Dark Days, Bright Nights is the debut studio album by American hip hop recording artist Bubba Sparxxx from Georgia. It was released on October 9, 2001 via Interscope Records. Recording sessions took place at Westlake Recording Studios in Los Angeles, at the Frat House, Down the Hall Studios, 1210 Studios, Mix it in the Mix, and the Dungeon Recording Studio in Atlanta. Production was handled by Shannon Houchins, Timbaland, Khalifani, Organized Noize, and Gerald Hall. It features guest appearances from Timbaland, Backbone, Bohagon, C.I., Duddy Ken, Kosha, Sebastian and Sleepy Brown.
East Point's Greatest Hit is the only solo studio album by American rapper Cool Breeze. It was released on March 23, 1999 via Organized Noize/A&M Records. Recording sessions took place at the Dungeon Recording Studio, the Chamber Recording Studios and Purple Dragon Recording Studios in SWATS, Sound Chamber Recorders in Los Angeles and the Boom Boom Room in Augusta. Production was handled by Organized Noize, Mr. DJ, 2 Cold Capone and Skinny Miracles. It features guest appearances from Witchdoctor, 8Ball, Backbone, Big Rube, Goodie Mob, Kurupt, Nivea, Outkast, Sleepy Brown and the Calhouns. The album peaked at number 38 on the Billboard 200 and number 11 on the Top R&B/Hip-Hop Albums in the United States. Its lead single, a Dungeon Family posse cut "Watch for the Hook", made it to No. 73 on the US Billboard Hot 100.
Break Every Rule is the sixth solo studio album by Tina Turner. It was released on September 5, 1986, through Capitol Records in the US. It was the follow-up to Turner's globally successful comeback album, Private Dancer, released two years earlier. Turner nearly scored her second Billboard Hot 100 number one with the lead single "Typical Male", peaking at number two for three consecutive weeks in October 1986, while "Two People" and "What You Get Is What You See" reached the top 20. "Back Where You Started" earned Turner her third consecutive Grammy Award for Best Rock Vocal Performance, Female in 1987.
Real Brothas is the debut studio album by American rappers B.G. Knocc Out and Dresta. It was released on August 15, 1995 through Outburst Records. Recording sessions took place at Kitchen Sync Studio and Skip Saylor Recording in Hollywood, and at Solid Studios in Studio City, California. Production was handled by Rhythm D, Doctor Jam, Madness 4 Real, Charlie B and Vic C, with Anthony "Anti" Lewis and Greedy Greg serving as executive producers. The album debuted at number 128 on the Billboard 200, number 15 on the Top R&B Albums and number five on the Heatseekers Albums in the United States.
Even in Darkness is the only studio album by American rap supergroup the Dungeon Family. It was released on November 20, 2001 via Arista Records. Production was handled by Organized Noize and Earthtone III.
No Talking, Just Head is an album released in 1996 by the Heads, a band composed of Jerry Harrison, Tina Weymouth, and Chris Frantz of Talking Heads, joined by a variety of guest singers. The project was commercially and critically unsuccessful, leading to the band members pursuing other interests.
Long Walk Home: Music from the Rabbit-Proof Fence, released in June 2002, is the fourth soundtrack album and twelfth album overall by the English rock musician Peter Gabriel. Devised as the soundtrack to the Australian film Rabbit-Proof Fence, it was the first release of new music by Peter Gabriel since OVO, also a soundtrack. The soundtrack contains elements from and references to songs which Peter would release on his album Up. The track "A Sense of Home" samples the drum loops used on "No Way Out". "Running to the Rain", "Crossing the Salt Pan", and "The Return" are reworked arrangements of "Signal to Noise", track nine of Up. "Ngankarrparni" and "Cloudless" are reworked arrangements of track three, "Sky Blue".
Get Crunk, Who U Wit: Da Album is the debut studio album by American Southern hip hop group Lil' Jon & The East Side Boyz. It was released on October 21, 1997 via Mirror Image Entertainment. Recording sessions took place at Entertainment International Studios, Purple Dragon Studios and KALA Studios in Atlanta. Production was handled by Lil' Jon and DJ Toomp, with Kool-Ace and Carlos Glover serving as executive producers. It features guest appearances from Playa Poncho, Disco Rick, DJ Kizzy Rock, Kool-Ace, Darryl E., DJ Pryme, Shorty Pimp, Jazze Pha, Romance and The East Side Girlz, with cameo appearances from Ayuna Burnett, Chris Smith, Nikki Jones, Jermaine Dupri, Emperor Searcy, Greg Street, Robert McDowell, Candice Austin, Stephanie Holder, Dee Dee Hibbler-Murray and Organized Noize's Ray Murray.
In Our Lifetime is the fourth studio album by American hip hop duo 8Ball & MJG. It was released on May 18, 1999, through Suave House Records under a new distribution deal with Universal Records. Recording sessions took place at Urban House Studios, Inc. and Digital Services in Houston and at the Dungeon Recording Studios in SWATS. Production was handled by T-Mix and Mr. DJ, with Tony Draper serving as executive producer. It features guest appearances from Big Duke, Thorough, CeeLo Green, Nina Creque, Outkast and Toni Hickman. The album debuted at number 10 on the Billboard 200 and topped the Top R&B Albums charts, selling 95,000 copies in its first week in the United States. Music video was directed for "We Started This". This would be the duo's last recording for Suave House Records label.
John P. Kelly is the debut solo studio album by American rapper Mr. Cheeks. It was released on October 16, 2001 through Universal Records. Production was handled by Mr. Sexxx, Stephen Marley, DJ Sage, Bink!, Caspa, Dejah, Easy Mo Bee, J.J. Brown, Mas, Rated R, Terence Dudley, and Mr. Cheeks himself. It features guest appearances from Stephen Marley, Big Gipp, Horace Brown and W. Walt.
Sittin' on Top of the World is the third studio album by American singer LeAnn Rimes, released in the United States on May 5, 1998, by Curb Records. The album has been certified Platinum. It contains cover versions of "Insensitive" by Jann Arden, "Sittin' on Top of the World" by Amanda Marshall, "Purple Rain" by Prince, and "Rock Me " by Deborah Allen. The album also includes two singles which were released to country radio: "Commitment" and "Nothin' New Under the Moon".
Can You Feel Me is the third studio album by American rapper Dru Down. It was released in 1996 through C-Note/Relativity Records. Recording sessions took place at Infinite Studios in Alameda, at Backroom Studios in Glendale, at Power Play Studios in Oakland, at The Grill in Emeryville, at Umoja Vibe, at Bosko's Digital Chicken And Beats in Los Angeles, and at Blackhole Studio near Los Angeles. Production was handled by DJ Fuze, Alonzo Jackson, Lev Berlak, The Whole 9, Maurice "Butch" Stewart, Big D the Impossible, Bosko, DJ Battlecat, DJ Daryl, Jamiel Hassan, Kenny McCloud, Soopafly and Terry T, with Chris "C&H" Hicks serving as executive producer. It features guest appearances from Luniz, Bootsy Collins, Eklipze, Knucklehead, L.V., Nick Nac, Poppa LQ and T-Luni. The album peaked at number 54 on the Billboard 200 chart and number 14 on the Top R&B Albums chart in the United States. It spawned two singles: "Can You Feel Me" and "Baby Bubba". Its lead single reached #92 on the Billboard Hot 100 singles chart.
Ruthless by Law is the second studio album by American hip hop group RBL Posse. It was released on November 15, 1994 via In-A-Minute Records. Recording sessions took place at Bayview Productions in Richmond, California. Production was handled by Cellski, The Enhancer, and RBL Posse, with Tony Jackson serving as executive producer. It features guest appearances from Cellski and Herm. The album peaked at number 197 on the Billboard 200, number 23 on the Top R&B/Hip-Hop Albums and number three on the Heatseekers Albums chart in the United States.
Training Day: The Soundtrack is the soundtrack album to Antoine Fuqua's 2001 crime film Training Day. It was released on September 11, 2001 through Priority Records and contained mostly hip hop music.
Music From and Inspired By Shaft is the soundtrack to John Singleton's 2000 action crime thriller film Shaft. Composed of seventeen contemporary R&B and hip hop music songs, it was released on June 13, 2000 through LaFace Records.
Mars/Venus is the only studio album by American contemporary R&B duo Koffee Brown. It was released on March 6, 2001 through Arista Records. Recording sessions took place at Battery Studios in New York and at Da Mill Studios and Head Up Recording in New Jersey. Production was handled by DJ Kay Gee, Falonte Moore, Eddie Berkeley, Chris Liggio, Darren Lighty, Rob Fusari, Aarian Pope, AllStar, Barry Salter, muMs and The Bankers. It features guest appearances from Duganz Shanlont, Brandon "B-12" Daniel, Lady Luck, Balewa Muhammad, Lil' Mo, Mr. Deyo, Next and Que.
Until the Day is the only studio album by American rapper Nonchalant. It was released on March 26, 1996 via MCA Records. Recording sessiona took place at B.L.A.K. Hole Studios and Horizon Studios in Capitol Heights, Maryland, at Cue Recording Studios in Falls Church, Virginia and at Talamasca Sound in Glen Cove, New York. Production was handled by Alonzo "Lonnie" Simmons Jr., Dewayne "Bam" Staten Sr., Kapin, Chucky Thompson and Mark Murray, with Nicole Bernard serving as executive producer. The album peaked at number 94 on the Billboard 200 and number 20 on the Top R&B Albums, spending six weeks on the former and 10 weeks on the latter.
A New Breed of Female is the only studio album by American hip hop group II Tru. It was released on September 9, 1997 via Mo Thugs/Relativity Records. Recording sessions took place at Private Island Trax in Los Angeles. Production was primarily handled by Archie Blaine, as well as Krayzie Bone, who served as executive producer together with Layzie Bone. It features guest appearances from fellow Mo Thugs members Ken Dawg, Tombstone and Sin of the Graveyard Shift, Flesh-n-Bone, Layzie Bone and Krayzie Bone.
Maria Vidal is the debut studio album by American singer Maria Vidal, released by A&M in 1987.
8 is a studio album by American soul vocal group The Spinners, released in 1977. The recording represents a transition in the band's make-up that led to a commercial and critical decline.
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