of these songs were also huge hits in the UK, reaching #11 and #1 respectively.
1957–1972 is a 1972 double album by The Miracles on Motown Records' Tamla label. This two-record set is noted as the group's final series of live concerts with original lead singer Smokey Robinson, recorded over a period of three days, July 14–16, during the 1972 National Parks Centennial, at the Carter Barron Amphitheater in Washington, D.C., and charted at No. 75 on the Billboard Top 200 Album chart, and at No. 14 on its R&B Album chart. During the show, Smokey's wife, original Miracles member Claudette Rogers Robinson, who stopped touring with the group in 1964, reunited with the Miracles on stage for the first time in eight years. As a celebration of the group's fifteen years together, The Miracles made this an "all request" show, where audience members could choose which of the group's long string of hits they wanted performed. Also, at the end of the concert, Miracles fans were introduced to the group's new lead singer, Billy Griffin. According to Smokey's autobiography, Smokey: Inside My Life, The Miracles' final concert was videotaped in movie form, but was never publicly released. However, 1957–1972 was released on CD originally in 1990, and re-released again in 2004 along with The Miracles' 1969 "Live" album in the 2004 Motown/Hip-O Select release Smokey Robinson and The Miracles: The Live Collection.
"Way Over There" is a 1960 Motown soul song and single, written by William "Smokey" Robinson, produced by Berry Gordy, and first performed by The Miracles for the Tamla (Motown) label. It was one of The Miracles' earliest charting singles, reaching #94 on the Billboard Pop chart. Motown president Berry Gordy, Jr. had The Miracles record the song several times during its chart run. The first version had minimal orchestration. The second version added strings, and this is the version played by most oldies stations today. Claudette Robinson had several lead parts on this song, answering Smokey's leads with chants of "Come to me, Baby". The song's B-side, "(You Can) Depend on Me", while not charting nationally, did become a popular regional hit in many areas of the country, and Smokey still sings it in his live shows today. "Way Over There" was subsequently recorded by Edwin Starr, The Temptations, The Marvelettes, The Royal Counts, The Spitballs, and Eddie Adams Jr, while "(You Can) Depend on Me" was later recorded by The Temptations, The Supremes, Mary Wells, and Brenda Holloway. The song was also used for the title of Hip-O Select's 2009 compilation: The Miracles – Depend on Me: The Early Albums, which collects the first five LP releases by the group.
Flying High Together is an album by Smokey Robinson and the Miracles on Motown Records' Tamla label, released in 1972. It is noted as The Miracles' last studio album with original lead singer Smokey Robinson, who retired from the act to concentrate on his duties as vice president of Motown. The album charted at #46 on the Billboard Pop Album chart, and featured two singles: the appropriately named "We've Come Too Far to End It Now", which matched the parent album's chart position on the Billboard singles chart, charting at #46, and reached the Top 10 of the Billboard R&B singles chart, charting at #9, and "I Can't Stand to See You Cry", which charted at #45 Pop, and #21 R&B.
What Love Has...Joined Together is a 1970 album by R&B group Smokey Robinson & The Miracles on Motown Records' Tamla label. A concept album consisting solely of six short love songs, it charted at number 97 on the Billboard Top 200 Album chart, and reached the Top 10 of Billboard's R&B album chart, peaking at number 9. It was the first Miracles album to have no new songs; the recordings are all cover versions of songs written by noted composers, such as Stevie Wonder, Berry Gordy, Frank Wilson, Brenda Holloway and her sister Patrice Holloway, Burt Bacharach and Hal David, Marvin Gaye, The Beatles' John Lennon & Paul McCartney,, and Miracles members Smokey Robinson and Bobby Rogers.
Renaissance is a 1973 album by R&B group The Miracles on Motown Records' Tamla label. It was the first album by the group not to feature original lead singer Smokey Robinson on lead vocals, instead featuring him as executive producer. Robinson was replaced by lead singer Billy Griffin.
Four In Blue is a 1969 album by the Motown R&B group The Miracles, issued on the label's Tamla Records subsidiary in the U.S., and the Tamla-Motown label elsewhere in the world,.
A Pocket Full of Miracles (TS306) is a 1970 album by Motown Records R&B group The Miracles, issued on its Tamla subsidiary label, one of three albums the group released that year. This album charted at #56 on the Billboard pop albums chart, and reached the top ten of the magazine's R&B albums chart, peaking at #10. It was released on September 30 of that year. Hit singles on the album included "Point It Out" and the topical Ashford & Simpson written-and-produced song "Who's Gonna Take the Blame", a sad, dark song about a girl that is turned out as a prostitute. Also included is the charting flip side "Darling Dear", B-side of "Point It Out", which reached #100 on the Billboard pop chart, and spawned a cover version by The Jackson Five.
We've Come Too Far to End It Now was a 1972 single by Motown Records R&B group The Miracles on its Tamla Label subsidiary (T54220F) and taken from their 1972 album, Flying High Together, the group's final studio album with original lead singer Smokey Robinson. This song charted at #46 on the Billboard Pop Chart, and reached the Top 10 of its R&B chart, peaking at #9.
Touch the Sky is a 1983 album by American singer Smokey Robinson. It was produced and arranged by Robinson with Reginald "Sonny" Burke, and recorded and mixed at Golden Sound Studios, Inc., Hollywood, California. The album was released on the Motown sub-label Tamla.