Carlos Alberto Vives Delano is a Colombian singer, songwriter and actor.
Vallenato is a popular folk music genre from Colombia. It primarily comes from its Caribbean region. Vallenato literally means "born in the valley". The valley influencing this name is located between the Sierra Nevada de Santa Marta and the Serranía de Perijá in north-east Colombia. The name also applies to the people from the city where this genre originated: Valledupar. In 2006, vallenato and cumbia were added as a category in the Latin Grammy Awards. Colombia’s traditional vallenato music is Intangible Cultural Heritage in Need of Urgent Safeguarding, according to UNESCO.
Clásicos de la Provincia is the sixth album by Colombian singer/composer Carlos Vives. Released in Colombia in late 1993, and internationally on February 22, 1994, the album is a collection of Colombian vallenato standards. The album made Vives a superstar in Colombia and was his breakthrough in the Vallenato genre.
Escalona: Vol. 2 is the fifth album by Colombian singer/composer Carlos Vives and companion soundtrack to the telenovela Escalona, released in 1991. The album is an additional collection of classic tracks from vallenato legend Rafael Escalona, performed by the show's star, singer/composer Carlos Vives. The soundtrack would mark the first collaboration of Carlos and the band La Provincia.
No Podrás Escapar de Mí is the second album released by Colombian singer/composer Carlos Vives. It was released in 1987, Vives was best known as the star of soap operas at the time of its release. The album contains romantic ballads and Rock music sung in Spanish. Vives embraced Vallenato later in his career. Although the title track reached number 30 in the Billboard Hot Latin Tracks, the album was largely ignored by the public, and is a collector's item for fans.
Por Fuera y Por Dentro is the first album released by Colombian singer/composer Carlos Vives. Its release date was June 6, 1986. Vives was best known as the star of television soap operas at the time of its release. The album contains romantic ballads with heavy use of synthesizers, and precedes the era before Vives started singing vallenato, the genre that he has been associated with for the most part of his career. As it was the case with his next early albums, this was not a commercial success, and it's his least known record. Largely ignored by the public, the album is a collector's item for fans, and is a difficult find.
La gota fría is a 1938 Colombian Vallenato song, composed by Emiliano Zuleta. It has been proposed as an unofficial Colombian anthem. The song emerged from a musical controversy with Lorenzo Morales. Many artists had covered the song include Carlos Vives, Grupo Niche, Ray Conniff, Gran Pachanga, Los Joao, La Sonora Dinamita, Julio Iglesias, Tulio Zuloaga, and Alfredo Gutiérrez. The title of the song alludes metaphorically to the weather phenomenon, in which a cold front clashes with warm air, producing heavy storms and torrential rains; the cold drop is occasionally apparent near the Sierra Nevada de Santa Marta.
20 De Colección is a compilation album by Colombian singer/musician Carlos Vives released on June 21, 1994. The collection was released as part of the Sony International 20 De Colección series.
Binomio de Oro de América is a Colombian Vallenato group that was founded by lead singer Rafael Orozco and accordionist Israel Romero in the Caribbean Region of Colombia on June 16, 1976. The group grew up in popularity in the 1980s and 1990s and developed mainstream popularity in Venezuela, especially in the city of Maracaibo and in Mexico, mainly in the city of Monterrey.
Jean Carlos Jiménez Centeno is Colombian-Venezuelan singer and composer of vallenato, bolero and salsa. Centeno gained fame as singer and composer for the vallenato group Binomio de Oro de America. On December 31, 2005 Centeno left the Binomio de Oro to pursue his own vallenato group along accordionist Juan Fernando "Morre" Romero. In 2006 Centeno and Romero released the album Ave Libre.
Tropipop is a music genre that developed in Colombia in the late 1990s and early 2000s. It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly vallenato, with foreign Latin genres such as salsa and merengue, and pop and pop rock. The term "tropipop" comes from the synthesis of the words "tropical" and "pop music" describing the genre's mix of Latin tropical roots with American popular music.
Clásicos de la Provincia II is the twelfth album by Colombian singer/composer Carlos Vives. The album is a sequel to Vives' 1993 breakthrough album Clásicos de la Provincia and like its predecessor it is a collection of vallenato standards, updated by Carlos and his long-time backing band La Provincia.
"Volví a Nacer" is a song written and performed by Colombian recording artist Carlos Vives and co-produced by Andrés Castro. Following an international hiatus, it was released as the lead single from his thirteenth studio album Corazón Profundo (2013) on September 24, 2012. The song's lyrics are in Spanish and were inspired by the events of his music career as well as his wife Claudia Elena Vásquez. It is described by Vives as a romantic song with elements of Colombian vallenato and pop music.
Corazón Profundo is the thirteenth studio album by Colombian recording artist Carlos Vives, released by Sony Music on April 23, 2013. This was Vives's first studio album since 2009's Clásicos de la Provincia II and the first to feature all-new material since 2004's El Rock de Mi Pueblo. He was also away from the music industry Sony Music and returns after 20 years when he made the album Escalona: Vol. 2 in 1992.
The discography of Carlos Vives, a Colombian musician, consists of thirteen studio albums, thirty singles and music videos.
Pombo Musical is a children's album produced by Colombian recording artist Carlos Vives, as a musical tribute to the Colombian writer and poet Rafael Pombo. It was released on August 13, 2008, under Vives' label Gaira Música Local. The album came into fruition when Rafael Pombo Foundation president Juanita Santos asked Vives to craft a musical that uses Pombo's most iconic poems and fables he created. Its music incorporates a variety of Colombian folk genres and mixes in contemporary genres like Latin pop and pop rock. Among the 14 tracks present in the album, only one was released as a single, "El Modelo Alfabético". All the lyrics were written originally by Rafael Pombo, and produced by Vives. Pombo Musical was well-received, and was certified platinum in Colombia by the Asociación Colombiana de Productores de Fonogramas (ASINCOL). It also won some accolades, including a Latin Grammy Award for Best Latin Children's Album, and a Premio Shock for Best Compilation.
"La Bicicleta" is a song by Colombian singers Carlos Vives and Shakira from Vives' fifteenth studio album Vives (2017) and is also included as an album track on Shakira's eleventh studio album El Dorado (2017). The song was written by both singers, and produced by Andrés Castro and it marks Shakira's first collaboration with a fellow Colombian artist. "La Bicicleta" was intended to be representative of both singers' homelands musical styles in Colombia. It is a song with a mixture of various musical elements - vallenato, pop and cumbia and instrumentally, it features indigenous Colombian wind instruments and accordions. Lyrically, it is a nostalgic song, describing the duo's excursion on bikes to places of their childhood. Music critics reviewed the song positively, praising it for its catchiness and inclusion of various Colombian music elements. The song won two Latin Grammy Awards at the 17th Latin Grammy Awards for Song of the Year and Record of the Year.
"La Tierra del Olvido" is a song by Colombian singer Carlos Vives from his seventh studio album of the same name (1995). The song was written by Iván Benavides and Vives, who handled production alongside Richard Blair. It was released as the lead single from the album in 1995. The song is a neo-vallenato number that utilizes the folk guitar and accordion, on which Vives longs for his homeland. The song received positive reactions from three music critics, being found as one of the album's catchiest tunes by them. It was a recipient at the ASCAP Latin Awards in 1996.
"Alicia Adorada" is a Colombian song written and performed by Juancho Polo Valencia.
