Abhilash Pillai | |
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| Born | Abhilash Pillai 17 May 1969 Trivandrum, Kerala, India |
| Nationality | Indian |
| Alma mater | |
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Abhilash Pillai (born 17 May 1969) is an Indian theatre director, both pedagogue and scholar of contemporary Indian theatre. [1] [2]
Abhilash Pillai was born on 17 May 1969 at Trivandrum to S. R. K. Pillai and Sarada Pillai.[ citation needed ] In 1991, he completed his Bachelor of Theatre Arts from The School of Drama, University of Calicut and secured third rank. He also completed a three-year Postgraduate Diploma in Dramatics with a specialization in Design and Direction from the National School of Drama, New Delhi, with distinction in 1994. He then obtained a two-year diploma in Theatre Production and Stage Management with honors from the Royal Academy of Dramatic Arts, London in 1998. He also did a one-year intensive training in advanced theatre direction in association with eminent directors in the Orange Tree Theatre, United Kingdom during 1998 and 1999 and attained his PhD from Jawaharlal Nehru University, New Delhi in 2012. [3]
Pillai began his career in theatre as an artistic director at the Abhinaya Theatre and Research Centre, Thiruvananthapuram (Trivandrum) in Kerala. He worked there from September 1999 to April 2001. Later, he was appointed as an assistant professor at National School of Drama, New Delhi and rose to become the dean of academics from July 2008 to June 2011 and 2019 to 2021. In 2016 he became an associate professor at the National School of Drama. Presently, he is a visiting faculty/play director at many universities in India and abroad. He is also the chairman of Arnav Art Trust since 2011 and a committee member of Natrang Pratishtan, New Delhi. He works as a professor at National School of Drama and he is also executive director of the Asia Theatre Education Center (ATEC) Central Academy Of Drama, Beijing, China. [4] [5]
| Year | Title | Dramaturge | Production Company | Premier Show |
|---|---|---|---|---|
| 2016 | Talatum | Sasikumar. V | Tempest with a Twist by Sasikumar. V combining Theatre actors & circus performers in a circus tent | Serendipity Art Trust, [6] [7] [8] [9] |
| 2009 | ara Ek Bada Basheer (A Bit Big Basheer) | Rajesh Tailang combining seven works of Malayalam Novelist Vaikom Muhammed Basheer in Hindi | National School of Drama | National School of Drama [10] |
| 2009 | Helen | Sujith Shankar(translated by Rajesh Tailang) | Japan Foundation Asia | Japan, Korea & Bharat Rang Mahotsav [11] |
| 2006 | Midnight's Children | Salman Rushdie's novel co-adapted and translated into Hindustani by Himanshu B Joshi | National School of Drama | Abhimanch Auditorium New Delhi & Bharat Rang Mahotsav, [12] [13] |
| 2005 | Shakuntala | Russian language (a Sanskrit classical play) by Kālidāsa | Russian Academy of Theatre Arts- (GITIS) | Moscow |
| 2000 | Things Can Change in a Day | Drawn from 'The God of Small Things' of Arundhati Roy | Abhinaya Theatre Research Centre | Thiruvananthapuram [15] |
Perumanoor Gopinathan Pillai, more popularly known as Guru Gopinath was a well known Indian actor-cum-dancer. He is well regarded as the greatest preserver of the dance tradition. He is a recipient of the Sangeet Natak Akademi Award, the Kerala Sangeetha Nataka Akademi Fellowship, and the Kerala Sangeetha Nataka Akademi Award.
Kavalam Narayana Panikkar was an Indian dramatist, theatre director, and poet. He has written over 26 Malayalam plays, many adapted from classical Sanskrit drama and Shakespeare, notably Kalidasa's Vikramorvasiyam, Shakuntalam (1982), Bhasa's Madhyamavyayogam (1979), Karnabharam, Uru Bhangam (1988), Swapnavasavadattam, and Dootavakyam (1996). He was the founder – director of theatre troupe, Sopanam, which led to the foundation of Bhashabharati: Centre for Performing Arts, Training and Research, in Trivandrum.
Gopynathan Velayudhan Nair, popularly known by the stage name Bharat Gopy, was an Indian actor, producer, and director. Considered one of the greatest actors in the history of Indian cinema, Gopy was one of the first actors to be associated with the New Wave cinema movement in Kerala during the 1970s.
N. N. Pillai was an Indian playwright, actor, theatre director, orator, screenplay writer, lyricist and an I.N.A Freedom fighter. He served as Commanding Officer of Field Propaganda Unit under Netaji Subhas Chandra Bose in INA – Indian National Army. He has been given the title “Nadakacharyan” of Malayalam Theatre. through his contributions to theater as a playwright, director, actor and a producer.
Kumara Varma is an Indian theatre director. To date, he has directed at least thirty-six Indian and Western plays during the past five decades, including Raja Oedipus, Urubhangam, Mattavilasam, Abhijnana Shakuntalam, Ashadh Ka Ek Din, Baaki Itihas, Uddhwast Dharmashala, Six Characters in Search of an Author, Death Watch, Agg De Kaleere and Leedli Nagari ki Neeti Katha.
Sunanda Nair is an Indian dancer trained in Mohiniattam. She did her master's degree in this dance form from Nalanda Nritya Kala Mahavidyalaya affiliated to the University of Mumbai. She has completed her PhD from University of Mumbai for her thesis "Intrinsic Lyrical Feminism in Mohiniattam". She was born in Mumbai, India.
Kainikkara Kumara Pillai (1900–1988) was an Indian teacher, actor, short story writer, essayist and playwright of Malayalam literature, best known for his plays such as Harichandra, Mathruka Manushyan and Mohavum, Mukhtiyum. He was the younger brother of Kainikkara Padmanabha Pillai, a noted author and thinker. An author of 18 books, Kumara Pillai was awarded the Kerala Sahitya Akademi Award for Drama in 1970. The Kerala Sangeetha Nataka Akademi inducted him as a distinguished fellow in 1975 followed by the Kerala Sahitya Akademi in 1986.
Thottathimyalil Mathew Abraham is an Indian theatre director and playwright. He is the former Vice Chairman of the Kerala Sangeetha Nadaka Academy. He is also the recipient of the Kerala Sangeetha Nadaka Academy awards for playwriting, Kerala Sahitya Academy Award for the play Peruthachan and the Government of Kerala award for best play direction.
Mavelikkara Krishnankutty Nair was a Carnatic Mridangam player. He received his training from Alleppey Venkappan Pillai and Veechur Krishna Iyer. He considered Palani Subramaniam Pillai as his 'Manasa Guru'. He received the Padma Shri from the President of India. He received the Kerala Sangeetha Nataka Akademi Award in 1971 and the Kerala Sangeetha Nataka Akademi Fellowship in 1980. Krishnankutty Nair was also an artiste for All India Radio in Trivandrum.
C. N. Sreekantan Nair (1928–1976) was an Indian independence activist, a Malayalam writer, short story writer, playwright and screenwriter, best known for his Ramayana trilogy – Kanchana Sita, Saketham and Lankalakshmi. He wrote 10 plays, 4 short story anthologies, book of non-fiction and collected works. Kerala Sahitya Akademi awarded him their annual award for drama in 1962. He was also a recipient of the M. P. Paul Prize.
Jagathy N. K. Achary (1924–1997) was an Indian dramatist and writer who also worked in Malayalam films. He was known for his plays and screenplays. He is the father of actor Jagathy Sreekumar.
N. Krishna Pillai was an Indian dramatist, literary critic, translator and historian of Malayalam language. Known for his realism and dramatic portrayal of psycho-social tensions, Pillai's plays earned him the moniker, Kerala Ibsen. He was a recipient of the Sahitya Akademi Award, Kerala Sahitya Akademi Award for Drama, Odakkuzhal Award, Vayalar Award and Kerala Sangeetha Nataka Akademi Award, besides other honours. The Kerala Sahitya Akademi inducted him as a distinguished fellow in 1979.
Padmanabhan Balachandran Nair was an Indian writer, playwright, scenarist, director, and actor. He was known for his work in Malayalam literature and Malayalam cinema.
Vayala Vasudevan Pillai was a Malayalam-language playwright from Kerala, India. He was the disciple of eminent playwright G. Sankara Pillai. He directed over 40 plays. Some of his popular plays include Viswadarsanam (1977), Thulaseevaram (1979), Agni (1982), Rangabhasha (1984), Varavelpu (1985), Kuchelagadha (1988), The Death of Nestling (1992), Suthradhara, Ethile... Ethile? (1993), Kunji Chirakukal (1994), and Swarnakokkukal (1999).
Gopala Pillai Sankara Pillai, better known as G. Sankara Pillai, was an Indian playwright, literary critic, and director, known to be one of the pioneers of modern Malayalam theatre. A proponent of total theater, he was the founder of Nataka Kalari movement in Kerala and the chairman of the Kerala Sangeeta Nataka Akademi. He was a recipient of a number of awards including the Kerala Sahitya Akademi Award for Drama in 1964 for the work Rail Palangal and the Sangeet Natak Akademi Award for the best playwright in 1979.
Deepan Sivaraman is an Indian theatre director, scenographer and academic. He is the founder of Oxygen Theatre Company based in Delhi. He is from Thrissur, Kerala.
Chakkalakal Lonappan Jose, is an Indian playwright of Malayalam literature. One of the pioneers of popular Malayalam theatre and a former chairman of the Kerala Sangeetha Nataka Akademi, Jose is the author of 36 plays, 75 one-act plays, one children's play and Ormakalkku Urakkamilla, his autobiography. He is a recipient of the Kerala Sahitya Akademi Award for Drama, Kerala Sahitya Akademi Award for Overall Contributions, Kerala Sahitya Akademi Fellowship, Kerala Sangeetha Nataka Akademi Award, Kerala Sangeetha Nataka Akademi Fellowship and S. L. Puram Sadanandan Puraskaram of the Kerala Sangeetha Nataka Akademi.
P. K. Narayana Pillai, better identified as Sahitya Panchanan P. K. Narayana Pillai, was an Indian literary critic, essayist, scholar, grammarian and poet of Malayalam language. One of the pioneers of literary criticism in Malayalam, he wrote more than 25 books which include Panchananante Vimarssthrayam, a critique of the writings of Thunchaththu Ezhuthachan, Cherusseri Namboothiri and Kunchan Nambiar and two books on Malayalam grammar, Leghuvyakaranam and Vyakarana Pravesika. He was a judge of the High Court of Kerala, a member of the Sree Moolam Popular Assembly and the founder president of the Samastha Kerala Sahithya Parishad.
Malayalam drama, known as Natakam (നാടകം) in Malayalam, is an important genre of Malayalam literature. The origin of Malayalam drama can be traced back to various performing arts of Kerala such as Kathakali. Drama, as is understood now, is a borrowed art form in Kerala and started with the publication of the Malayalam translation of Abhijnana Shakuntalam in 1882. The field of Malayalam theatre and drama became active by the end of the 19th century. It played an active role in the early-20th-century Kerala reform movement.
Kerala Sangeetha Nataka Akademi Award is an award given by the Kerala Sangeetha Nataka Akademi, an autonomous organisation for the encouragement, preservation, and documentation of the performing arts of Kerala, set up by the Department of Cultural Affairs of the Government of Kerala. Instituted in 1962, the awards are given in the categories of music, dance, theatre, other traditional arts, and for contribution/scholarship in performing arts. The award consists of Rs. 30,000, a citation and a plaque. The recipients of the award are also conferred the title Kalasree.