![A calligraphy specimen of two couplets from the Divan of Amir Shahi, signed by Ahmad Mashhadi, dated A.H. 978 [1570 CE]. Arthur M. Sackler Gallery A calligraphy specimen of two couplets from the Divan of Amir Shahi, signed by Ahmad al-Husayni al-Mashhadi.jpg](http://upload.wikimedia.org/wikipedia/commons/thumb/e/e2/A_calligraphy_specimen_of_two_couplets_from_the_D%C4%ABv%C4%81n_of_Am%C4%ABr_Sh%C4%81h%C4%AB%2C_signed_by_A%E1%B8%A5mad_al-%E1%B8%A4usayni_al-Mashhad%C4%AB.jpg/220px-A_calligraphy_specimen_of_two_couplets_from_the_D%C4%ABv%C4%81n_of_Am%C4%ABr_Sh%C4%81h%C4%AB%2C_signed_by_A%E1%B8%A5mad_al-%E1%B8%A4usayni_al-Mashhad%C4%AB.jpg)
Ahmad Mashhadi, also known as Mir Seyyed Ahmad, was an important Persian Nastaliq calligrapher in the 16th century. He was from Mashhad. He was also a poet and some of his original poems still exist. [1]
Ahmad Mashhadi, also known as Mir Seyyed Ahmad, was an important Persian Nastaliq calligrapher in the 16th century. He was from Mashhad. He was also a poet and some of his original poems still exist. [1]
Mashhadi learnt calligraphy art in Herat under Mir Ali Heravi. After that Shaybanids captured the city, both of them immigrated to Bukhara. After Heravi's death, he worked some time as a scrivener in the library of Abdolaziz Khan Ozbak. When Abdolaziz Khan died, he came back to his home town. He worked there as a scrivener in the court of Tahmasp I and his successor Ismail II. He died in 1578 in Mazandaran. [2]
Nastaliq, also romanized as Nastaʿlīq or Nastaleeq, is one of the main calligraphic hands used to write the Perso-Arabic script and it is used for some Indo-Iranian languages, predominantly Classical Persian, Kashmiri, Punjabi (Shahmukhi) and Urdu. It is often used also for Ottoman Turkish poetry, but rarely for Arabic. Nastaliq developed in Iran from naskh beginning in the 13th century and remains widely used in Iran, Afghanistan, Pakistan, and other countries for written poetry and as a form of art.
Ali-qoli Khan, commonly known by his regnal title Adel Shah was the second shah of Afsharid Iran, ruling from 1747 to 1748. He was the nephew and successor of Nader Shah, the founder of the Afsharid dynasty.
Persian calligraphy or Iranian calligraphy is the calligraphy of the Persian language. It is one of the most revered arts throughout the history of Iran.
Sultan ‛Ali Mashhadi, Persian: سلطانعلی مشهدی was a Persian calligrapher and master of nastaliq script.
Islam Khan V was one of the prominent Emir and nobleman during the Mughal empire. He was titled "Islam Khan" and "Barkhurdar Khan" by Emperor Bahadur Shah I and held many important posts during the successive rules of Bahadur Shah I, Jahandar Shah, Farrukhsiyar, Rafi ud Darajat, Shah Jahan II and Muhammad Shah.
The Sharif al-Ulama family are descendants of Mir Abd al-Baqi Musavi who was one of the greatest religious scholars of Rasht. He was known as Hujjat al-Islam and he was granted the title Sharif al-Ulama by the shah of the time.
Abd ol-Baghi Tabrizi was a prominent Iranian calligrapher during the reign of Safavid dynasty. He was specially an expert in the Thuluth, Naskh and Reqa script. He lived during the era of Abbas I and was a student of Alaeddin Tabrizi and Ali Reza Abbassi. He died in 1629.
Aboutorab Esfahani, pseudonym: Toraba, (1581–1662) was a prominent Persian calligrapher of the Nastaliq script and one of the most important calligraphy students of Mir Emad.
Mohammad Saleh Esfahani was a Persian calligrapher in the Safavid era. He was the son and student of Aboutorab Esfahani. He was a follower of Mir Emad's style. Many of the inscriptions on the historical buildings in Esfahan like the inscription on the iwan of Chehel Sotoun palace are his works. He died on 3 April 1714.
Mohammad Hossein Tabrizi was a Persian calligrapher in 16th-century Safavid Iran. Tabrizi learnt calligraphy from the famous Ahmad Mashhadi. He later became a teacher of the equally renowned Mir Emad Hassani. Due to his great command in the art of calligraphy, a renowned profession in Iran, he was bestowed with the honorary title mihin Ustad.
Mir Ali Heravi, also known as Mir Ali Hossein Heravi and Mir Jan, titled as Kateb-e Soltani, was a prominent Persian calligrapher and calligraphy teacher of Nastaʿlīq script in the 16th century. He was the second significant Persian calligrapher after Mir Emad. He had artistic influence on the later calligraphers.
Baba Shah Isfahani, also known as Baba Shah Araghi, was the most famous Iranian calligrapher in the 16th century and the most prominent calligrapher of Nastaliq script in the era of Tahmasp I. He was titled as Reyis or-Roassa. His calligraphy teacher was Ahmad Mashhadi. In 1588, when he was young, he travelled to Iraq. He was killed in Baghdad and was buried in the city. His works date back from 1569 until 1586.
Mohammad Mohsen Emami was a famous Persian calligrapher of the Thuluth script in the Safavid era. He was Mohammad Reza Emami's son and Ali Naghi Emami's father, who were also the famous calligrapher of the Thuluth script.
Ahmad Monshi Ghomi, also known as Ghazi Ahmad, was a Persian author and calligrapher.
Molana Malek Deylami was a Persian scrivener and calligrapher in the 16th century. He was born and died in Qazvin. He was a skillful Nastaliq calligrapher, who wrote bold and fine script skillfully.
Gholamreza Ghodsi was a belletrist and poet from Mashhad, Iran.
Fethullah Qa'ravi Isfahani was a Persian cleric and rebel.
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