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Ade Olufeko | |
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Born | 1980 (age 44–45) Minneapolis, Minnesota, U.S. |
Nationality |
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Other names | Adéolu |
Occupation | Technologist |
Known for | Humanities and innovation, Founding of Visual Collaborative Founder or Wing Chun Foundation Lagos |
Notable work | North Star (2019) Remember To Rise (2018) |
Ade Abayomi Olufeko [a] (born 1980), is an American-born designer and technologist active primarily in Lagos, Nigeria. He is the founder of Visual Collaborative, an American platform collaborating with diverse experts on socio-economics. [1] [2]
Ade Olufeko was born in Minneapolis. He hails from Ijebu lineage; both his parents were entrepreneurs. He spent his childhood in Lagos, Nigeria, specifically in Surulere, a mainland city, during the country's Second Republic. He received his primary education at Unilag Staff School and later attended St. Gregory's College in Obalende for his secondary education. [3]
In the mid-1990s, he returned to Minneapolis for further studies at Camden. He attended Metropolitan State University in Saint Paul, where he pursued studies in Computer Science with a focus on multimedia technologies.[ citation needed ]
Olufeko's technology career began during the dot-com period, and he worked for Ameritech, a 3M spinoff Imation , and IBM.[ citation needed ] His focus developed into digital strategy and information architecture.[ citation needed ]
In 2007, Olufeko established Visual Collaborative. Since its inception, he has teamed up with more than 150 artists from different cities showcasing their talents. [4] In 2015, he returned to oversee and curate the platform. [5]
Self-taught as a digital painter and in mixed-media artistry, Olufeko's creative process as an avocation evolved over a decade. His exhibited work explores Africanfuturism, experimental Chaos theory and Counterculture. [6]
In 2021, Olufeko created and introduced the wax print version of the indigenous AYO mancala in Ankara to enter the consumer market with 200 units. The response and reviews were well-covered in local media. In the third quarter of the year, he released the Kente and Adire product lines which drew considerable interest outside Nigeria across west Africa and its diaspora. [7] According to audited data, sales of locally made units exceeded 5,000. [8] During the capital flight in the nation and following a fire outbreak in one of the largest wood communities, part of the sales helped feed numerous artisans and their families. [9] [10]
Visual Collaborative publishing platform: