Philip David Ochs was an American songwriter and protest singer. Ochs was known for his sharp wit, sardonic humor, political activism, often alliterative lyrics, and distinctive voice. He wrote hundreds of songs from the 1960s to early 1970s and released eight albums.
Gunfight At Carnegie Hall is the final album by Phil Ochs released during his lifetime, comprising songs recorded at the infamous, gold-suited, bomb-threat shortened first show at Carnegie Hall in New York City on March 27, 1970, though it contains less than half of the actual concert. The shows recorded that day served to surprise Ochs' fans, from his gold lamé Nudie suit, modeled after Elvis Presley's, to his covers of Presley, Conway Twitty, Buddy Holly and Merle Haggard songs, to his own re-arranged songs. Some fans loved it, but some attendees at the show were unhappy with the music he was playing, wanting only to hear "old" Ochs. Before he had a chance to convince them, the concert was cut short by a telephoned bomb threat.
I Ain't Marching Any More is Phil Ochs' second LP, released on Elektra Records in 1965.
Greatest Hits is Phil Ochs' seventh album and final studio album released in his lifetime, released in 1970 on A&M Records. Contrary to its title, it offered ten new tracks of material, mostly produced by Van Dyke Parks.
Phil Ochs in Concert is Phil Ochs' third long player, released in 1966 on Elektra Records. Despite its title, it was not entirely live, as several tracks were actually recorded in the studio, owing to flaws in the live recordings made in Boston and New York City in late 1965 and early 1966. The album's producers retained the essence of a live album by including song patter and audience reactions between and during the songs. Phil Ochs in Concert features many of the folksinger's most enduring songs and represents the culmination of Ochs' folk career, the last of his original albums to be all-acoustic.
Pleasures of the Harbor is Phil Ochs' fourth full-length album and his first for A&M Records, released in 1967. It is one of Ochs's most somber albums. In stark contrast to his three albums for Elektra Records which had all been folk music, Pleasures of the Harbor featured traces of classical, rock and roll, Dixieland jazz and experimental synthesized music crossing with folk, in hopes of producing a "folk-pop" crossover.
Cross My Heart: An Introduction to Phil Ochs is a British best-of compilation of the U.S. folk singer's A&M recordings. The CD features three tracks each from Pleasures of the Harbor, Tape from California, and Rehearsals for Retirement as well as two from Greatest Hits and one from Gunfight at Carnegie Hall, with the thirteenth track the B-side to his 1973 Africa-only single, "Niko Mchumba Ngobe". Overall, this is a more diverse collection than 2002's 20th Century Masters: The Millennium Collection: The Best of Phil Ochs, which tips the balance more heavily toward Pleasures of the Harbor.
Live at Newport is a 1996 compilation on Vanguard Records of folk singer Phil Ochs' three appearances at the Newport Folk Festival, in 1963, 1964 and 1966. Presenting twelve tracks that also appear on his first, second, third, fourth and fifth albums, Ochs is at his peak as a folk singer throughout, singing anti-war songs alongside those espousing civil rights and worker's rights, and showcasing some more introspective numbers that would be dramatically rearranged on the fourth and fifth albums.
The War Is Over: The Best of Phil Ochs is a 1988 compilation album of Phil Ochs' works on A&M Records recorded between 1967 and 1970. With varying amounts of tracks from the albums, between two and five, from each album except Gunfight At Carnegie Hall, it paints a portrait of Ochs' later works that does not emphasize his folk songs, instead presenting the more introspective and/or experimental tracks. It did feature a live version of "I Ain't Marching Anymore" later reissued as a part of the 1991 album that presented the entire concert from which it was culled, There And Now: Live in Vancouver 1968.
There but for Fortune was a 1989 compilation that summed up the three albums that Phil Ochs recorded for Elektra Records between 1964 and 1966. The album drew heavily from the third, presenting ten of its eleven tracks, and presenting six and five respectively from the first and second.
American Troubadour is a 1997 British 2-CD set that presented a portrait of singer-songwriter Phil Ochs' later career, featuring selections from each of the five albums he recorded for A&M Records, from various non-album single sides and from a performance Ochs gave on March 13, 1969, in Vancouver, British Columbia. It is notable for the inclusion of Ochs' post-1970 single sides, otherwise unavailable on compact disc and for the inclusion of a cover of Chuck Berry's "School Days", a previously unavailable outtake from Ochs' infamous March 27, 1970, concert at Carnegie Hall.
Farewells & Fantasies is the 1997 posthumous box set of the work of singer/songwriter Phil Ochs, chronicling his life and career in music from 1964 through 1970. With its non-chronological running order, it plays like three separate albums, each showcasing a different side of Ochs. The compilation was produced by Gary Stewart, Michael Ochs and Meegan Lee Ochs. Liner notes include a foreword by Meegan Lee Ochs, "The Sound of Freedom Callin'" by Michael Ventura and "Song of a Soldier: The Life and Times of Phil Ochs" by Mark Kemp, track-by-track explanations by Ben Edmonds, discography, selected bibliography, and many photographs, some of which are from the family's private collections. The box set is dedicated to a friend, co-writer, and inspiration to Phil Ochs, Bob Gibson, who died while the box set was in production. Its title comes from the back of Ochs' LP Tape from California.
Jim R. Glover is an American peace activist and folk singer. He is from Cleveland, Ohio and lives in Brandon, Florida.
What's That I Hear?: The Songs of Phil Ochs is a 1998 tribute compilation to the music of the late Phil Ochs. The various performers cover several generations of Ochs' admirers. All profits from the album's sales were divided equally between the non-profits, the ACLU Foundation of Southern California and Sing Out! Magazine.
"I Ain't Marching Any More" is an anti-war song by Phil Ochs, a U.S. protest singer from the 1960s known for being a passionate critic of the American military industrial complex. Originally released on his 1965 album of the same name, "I Ain't Marching Any More" is one of Ochs's best-known songs.
"There but for Fortune" is a song by American folk musician Phil Ochs. Ochs wrote the song in 1963 and recorded it twice, for New Folks Volume 2 and Phil Ochs in Concert. Joan Baez also recorded "There but for Fortune" in 1964, and her version of the song became a chart hit.
The discography of Phil Ochs, a U.S. protest singer and songwriter, consists of seven studio albums, six live albums, six compilation albums, one box set, six other albums, and nine singles.
Amchitka is a 2009 two-CD release of a recording of Joni Mitchell, James Taylor and Phil Ochs performing an October 16, 1970, benefit concert at the Pacific Coliseum in Vancouver. The event funded Greenpeace's protests of 1971 nuclear weapons tests by the U.S. Atomic Energy Commission at Amchitka, Alaska.
"Crucifixion" is a 1966 song by Phil Ochs, a US singer-songwriter. Ochs described the song as "the greatest song I've ever written".
"Here's to the State of Mississippi" is a civil rights protest song by Phil Ochs, an American topical singer and songwriter in the 1960s. Ochs is best known for his anti-war and freedom songs. "Here's to the State of Mississippi" was released in 1965 as the last track on his album I Ain't Marching Anymore. The song criticizes the state of Mississippi for its oppression of African Americans. It describes how Jim Crow laws and white supremacy in the South maintained the inequality of African Americans in states such as Mississippi. "Here's to the State of Mississippi" touches on segregation, corrupt and biased school systems, the frequent murders of African Americans and civil rights activists and the crookedness of government officials who ignored or collaborated in the murders.
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