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Aladdin | |
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Directed by | Masakazu Higuchi Chinami Namba |
Written by | Jack Olesker |
Based on | Aladdin and the magic lamp from One Thousand and One Nights |
Produced by | Diane Eskenazi |
Starring | |
Music by | Richard Hurwitz John Arrias |
Production companies | |
Distributed by | GoodTimes Home Video |
Release date |
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Running time | 48 minutes |
Countries | Japan United States |
Language | English |
Aladdin is a 1992 animated fantasy film. [1] It is based on the classic Arabian Nights story Aladdin , translated by Antoine Galland. Aladdin was produced by Golden Films and the American Film Investment Corporation. Like all other Golden Films productions, the film featured a single song, "Rub the Lamp", written and composed by Richard Hurwitz and John Arrias. It was released directly to video on April 27, 1992 by GoodTimes Home Video (7 months before Disney's version was released) and was reissued on DVD in 2002 as part of the distributor's "Collectible Classics" line of products.
A young boy named Aladdin lives a poor life with his mother. A shifty man named Hassim approaches Aladdin claiming to be his long lost uncle and persuades him to come on a journey promising riches. Once in the desert amid some ruins, Hassim performs an incantation to open a cave and Aladdin realizes that Hassim is not his uncle. Hassim only brought him here because he is the only one who can enter the cave interior. Aladdin reluctantly enters the cave and finds what Hassim was looking for: an old lamp. Fearing that Hassim will kill him after he gets what he wants, Aladdin refuses to hand over the lamp and Hassim closes the cave trapping Aladdin. Unwittingly, Aladdin rubs the lamp and releases a powerful genie who can grant any wish. Aladdin makes a wish to return to his home. After his safe return, Aladdin's mother disregards the lamp and Aladdin keeps it hidden and remains silent about it.
Four years later, Aladdin is captivated by the Sultan's daughter Layla and sneaks into the bathing house to see her. Aladdin escapes the guards and returns home to tell his mother his wish to marry the princess. The next day, Aladdin's mother presents a sack of jewels he obtained from the cave before the sultan. The sultan's conniving vizier (who has plans to have his own son marry the princess) convinces the sultan that his daughter is worth more than the jewels and that Aladdin should bring bigger riches and many servants. With the aid of the lamp, Aladdin accomplishes this. The sultan allows Aladdin to marry Layla and Aladdin has the genie build a palace by the city for the married couple to live in peacefully.
Hassim hears about Aladdin's success with the lamp from the medicine woman Fatima. Hassim travels to Aladdin's palace. With Aladdin out on a hunt, Hassim tricks Layla into swapping the genie's lamp for a new one and makes a wish for the palace and princess to be transported to Marrakesh. Hearing about his daughter's disappearance, the sultan has Aladdin arrested. Before Aladdin can be sentenced, Fatima (who did not get her end of the bargain with Hassim) approaches and reveals the whereabouts of Layla. With his mother in the sultan's custody and one month to put things right, Aladdin travels to Marrakesh, sneaks into his palace and swipes the lamp from a sleeping Hassim. With the lamp back in his possession, Aladdin wishes his wife and palace to be returned to his homeland.
Hassim notices Aladdin's liberation and swears revenge. He holds Fatima at knifepoint and steals her clothes to disguise himself as her, then beckons the princess to have Aladdin wish for the egg of the fabled Roc to bring them good luck. The genie is not able to grant this wish as the Roc is superior to him and reveals that Fatima is actually Hassim. Aladdin feigns illness to bring Hassim right where he wants him. Aladdin and Hassim duel, ending up with Hassim tripping on his robe and is accidentally impaled by his own sword, killing himself. Aladdin and the princess then live happily ever after without the fear of anyone stealing the lamp again.
Shortly after its appearance as a VHS by GoodTimes, the Disney Company brought an unfair competition and infringement lawsuit, claiming that the GoodTimes packaging deliberately imitated the style of the images used by Disney to promote its own Aladdin theatrical film thereby deceiving consumers into thinking they were buying the Disney film (which had not yet been issued on VHS). However, a federal court dismissed the suit on the grounds that Aladdin was a public domain work and the GoodTimes packaging (with an enormous, mustached, genie with gold or orange coloring) was sufficiently distinct from the Disney images (with an enormous, non-mustached, blue genie). [2] [3]
Aladdin is a 1992 American animated musical fantasy comedy film produced by Walt Disney Feature Animation and released by Buena Vista Pictures Distribution under Walt Disney Pictures. It is based on the Arabic folktale "Aladdin" from One Thousand and One Nights. The film was produced and directed by John Musker and Ron Clements from a screenplay they co-wrote with the writing team of Ted Elliott and Terry Rossio. Featuring the voices of Scott Weinger, Robin Williams, Linda Larkin, Jonathan Freeman, Frank Welker, Gilbert Gottfried and Douglas Seale, the film follows the titular Aladdin, an Arabian street urchin who finds a magic lamp containing a genie. With the genie's help, Aladdin disguises as a wealthy prince and tries to impress the Sultan of Agrabah to win the heart of his free-spirited daughter, Princess Jasmine, as the Sultan's evil vizier, Jafar, plots to steal the magic lamp.
Aladdin is a Middle-Eastern folk tale. It is one of the best-known tales associated with One Thousand and One Nights, despite not being part of the original text; it was added by the Frenchman Antoine Galland, based on a folk tale that he heard from the Syrian storyteller Hanna Diyab.
Jafar is a fictional character in Walt Disney Pictures' animated film Aladdin (1992). He is voiced by Jonathan Freeman, who also portrayed the character in the Broadway musical adaptation. Jafar also appears in the 1994 sequel to Aladdin, but he is not in the 1996 third film or the television series, although he does return in the latter's crossover Hercules and the Arabian Night.
The Return of Jafar is a 1994 American direct-to-video animated musical fantasy film produced by Walt Disney Pictures and Television. It is the first sequel to Disney's 1992 animated feature film, Aladdin, made by combining the planned first five episodes of the Aladdin animated television series into a feature-length film.
Aladdin: The Series is an American animated television series produced by Walt Disney Television Animation that aired from February 6, 1994, to November 25, 1995, concluding exactly three years to the day from the release of the original Disney's 1992 animated feature film of the same name on which it was based. Despite the animated television series premiering four months before the first sequel, the direct-to-video film The Return of Jafar, it takes place afterward. The second and final animated sequel was the 1996 direct-to-video film, Aladdin and the King of Thieves.
Scooby-Doo! in Arabian Nights is a 1994 made-for-television film produced by Hanna-Barbera, and aired on syndication on September 3, 1994. It is an adaptation of The Book of One Thousand and One Nights and features appearances by Scooby-Doo and Shaggy Rogers, in wrap around segments.
Arabian Nights is a two-part 2000 miniseries, adapted by Peter Barnes from Sir Richard Francis Burton's translation of the medieval epic One Thousand and One Nights. Mili Avital and Dougray Scott star as Scheherazade and Shahryar respectively. Produced by Dyson Lovell and directed by Steve Barron, the serial was produced by Hallmark Entertainment and originally broadcast over two nights on 30 April and 1 May 2000 on BBC One in the United Kingdom and ABC in the United States.
Aladdin Jr. is a one-act, eleven-scene theatre musical adapted from the 1992 Walt Disney Animation Studios film Aladdin which is an adaptation of the folk tale Aladdin. The production runs between 60 and 80 minutes and includes five female parts, six male parts, and a chorus.
A Thousand and One Nights is a 1945 tongue-in-cheek American adventure fantasy film set in the Baghdad of the One Thousand and One Nights, directed by Alfred E. Green and starring Evelyn Keyes, Phil Silvers, Adele Jergens and Cornel Wilde.
La Rosa di Bagdad is a 1949 Italian animated film by Anton Gino Domeneghini. In 1952, the film was dubbed into English, retitled The Singing Princess and dubbed by Julie Andrews as her first venture into voice-over work. The film was reissued in 1967, at the height of Andrews' subsequent Hollywood career. It is often cited as one of the first animated films from Europe and in Technicolor together with The Dynamite Brothers. It is also Italy's first film in Technicolor.
Aladdin is a stage musical based on Disney's 1992 animated feature film of the same name with a book by Chad Beguelin, music by Alan Menken and lyrics by Howard Ashman, Tim Rice and Beguelin. It resurrects three songs written by Menken and Ashman for the film but not used, and adds four songs written by Menken and Beguelin.
Twisted: The Untold Story of a Royal Vizier is a musical with music by A. J. Holmes, lyrics by Kaley McMahon, and a book by Matt Lang, Nick Lang, and Eric Kahn Gale. It was produced by StarKid Productions.
1001 Arabian Nights is a 1959 American animated comedy film produced by United Productions of America (UPA) and distributed by Columbia Pictures. Released to theaters on December 1, 1959, the film is a loose adaptation of the Arab folktale of "Aladdin" from One Thousand and One Nights, albeit with the addition of UPA's star cartoon character, Mr. Magoo, to the story as Aladdin's uncle, "Abdul Azziz Magoo". It is the first animated feature to be released by Columbia Pictures.
Aladdin And The Wonderful Lamp is a 1952 Indian fantasy film produced and directed by Homi Wadia.
Aladdin and the Wonderful Lamp is a 1982 Japanese anime fantasy film produced by Toei Animation, based on the Middle Eastern folk tale of Aladdin. The film was released in Japan on 13 March 1982 by Toei Company.
The Genie is a fictional character who appeared in Walt Disney Pictures' animated film Aladdin (1992), later appearing in other media of the Aladdin franchise as one of its main characters, as well as throughout other Disney media. He was voiced by Robin Williams in the first film, on whom the character's mannerisms were based. Following a contract dispute between Williams and Disney, Dan Castellaneta voiced the Genie in the direct-to-video feature The Return of Jafar, as well as the television series. Williams reprised the role for the final film installment Aladdin and the King of Thieves, and the character's own educational mini-series Great Minds Think for Themselves.
Aladdin is a 2019 American musical fantasy film directed by Guy Ritchie from a screenplay he co-wrote with John August. Co-produced by Walt Disney Pictures and Rideback, it is a live-action adaptation of Disney's 1992 animated film Aladdin, itself based on "Aladdin and the Wonderful Lamp", a French addition to the Middle Eastern folktale collection One Thousand and One Nights. The film stars Will Smith, Mena Massoud and Naomi Scott with Marwan Kenzari, Navid Negahban, Nasim Pedrad, and Billy Magnussen in supporting roles. The plot follows Aladdin, a street urchin, as he falls in love with Princess Jasmine, befriends a wish-granting genie, and battles the wicked sorcerer Jafar.
Aladdin's Magic Lamp is a 1967 Soviet fantasy film directed by Boris Rytsarev based on the tale Aladdin from One Thousand and One Nights.
Aladdin and His Wonder Lamp, is a 1906 French silent trick film directed by Albert Capellani, inspired by the folk tale, "The Story of Aladdin; or, the Wonderful Lamp", first known in Europe through its 18th century populariser, Antoine Galland, who added the tale to his translation of One Thousand and One Nights. His version, the first appearance of Arabian Nights in Europe, was published as Les mille et une nuits, between 1704 and 1717. Galland had heard the "Aladdin" story from the Maronite traveller and storyteller Hanna Diyab, in Paris, probably in the French language. The film is the oldest surviving cinematographic adaptation of this tale.