Agnes Oaks | |
---|---|
Born | Age Oks 29 May 1970 Vändra, Estonia |
Spouse | Thomas Edur |
Children | 1 |
Career | |
Former groups | English National Ballet Birmingham Royal Ballet Estonian National Ballet |
Age Oks CBE (born 29 May 1970) [1] known professionally as Agnes Oaks, is an Estonian former ballet dancer, who was a principal dancer with English National Ballet.
Age Oks was born in Vändra to an Estonian father, Juhan Oks, and a Russian mother, Valentina Georgevna Trofimova Oks. [1] She started ballet at age 10, and her mother sent her to audition for the Estonian State Ballet School, and started training there. She later entered the Bolshoi Ballet School. [2]
Oks first danced with the Estonian National Ballet. In 1990, after winning the USA International Ballet Competition in Jackson, Mississippi with her on-and-off-stage partner Thomas Edur, Ivan Nagy, then-artistic director of English National Ballet invited the two to move to London to join the company as principal dancers, and she anglicised her stage name. [3] [4] The two then danced with the Birmingham Royal Ballet between 1996 and 1997, then went freelance but remained with the English National Ballet as principal guest artists. [1]
For Wayne McGregor's 2 Human, Oaks was nominated for the Prix Benois de la Danse, [5] and won the Laurence Olivier Award for Outstanding Achievement in Dance with Edur. [6]
In 2009, Oaks retired from dancing. She said she delayed her retirement after she learned ENB would debut Kenneth MacMillan's Manon . She then relocated to Tallinn, as Edur was named artistic director of the Estonian National Ballet. [7] [8]
Oaks is a recipient Order of the White Star, 3rd Class. [9] In 2010, she was awarded Commander of the Order of the British Empire. [10]
Oaks was married to Thomas Edur, a fellow Estonian principal at ENB and later the artistic director of Estonian National Ballet. [7] They have a daughter, born in 2010. [10]
Alina Cojocaru is a Romanian ballet dancer. She was previously a principal dancer with The Royal Ballet and a lead principal with the English National Ballet.
English National Ballet is a classical ballet company founded by Dame Alicia Markova and Sir Anton Dolin as London Festival Ballet and based in London, England. Along with The Royal Ballet, Birmingham Royal Ballet, Northern Ballet and Scottish Ballet, it is one of the five major ballet companies in Great Britain. English National Ballet is one of the foremost touring companies in Europe, performing in theatres throughout the UK as well as conducting international tours and performing at special events. The Company employs approximately 67 dancers and a symphony orchestra,. In 1984 Peter Schaufuss became director and changed the name to English National Ballet and founded the school English National Ballet School, which is independent from the ballet company but joining the company premises in the new building. The Company regularly performs seasons at the London Coliseum and has been noted for specially staged performances at the Royal Albert Hall. In 2014 English National Ballet became an Associate Company of Sadler's Wells.
Sylvie Guillem is a French ballet dancer. Guillem was the top-ranking female dancer with the Paris Opera Ballet from 1984 to 1989, before becoming a principal guest artist with the Royal Ballet in London. She has performed contemporary dance as an Associate Artist of London's Sadler's Wells Theatre. Her most notable performances have included those in Giselle and in Rudolf Nureyev's stagings of Swan Lake and Don Quixote. In November 2014, she announced her retirement from the stage in 2015.
Tamara Rojo CBE is a Spanish ballet dancer. She was the English National Ballet's artistic director and a lead principal dancer with the company between 2012 and 2022. She was previously a principal dancer with The Royal Ballet. She became the artistic director of San Francisco Ballet in late 2022.
Carlos Yunior Acosta Quesada is a Cuban-British ballet director and retired dancer who is director of the Birmingham Royal Ballet. He danced with many companies, including the English National Ballet, National Ballet of Cuba, Houston Ballet and American Ballet Theatre. He was a permanent member of The Royal Ballet from 1998 to 2015. In 2003, he was promoted to principal guest artist, a rank that reduced his commitment, enabling him to concentrate on a growing schedule of international guest appearances and tours. He celebrated his farewell after 17 years at The Royal Ballet, dancing his last performance in November 2015 in Carmen, which he both choreographed and starred in.
Sir Wayne McGregor, CBE is a British choreographer and director who has won multiple awards. He is the Artistic Director of Studio Wayne McGregor and Resident Choreographer of The Royal Ballet. McGregor was appointed Commander of the Order of the British Empire (CBE) 2011 for Services to Dance.
Crystal Pite is a Canadian choreographer and dancer. She began her professional dance career in 1988 at Ballet BC, and in 1996 she joined Ballett Frankfurt under the tutelage of William Forsythe. After leaving Ballett Frankfurt she became the resident choreographer of Montreal company Les Ballets Jazz de Montreal from 2001 to 2004. She then returned to Vancouver where she focused on choreographing while continuing to dance in her own pieces until 2010. In 2002 she formed her own company called Kidd Pivot, which produced her original works Uncollected Work (2003), Double Story (2004), Lost Action (2006), Dark Matters (2009), The You Show (2010), The Tempest Replica (2011), Betroffenheit (2015), and Revisor (2019) to date. Throughout her career she has been commissioned by many international dance companies to create new pieces, including The Second Person (2007) for Netherlands Dans Theater and Emergence (2009) for the National Ballet of Canada, the latter of which was awarded four Dora Mavor Moore Awards.
Esteban Berlanga is a Spanish ballet dancer and a principal dancer with the Compañía Nacional de Danza, Madrid.
Marie-Agnès Gillot is a French ballet dancer and choreographer. She danced with the Paris Opera Ballet as an étoiles. She is also POB's first in-house female dancer to choreograph for the company.
Vadim Muntagirov is a Russian ballet dancer. He is currently a principal dancer at The Royal Ballet in London and previously a lead principal dancer at the English National Ballet.
Cynthia Harvey is an American former ballet dancer, ballet mistress and educator. She joined the American Ballet Theatre (ABT) in 1974 and was promoted to principal dancer in 1982. In 1986, she joined The Royal Ballet, becoming the company's first American principal dancer. She returned to ABT two years later, and retired in 1996. She then started teaching and staging ballets across the world. Between 2016 and 2022, she was the artistic director of the Jacqueline Kennedy Onassis School, the affiliated school of ABT.
Hélène Bouchet is a French ballet dancer is a principal dancer at the Hamburg Ballet.
Isabelle Guérin is a French ballet dancer. She was a member of the Paris Opera Ballet from 1978. In 1985, she received the title of Danseuse Étoile from Rudolf Nureyev. John Rockwell has described Guérin and Laurent Hilaire as "two of the Opera Ballet's greatest stars". She danced classical and modern repertoires until her retirement in 2001.
Stephen Jefferies is a retired ballet dancer, artistic director and choreographer. He was a senior principal dancer for The Royal Ballet and The National Ballet of Canada.
Toomas Edur is an Estonian former ballet dancer, and until 2019, the artistic director of Estonian National Ballet.
Itziar Mendizabal is a Spanish ballet dancer who has performed as a First Soloist with The Royal Ballet since 2010.
Elisa Carrillo Cabrera is a Mexican classical ballet dancer. She is a co-director of the Mexican National Dance Company and principal dancer with the Berlin State Ballet.
Dust is a one-act contemporary ballet about World War I, choreographed by Akram Khan, music by Jocelyn Pook and created for the English National Ballet. It marked the first time Khan worked with a ballet company, and premiered on 2 April 2014 at the Barbican Centre, London.
The Seasons' Canon is a contemporary ballet choreographed by Crystal Pite to Max Richter's recomposition of Vivaldi's The Four Seasons. The ballet is Pite's first work made for the Paris Opera Ballet, and premiered in 24 September 2016 at the Palais Garnier. Pite won the Prix Benois de la Danse for Best Choreographer.
Jean-Marc Puissant is a stage and costume designer. curator and consultant for live arts and exhibitions. Based in London, Puissant collaborates with international brands, directors, choreographers and curators in the UK, USA, Europe, Australia and Japan.