In June 1962 [1] [2] a conference of African literature in the English language, the first African Writers Conference, was held at Makerere University College in Kampala, Uganda. Officially called a "Conference of African Writers of English Expression", it was sponsored by the Congress for Cultural Freedom and the Mbari Club in association with the Department of Extra-Mural Studies of Makerere, whose director was Gerald Moore. [3] [4]
The conference was attended by many prominent African writers, including: from West Africa Chinua Achebe, Wole Soyinka (later Nobel Laureate in Literature), John Pepper Clark, Obi Wali, Gabriel Okara, Christopher Okigbo, Bernard Fonlon, Frances Ademola, Cameron Duodu, Kofi Awoonor; from South Africa: Ezekiel Mphahlele, Bloke Modisane, Lewis Nkosi, Dennis Brutus, Arthur Maimane; from East Africa Ngũgĩ wa Thiong'o (at that time known as James Ngugi), Robert Serumaga, Rajat Neogy (founder of Transition Magazine ), Okot p'Bitek, Pio Zirimu (credited with coining the term "orature"), Grace Ogot, Rebecca Njau, David Rubadiri, Jonathan Kariara; and from the African diaspora Langston Hughes. [1] [5] [6] [7] [8] The conference was "not only the very first major international gathering of writers and critics of African literature on the African continent; it was also held at the very cusp of political independence for most African countries." [9]
The conference dealt with the issue of how the legacy of colonialism had left the African writer with a dilemma with regard to the language choice in writing. The questions raised and debated at the conference were:
At the conference, several nationalist writers refused to acknowledge any literature written in non-African languages as being African literature. Ngũgĩ noted the irony of the conference's title, in that it excluded a great part of the population that did not write in English, while trying to define African literature but accepting that it must be in English. [10] As he would describe it in his 1986 book Decolonising the Mind: The Politics of Language in African Literature : "The bullet was the means of the physical subjugation. Language was the means of the spiritual subjugation." [11]
In an essay entitled "The Dead End Of African Literature", published in Transition in 1963, Obiajunwa Wali stated: "Perhaps the most important achievement of the last Conference of African Writers of English Expression held in Makerere College, Kampala, in June 1962, is that African literature as now defined and understood leads nowhere. The conference itself marked the final climax on the attack on the Negritude school of Léopold Senghor and Aimé Césaire.... Another significant event in the Conference, is the tacit omission of Amos Tutuola." [12]
Writing of the conference 50 years later, James Currey in Leeds African Studies Bulletin quoted Chinua Achebe as saying in 1989: "In 1962 we saw the gathering together of a remarkable generation of young African men and women who were to create within the next decade a corpus of writing which is today seriously read and critically valued in many parts of the world. It was an enormously important moment, and year, in the history of modern African literature." [13]
The conference is regarded as a major milestone in African literature, and is thought to have defined many African authors' style of writing. For example, Currey notes that Ngũgĩ wa Thiong'o as a young student ventured to ask Chinua Achebe at the conference to read the manuscripts of his novels The River Between and Weep Not, Child , which would subsequently be published in Heinemann's African Writers Series, launched in London that year, with Achebe as its first advisory editor. [13] Ngũgĩ subsequently rejected Christianity in 1976, and changed his original name from James Ngugi, which he saw as a sign of colonialism. He also resorted to writing in the Gikuyu language instead of English.
"SOAS African Literatures Conference – 55 years after the first Makerere African Writers Conference" was organised as a memorial event taking place on 28 October 2017, hosted by the University of London's School of Oriental and African Studies (SOAS), with a keynote speech by Wole Soyinka. [14]
Ngũgĩ wa Thiong'o is a Kenyan author and academic, who has been described as "East Africa's leading novelist". He began writing in English, switching to write primarily in Gikuyu. His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri. His short story The Upright Revolution: Or Why Humans Walk Upright has been translated into 100 languages.
Chinua Achebe was a Nigerian novelist, poet, and critic who is regarded as a central figure of modern African literature. His first novel and magnum opus, Things Fall Apart (1958), occupies a pivotal place in African literature and remains the most widely studied, translated, and read African novel. Along with Things Fall Apart, his No Longer at Ease (1960) and Arrow of God (1964) complete the "African Trilogy". Later novels include A Man of the People (1966) and Anthills of the Savannah (1987). In the West, Achebe is often referred to as the "father of African literature", although he vigorously rejected the characterization.
Christopher Ifekandu Okigbo was a Nigerian poet, teacher, and librarian, who died fighting for the independence of Biafra. He is today widely acknowledged as an outstanding postcolonial English-language African poet and one of the major modernist writers of the 20th century.
Gabriel Imomotimi Okara was a Nigerian poet and novelist who was born in Bumoundi in Yenagoa, Bayelsa State, Nigeria. The first modernist poet of Anglophone Africa, he is best known for his early experimental novel, The Voice (1964), and his award-winning poetry, published in The Fisherman's Invocation (1978) and The Dreamer, His Vision (2005). In both his poems and his prose, Okara drew on African thought, religion, folklore and imagery, and he has been called "the Nigerian Negritudist". According to Brenda Marie Osbey, editor of his Collected Poems, "It is with publication of Gabriel Okara's first poem that Nigerian literature in English and modern African poetry in this language can be said truly to have begun."
Rajat Neogy, a Ugandan of Indian Bengali ancestry, was a writer, poet and publisher. In Kampala in 1961, at the age of 22, he founded Transition Magazine, which went on to become one of the most influential literary journals in Africa. In the words of Ngugi wa Thiong'o, "he (Neogy) believed in the multi-cultural and multifaceted character of ideas, and he wanted to provide a space where different ideas could meet, clash, and mutually illuminate. Transition became the intellectual forum of the New East Africa, and indeed Africa, the first publisher of some of the leading intellectuals in the continent, including Wole Soyinka, Ali Mazrui and Peter Nazareth."
The African Writers Series (AWS) is a collection of books written by African novelists, poets and politicians. Published by Heinemann, 359 books appeared in the series between 1962 and 2003.
African literature is literature from Africa, either oral ("orature") or written in African and Afro-Asiatic languages. Examples of pre-colonial African literature can be traced back to at least the fourth century AD. The best-known is the Kebra Negast, or "Book of Kings."
ICALEL is an acronym for the Calabar International Conference on African Literature and the English Language founded and chaired by African scholar and critic Ernest Emenyonu. At the centre of the conference are African writers and critics from all over the world. The first conference entitled “The Woman as a Writer in Africa” was held at the University of Calabar auditorium in May 1981 and Ghanaian writer Ama Ata Aidoo was keynote speaker. The themes of 1982, namely "Literature in African Languages" and "Writing Books for Children", featured Ngũgĩ wa Thiong'o and Bessie Head as keynote speakers. The many notable African writers who have featured at the conference over the years include Cyprian Ekwensi, Chinua Achebe, Wole Soyinka, Chinweizu, Dennis Brutus, Buchi Emecheta, Flora Nwapa, Elechi Amadi, Ken Saro Wiwa, Chukwuemeka Ike, Nuruddin Farah, Syl Cheney-Coker, to mention a few.
Simon E. Gikandi is a Kenyan Literature Professor and Postcolonial scholar. He is the Class of 1943 University Professor of English at Princeton University. He is perhaps best known for his co-editorship of The Cambridge History of African and Caribbean Literature. He has also done important work on the modern African novel, and two distinguished African novelists: Chinua Achebe and Ngũgĩ wa Thiong'o. In 2019 he became the president of the Modern Language Association.
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Leeds University Centre for African Studies (LUCAS) is an interdisciplinary centre at the University of Leeds that was established in 1964, and has members from a variety of faculties who share an interest in African Studies. The English, Geography, History and Politics and International Studies (POLIS) schools at the University of Leeds are all closely linked to LUCAS. The current director is Shane Doyle.
Obi Wali was a minority rights activist, politician, distinguished senator, literary scholar, and an orator from Nigeria. Among his achievements, he fought for the cause of the Ikwerre ethnic minorities and argued that African literature should be written in African languages.
James Currey is an academic publisher specialising in African Studies that since 2008 has been an imprint of Boydell & Brewer. It is named after its founder, who established the company in 1984. It publishes on a full spectrum of topics—including anthropology, archaeology, history, politics, economics, development studies, gender studies, literature, theatre, film studies, and the humanities and social sciences generally—and its authors include leading names such as Bethwell Ogot and Ngũgĩ wa Thiong'o.
Pio Zirimu was a Ugandan linguist, scholar and literary theorist. He is credited with coining the word "orature" as an alternative to the self-contradictory term, "oral literature" used to refer to the non-written expressive African traditions. Zirimu was also central in reforming the literature syllabus at Makerere University to focus on African literature and culture instead of the English canon.
Decolonising the Mind: the Politics of Language in African Literature, by the Kenyan novelist and post-colonial theorist Ngũgĩ wa Thiong'o, is a collection of essays about language and its constructive role in national culture, history, and identity. The book, which advocates linguistic decolonization, is one of Ngũgĩ's best-known and most-cited non-fiction publications, helping to cement him as a preeminent voice theorizing the "language debate" in post-colonial studies.
The Port Harcourt Book Festival is an annual literary event in Port Harcourt, Rivers State, Nigeria, organised by the Rainbow Book Club and endorsed by the Rivers State Government since 2008. The Garden City Literary Festival, which is currently known as the Port Harcourt Book Festival was founded by Governor Amaechi of Rivers State, Hundreds of literary fans flock to the Garden City every year for this six-day event, which includes a book fair, writers' workshops, and a variety of other activities. In the past the Festival has been attended by recognized authors and has hosted a number of celebrities.
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