Philip David Ochs was an American protest singer and songwriter who was known for his political activism, often alliterative lyrics and distinctive voice. He wrote hundreds of songs in the 1960s and 1970s and released eight albums.
...But Seriously is the fourth solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 7 November 1989 in the United States by Atlantic Records and on 24 November 1989 in the United Kingdom by Virgin Records. After he finished touring commitments with the rock band Genesis in 1987 the group entered a four-year hiatus, during which Collins starred in the feature film Buster (1988). By the spring of 1989 Collins had written material for a new solo album which addressed more serious lyrical themes like socio-economic and political issues as opposed to his previous, the dance-oriented No Jacket Required (1985).
William Lewis Moore was a postal worker and Congress of Racial Equality (CORE) member who staged lone protests against racial segregation. He was assassinated in Attalla, Alabama, during a protest march from Chattanooga, Tennessee to Jackson, Mississippi, where he intended to deliver a letter to Governor Ross Barnett, supporting civil rights.
All the News That's Fit to Sing was Phil Ochs's first official album. Recorded in 1964 for Elektra Records, it was full of many elements that would come back throughout his career. It was the album that defined his "singing journalist" phase, strewn with songs whose roots were allegedly pulled from Newsweek magazine. It is one in a long line of folk albums used to tell stories about everyday struggles and hardships.
I Ain't Marching Anymore is Phil Ochs' second LP, released on Elektra Records in 1965.
Phil Ochs in Concert is Phil Ochs' third long player, released in 1966 on Elektra Records. Despite its title, it was not entirely live, as several tracks were actually recorded in the studio, owing to flaws in the live recordings made in Boston and New York City in late 1965 and early 66. The album's producers retained the essence of a live album by including song patter and audience reactions between and during the songs. Phil Ochs in Concert features many of the folksinger's most enduring songs and represents the culmination of Ochs' folk career, the last of his original albums to be all-acoustic.
Chords Of Fame was a 2-LP compilation of folksinger Phil Ochs' career, compiled by his brother shortly after Ochs' death in 1976. Released on A&M Records, it compiled tracks Ochs had recorded for both that label and Elektra Records. The compilation included several rarities:
Sings For Broadside, alternatively known as Broadside Ballads, Vol. 10, was a 1976 compilation of songs that Phil Ochs had recorded for Broadside Magazine as demonstration recordings or at benefit shows for them. Initially, Ochs had hoped for the magazine to release one single concert, but when the material he presented to them came up far too short for a full LP and not featuring several of his best and well-known numbers, he suggested they splice on whatever they desired. The result was this album, which featured tracks recorded between about 1965 and about 1973.
The Broadside Tapes 1, alternatively known as Broadside Ballads, Vol. 14, was a compilation of demo recordings done by Phil Ochs for Broadside magazine in the early-to-late 1960s. Of the sixteen songs that appeared, ranging from the humorous to the depressing, all were new to listeners. It also included a song about the Profumo affair and it closed with a live cover of The Beatles' "I Should Have Known Better" featuring Eric Andersen on harmony vocals and harmonica.
Live at Newport is a 1996 compilation on Vanguard Records of folk singer Phil Ochs' three appearances at the Newport Folk Festival, in 1963, 1964 and 1966. Presenting twelve tracks that also appear on his first, second, third, fourth and fifth albums, Ochs is at his peak as a folk singer throughout, singing anti-war songs alongside those espousing civil rights and worker's rights, and showcasing some more introspective numbers that would be dramatically rearranged on the fourth and fifth albums.
The Early Years is a compilation of seven recordings Phil Ochs made for a Vanguard compilation in 1964 and twelve made at three Newport Folk Festivals in 1963, 1964 and 1966, the latter tracks previously released on the 1996 compilation Live at Newport.
There but for Fortune was a 1989 compilation that summed up the three albums that Phil Ochs recorded for Elektra Records between 1964 and 1966. The album drew heavily from the third, presenting ten of its eleven tracks, and presenting six and five respectively from the first and second.
Farewells & Fantasies is the 1997 posthumous box set of the work of singer/songwriter Phil Ochs, chronicling his life and career in music from 1964 through 1970. With its non-chronological running order, it plays like three separate albums, each showcasing a different side of Ochs. The compilation was produced by Gary Stewart, Michael Ochs and Meegan Lee Ochs. Liner notes include a foreword by Meegan Lee Ochs, "The Sound of Freedom Callin'" by Michael Ventura and "Song of a Soldier: The Life and Times of Phil Ochs" by Mark Kemp, track-by-track explanations by Ben Edmonds, discography, selected bibliography, and many photographs, some of which are from the family's private collections. The box set is dedicated to a friend, co-writer, and inspiration to Phil Ochs, Bob Gibson, who died while the box set was in production. Its title comes from the back of Ochs' LP Tape from California.
"Milk and Toast and Honey" is a song by Swedish pop music duo Roxette, released on 16 September 2001 as the third and final single from their seventh studio album, Room Service. It was also the only single from the album to be released in the United Kingdom, where it peaked at number 89. The song performed better elsewhere, particularly in Portuguese-speaking territories, becoming the album's highest-charting single on the Portuguese Singles Chart, and on the Brazilian Airplay Chart.
"Oxford Town" is a song written by American singer-songwriter Bob Dylan in 1962. It was recorded in Columbia's Studio A on December 6, 1962, for his second album, The Freewheelin' Bob Dylan.
What's That I Hear?: The Songs of Phil Ochs is a 1998 tribute compilation to the music of the late Phil Ochs. The various performers cover several generations of Ochs' admirers. All profits from the album's sales were divided equally between the non-profits, the ACLU Foundation of Southern California and Sing Out! Magazine.
On My Way is a 2010 album of previously unreleased Phil Ochs performances, originally recorded in 1963 by Roy Connors of The Highwaymen.
Phil Ochs: There but for Fortune is a documentary film on the life and times of folk singer-songwriter Phil Ochs. The film, released theatrically in January 2011, was written and directed by Kenneth Bowser. Its title is taken from one of Ochs' best known songs, "There but for Fortune" (1963).
The Complete Columbia Album Collection is a box set by country singer Johnny Cash, released in 2012 on Columbia Records and Legacy Recordings.
"Here's to the State of Mississippi" is a civil rights protest song by Phil Ochs, an American topical singer and songwriter in the 1960s. Ochs is best known for his anti-war and freedom songs. "Here's to the State of Mississippi" was released in 1965 as the last track on his album I Ain't Marching Anymore. The song criticizes the state of Mississippi for its mistreatment of African Americans. He points out various problems with the social constructs that allowed for oppression of the race. Jim Crow laws and white supremacy in the South fueled an imbalance in the civil structure of the state. "Here's to the State of Mississippi" touches on various issues like segregation, corrupt and biased school systems, and the negligence and crookedness of society and of government officials.
