All About My Mother is a 1999 comedy-drama film written and directed by Pedro Almodóvar, and starring Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa Maria Sardà, and Fernando Fernán Gómez.
The Official Story is a 1985 Argentine historical drama film directed by Luis Puenzo and written by Puenzo and Aída Bortnik. It stars Norma Aleandro, Héctor Alterio, Chunchuna Villafañe and Hugo Arana. In the United Kingdom, it was released as The Official Version.
Luis García-Berlanga MartíMMT was a Spanish film director and screenwriter. Acclaimed as a pioneer of modern Spanish cinema, his films are marked by social satire and acerbic critiques of Spanish culture under the Francoist dictatorship. These include Welcome Mr. Marshall! (1953), which won the International Prize at the 1953 Cannes Film Festival, Plácido (1961), nominated for an Academy Award for Best Foreign Language Film in 1962, and The Executioner (1963), winner of the FIPRESCI Prize at the 24th Venice International Film Festival He kept a long-time collaboration with screenwriter Rafael Azcona, with whom he co-wrote the scripts for seven of his films between 1961 and 1987.
Tango is a 1998 Argentine-Spanish musical drama film written and directed by Carlos Saura and starring Miguel Ángel Solá and Mía Maestro. It was photographed by cinematographer Vittorio Storaro.
Carmen is a 1983 Spanish film adaptation of Prosper Mérimée's novel Carmen, incorporating music from Georges Bizet's opera of the same name. Directed and choreographed in the flamenco style by Carlos Saura and María Pagés, it constitutes the second installment of Saura's flamenco trilogy in the 1980s, preceded by Bodas de sangre and followed by El amor brujo. The film received an Academy Award nomination for Best Foreign Language Film at the 56th Academy Awards.
Plácido is a 1960 Spanish black comedy film directed by Luis García Berlanga. It was nominated to the Academy Award as Best Foreign Language Film. It was also entered into the 1962 Cannes Film Festival.
Vengeance is a 1958 Spanish drama film directed by Juan Antonio Bardem. It was co-produced with Italy, starring Italian Raf Vallone. Francisco Rabal narrates the film.
The Invitation is a 1973 Swiss film directed by Claude Goretta.
Qivitoq - Fjeldgængeren is a 1956 Danish drama film directed by Erik Balling and starring Poul Reichhardt and Astrid Villaume. The movie was filmed entirely on location in Greenland. It was nominated both for the Academy Award for Best Foreign Language Film and for the Palme D'Or at the 1957 Cannes Film Festival.
Letters from Marusia is a 1975 Mexican film directed by Chilean filmmaker Miguel Littín. It was nominated for the Academy Award for Best Foreign Language Film. It was also entered into the 1976 Cannes Film Festival. The film is based on a Patricio Manns novel (1974) inspired by the Marusia massacre of 1925.
No One Writes to the Colonel is a 1999 Spanish-language film directed by Arturo Ripstein. It was an international co-production between France, Spain and Mexico. It is based on the eponymous novella by Colombian author and Nobel Prize winner Gabriel García Márquez. The film was also selected as the Mexican entry for the Best Foreign Language Oscar at the 72nd Academy Awards, but it did not make the final shortlist.
The Girl in Mourning is a 1964 Spanish comedy film directed by Manuel Summers. It was entered into the 1964 Cannes Film Festival. The film was also selected as the Spanish entry for the Best Foreign Language Film at the 37th Academy Awards, but was not accepted as a nominee.
Ciro Guerra is a Colombian film director and screenwriter. He is best known for his 2015 film Embrace of the Serpent, which was nominated for Best Foreign Language Film at the 88th Academy Awards, and for The Wind Journeys, selected as the Colombian entry for the Best Foreign Language Film at the 82nd Academy Awards.
The Recourse to the Method is a Mexican-Cuban drama film directed by Chilean filmmaker Miguel Littín. It is based on the 1974 novel of the same name written by Alejo Carpentier. It was entered into the 1978 Cannes Film Festival. The film was also selected as the Cuban entry for the Best Foreign Language Film at the 51st Academy Awards, but was not accepted as a nominee.
The Cannibals is a 1988 Portuguese drama film directed by Manoel de Oliveira. It was entered into the 1988 Cannes Film Festival. The film was selected as the Portuguese entry for the Best Foreign Language Film at the 62nd Academy Awards, but was not accepted as a nominee.
Without Compassion is a 1994 Peruvian drama film directed by Francisco José Lombardi, and based on the 1866 novel Crime and Punishment by Fyodor Dostoyevsky. It was screened in the Un Certain Regard section at the 1994 Cannes Film Festival. The film was selected as the Peruvian entry for the Best Foreign Language Film at the 67th Academy Awards, but was not accepted as a nominee.
October is a 2010 black comedy-drama film directed by brothers Daniel Vega Vidal and Diego Vega Vidal. The film was screened in the Un Certain Regard section at the 2010 Cannes Film Festival. The film was selected as the Peruvian entry for the Best Foreign Language Film at the 84th Academy Awards, but it did not make the final shortlist. It is a co-production between Peru, Spain and Venezuela.
La Playa DC is a 2012 internationally co-produced drama film written and directed by Juan Andrés Arango. The film competed in the Un Certain Regard section at the 2012 Cannes Film Festival. The Spanish-language film was selected as the Colombian entry for the Best Foreign Language Film at the 86th Academy Awards, but it was not nominated.
Blancanieves is a 2012 Spanish black-and-white silent drama film written and directed by Pablo Berger. Based on the 1812 fairy tale Snow White by the Brothers Grimm, the story is set in a romantic vision of 1920s Andalusia. However, the film approaches storytelling through the integration of Spanish culture from characters' names to traditions they follow. Additionally, the film alludes to other fairy tales including Cinderella and Little Red Riding Hood. While it retells stories originally told through tales based in fantasy, it derails from the traditional storytelling method that ends with a happily ever after. Instead, the film is rather dark and ends in tragedy. Berger calls it a "love letter to European silent cinema."
Zama is a 2017 Argentine period drama film directed by Lucrecia Martel, based on the 1956 novel of the same name by Antonio di Benedetto. It premiered at the 74th Venice International Film Festival. It was also screened in the Masters section at the 2017 Toronto International Film Festival. On 29 September 2017, the Argentine Academy of Cinematography Arts and Sciences chose the film as the national entry for Best Foreign Language Film at the 90th Academy Awards and Best Iberoamerican Film at the 32nd Goya Awards.
