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Leslie William Brotherston OBE (born 1961) is a British set and costume designer. [1]
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Leslie William Brotherston OBE (born 1961) is a British set and costume designer. [1]
He was born in Liverpool and attended Prescot Grammar School. [2]
He trained at the Central School of Art and Design, graduating in theatre design in 1984.
He was a production designer of Letter to Brezhnev in the same year. He has worked in dance, theatre, opera, musicals and film, and has collaborated with Matthew Bourne. He won the Olivier Award for Cinderella and the Tony Award for Swan Lake . [3]
National Life Stories conducted an oral history interview (C1173/10) with Lez Brotherston in 2006 for its An Oral History of Theatre Design collection held by the British Library. [4]
Brotherston was appointed Officer of the Order of the British Empire (OBE) in the 2022 New Year Honours for services to dance and theatre. [5]
Sandy Powell is a British costume designer. She has worked extensively on screen productions across independent films and blockbusters throughout her career, which has spanned over three decades. She has received numerous accolades, including three Academy Awards, three BAFTA Awards, and two Costume Designers Guild Awards. Powell was appointed Officer of the Order of the British Empire (OBE) in the 2011 New Year Honours for her services to the film industry.
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Anthony John Walton was a British set and costume designer. He won three Tony Awards, an Academy Award, and a Emmy Award. He received three Tony Awards for Pippin (1973), House of Blue Leaves (1986), and Guys and Dolls (1992). For his work in movies, he won an Academy Award for Best Production Design, for All That Jazz (1979), and nominations for Mary Poppins (1964), Murder on the Orient Express (1974), and The Wiz (1978). For his work in television, he won an Primetime Emmy Award, for Death of a Salesman (1985).
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Jayne Regan Pink is a British dancer, choreographer, repetiteur, dialect coach and artistic associate. She studied at the Royal Ballet School and spent much of her professional career as a principal dancer with Northern Ballet Theatre. She created leading roles in most of the company's repertoire between 1986 and 1998 alongside collaborators including director Christopher Gable, director-choreographer Michael Pink, composer Philip Feeney and designer Lez Brotherston. She has been referred to as "one of the jewels in the crown of English dance" and "one of the finest dramatic dancers of today, ranking along side Lynn Seymour, Marcia Haydee, Anna Laguna and Elaine McDonald." Since retiring from dance, she has moved to Milwaukee, Wisconsin with her husband, Artistic Director of the Milwaukee Ballet Michael Pink. She has served as a choreographer, movement director, dialect coach and repetiteur in Milwaukee and internationally. She currently serves as Artistic Associate with Renaissance Theaterworks.
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