A Rose for the Dead | ||||
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EP by | ||||
Released | 1 April 1997 | |||
Recorded | Commusication Studio, Beindersheim, Germany, July and 7–10 October 1996 Additional recordings at Mansion Studio, Stavanger, Norway, 2–3 November 1996 Tracks 4 & 5 remixed at Danse Macabre Studios, Bayreuth, Germany | |||
Genre | Gothic metal, death-doom | |||
Length | 32:22 | |||
Language | English, Early Modern English, German | |||
Label | Swanlake/Massacre | |||
Producer | Pete Coleman | |||
Theatre of Tragedy chronology | ||||
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Review scores | |
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Source | Rating |
Chronicles of Chaos | [1] |
A Rose for the Dead is an EP released by the Norwegian gothic metal band Theatre of Tragedy in 1997. [2] It was the band's last release using the doom metal-influenced sound that Theatre of Tragedy had originally adopted. "A Rose for the Dead" and "Der Spiegel" are leftovers from the Velvet Darkness They Fear recording sessions, which were completed after the release of that album. [3] "As the Shadows Dance" is the English-sung version of the single "Der Tanz der Schatten", while the remixes involved the electro-industrial musician Bruno Kramm of the German duo Das Ich. [3] Finally, "Decades" is a cover version of a Joy Division song, which Theatre of Tragedy had recorded for a Norwegian tribute album. [3]
All lyrics are written by Raymond Rohonyi; all music is composed by Theatre of Tragedy, except "Decades" lyrics and music by Ian Curtis, Peter Hook, Stephen Morris, Bernard Sumner.
No. | Title | Length |
---|---|---|
1. | "A Rose for the Dead" | 5:11 |
2. | "Der Spiegel" | 5:17 |
3. | "As the Shadows Dance" | 5:28 |
4. | "And When He Falleth" (Remix) | 5:13 |
5. | "Black as the Devil Painteth" (Remix) | 4:29 |
6. | "Decades" (Joy Division cover) | 6:36 |
Total length: | 32:22 |
Theatre of Tragedy was a Norwegian band from Stavanger, active between 1993 and 2010. They are best known for their earlier albums, which influenced the gothic metal genre.
Das Ich is a German Darkwave/Goth-Industrial music group formed in 1989. The group, fronted by Stefan Ackermann and Bruno Kramm, were one of the prominent founders of and contributors to "Neue Deutsche Todeskunst" a musical movement in the early 1990s. The band is known for having a classically-inspired gothic-industrial style, for their on-stage theatrics, and their almost exclusive use of German language lyrics. The German term das Ich makes reference to the Freudian concept James Strachey translated as "ego".
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