This biographical article is written like a résumé .(March 2023) |
Alan Pogue | |
---|---|
Born | 1946 (age 76–77) Corpus Christi, Texas, U.S. |
Occupation | Photojournalist |
Alan Pogue (born 1946 in Corpus Christi, Texas) is a photojournalist who works exclusively in black-and-white still documentary photography. His career focuses on social justice and Texas politics from the early 1970s to the present. [1]
Pogue's work is impelled by "unstoppable activism and commitment". [2] His striking images have an unimposing, intimate quality. His travels have taken him around the world, including Cuba, Pakistan, Iraq, Chiapas, Haiti, Saudi Arabia, and Rio Grande valley of Texas.
Pogue was raised a Catholic in Corpus Christi. At the age of nine, Pogue had a vivid and detailed experience, when a mental picture of a street scene was imprinted in his mind, as if a photograph had been taken. Later he was drafted into the army. [3] As a young chaplain headed to serve in the Vietnam War, his mother gave him a Kodak Instamatic. She asked him to send her pictures because she knew he wasn't going to write. Disillusioned with the U.S. Army Chaplain Corps he was assigned to, he volunteered as a front-line medic, with the 198th Light Infantry Brigade. This took him to the front lines, providing ample opportunity for taking pictures. These snapshots of G.I.s and Vietnamese piqued his interest and became the impetus for his career in documentary photography.
During the 1968 Tet offensive, he endured shelling and witnessed a member of his unit being shot to death, leading him to question the justification of the war. Taking Instamatic snap shots in Vietnam was just the beginning of his career in photography. [4]
Returning to the United States, Pogue enrolled in the University of Texas at Austin to study philosophy. He became the staff photographer for the university's underground paper, The Rag , published in Austin, Texas, during the '60s and '70s. By living frugally he was free to follow his heart and choose subjects he cared about. He kept his rent low by living in a janitor's closet at the University YWCA, and he found free meals at Les Amis, a cafe that treated him as its artist-in-residence. He survived on wedding and passport work plus his income from the Texas Observer , which paid him $5 a picture. [4]
In 1980 Pogue had his first real photography show at Brazos Books. It was there he met Russell Lee, a noted photographer from the depression-era Farm Security Administration. Lee befriended Pogue and became his mentor. At their last meeting before Lee died in 1986 Lee made Pogue commit to never abandon black-and-white still photography. Pogue promised and has kept his word. [4]
Pogue found the University of Texas student protests against the Vietnam War a natural subject in 1970. He also documented active-duty soldiers from Fort Hood, gathering in front of a G.I. coffeehouse, prior to demonstrating against the war in Killeen, Texas. This led to a lifetime of photography that captures striking images of intimate human conditions, with an unwavering eye. His work focuses on social justice, and spans geographies from Cuba to Iraq. [1]
A 1972 photograph documented the struggle of women and reproductive freedom. It shows a woman in the University YMCA on the phone, providing birth control and abortion information. That woman later helped persuade Sarah Weddington to take on the landmark Roe v. Wade case. [1]
During 1974, Pogue's lens captured civil rights protests on Austin's east side, where Brown Berets led hundreds of marchers to the police station to protest killings of Mexican American and African American youths by the police. In 1982 he again documented a demonstration, this time after a Mexican American youth was killed by Dallas police. [1]
His interest in social justice organizations grew and they became both the subject of his documentary photography and his politics. He used showings of his photography to speak about social injustice. His 1979 "The Short-Handled Hoe" from Hidalgo, Texas exposed the cruelty of growers forcing field workers to bend over solely to discern whether they were working. [1] He documented the work of the United Farm Workers, and photographed its leaders, Cesar Chavez and Dolores Huerta. [1] Pogue provided a 1993 photograph titled 'Farmworker Women' to support the National Center for Farmworker Health. [5] The 'Migrant Clinicians Network' is a beneficiary of Pogue's support. [6]
Pogue used his photography to document the plight of prisoners held in the Texas state prison system. His 'Photographs from prison' supports the work of Citizens United for Rehabilitation of Errants (CURE) a grassroots organization of Texas origin. [7] He has chronicled inmates sitting on Texas' death row. His photographs appear in 'Behind the Walls: A Guide for Families and Friends of Texas Prison Inmates' by Antonio Antonio Renaud.
When members of the Christian Peacemaker Team chained themselves to a house in the West Bank in 1998, attempting to prevent its demolition by Israeli forces, Pogue preserved the moment on film. In Jerusalem, his camera found members of Bat Shalom's Women in Black, while they protested the occupation of Palestine. [4]
During the embargo of Iraq following the 1991 first Gulf War, Pogue went to Iraq, despite a State Department ban on travel there. Near Basra he photographed an Iraqi girl, Asraa' Mizyad, whose arm was severed by fragment from a U.S. cruise missile. This image is among Pogue's most well known. [1] He made five trips to Iraq with Veterans For Peace between 1998 and 2004.
His lens captured many well known Texans, including, John Henry Faulk, Sissy Farenthold, Barbara Jordan, Molly Ivins, Ann Richards, Jim Hightower, and George Bush. [1] These photographs provide an intimate look at their humanity and remind the viewer of their essential qualities. For example, his photograph of then-Governor George Bush, shows him with his cheeks puffed out in a classic expression of exasperation.
Pogue won The Austin Chronicle's Best Photographer reader's poll six times and is the 2009 Best All Around Winner in the Media category. [8] In 1983 Pogue received the Dobie Paisano Fellowship, recognizing his writings related to Texas. [9]
A longtime member of Veterans for Peace, Pogue has used his photography to support the organization. [10]
Pogue is a staff photographer for the Texas Observer in Austin, Texas, starting there in 1971. [11] He continues his work at the Texas Center for Documentary Photography in Austin and supports the causes of justice that have been the core of his documentary photograph career.
During the coronavirus pandemic, Pogue journeyed to Oklahoma to cover President Donald Trump's June 20, 2020 Tulsa rally. The Texas Observer provided Pogue a letter for the purpose of establishing press credentials. He was able to enter the Bank of America Center where the rally was held. While waiting for Trump to arrive, he heard something was happening outside. Pogue ventured outside and was taking photos, of Black Lives Matter protestors being arrested, when he came to the attention of the police. They arrested him for 'obstruction' and took him to jail. He was released the following day. [3]
Edward Thomas Adams was an American photographer and photojournalist noted for portraits of celebrities and politicians and for coverage of 13 wars. He is best known for his photograph of the summary execution of Nguyễn Văn Lém, a Viet Cong prisoner, for which he won the Pulitzer Prize for Spot News Photography in 1969. Adams was a resident of Bogota, New Jersey.
Elliott Erwitt is a French-born American advertising and documentary photographer known for his black and white candid photos of ironic and absurd situations within everyday settings. He has been a member of Magnum Photos since 1953.
Danny Lyon is an American photographer and filmmaker.
Lucian Perkins is an American photojournalist, who is best known for covering a number of conflicts with profound compassion for his photograph's subjects, including the war in Afghanistan, Kosovo and the 1991 Persian Gulf War. It has been said that Perkins has a developed style that not only portrays the hopes and weaknesses of the people in his photographs but in an unconventional manner. Perkins currently works at The Washington Post, where he has worked for the past 30 years and resides in Washington, D.C.
David Hume Kennerly is an American photographer. He won the 1972 Pulitzer Prize for Feature Photography for his portfolio of photographs of the Vietnam War, Cambodia, East Pakistani refugees near Calcutta, and the Ali-Frazier fight in Madison Square Garden. He has photographed every American president since Lyndon B Johnson. He is the first presidential scholar at the University of Arizona.
Russell Werner Lee was an American photographer and photojournalist, best known for his work for the Farm Security Administration (FSA) during the Great Depression. His images documented the ethnography of various American classes and cultures.
David Leeson was a staff photographer for The Dallas Morning News. He won the Pulitzer Prize for Breaking News Photography in 2004, together with Cheryl Diaz Meyer, for coverage of the Iraq War. He also received the RTNDA Edward R. Murrow Award, the National Headliner Award, and a regional Emmy Award in 2004 for his work as executive producer and photographer for the WFAA-TV documentary "War Stories."
William Carter was born in Los Angeles in 1934 and graduated from Stanford University in 1957. Moving to Berkeley, California, he became a professional photographer, writer and editor. Living in New York from 1961–63, Carter worked as an editor for publisher Harper & Row. Based in Beirut, Lebanon 1964-66, he published photographs and articles on subjects such as the Kurds of Iraq in Life, the Sunday Times, Geographical Magazine and others. In 1966-69 he freelanced from London doing assignments for The New York Times, Women’s Wear Daily, and TWA’s Annual Report.
R.C. Hickman was an American photographer, photojournalist and circulation manager, known for his photographs of the Civil Rights Movement. Hickman's work includes documenting the Mansfield school desegregation incident, as well as the visitation of people such as Martin Luther King Jr. and Ella Fitzgerald in Dallas, Texas. For many decades he worked as a photographer for the Dallas Star Post as well as freelancing for Jet, Ebony and an array of other African-American magazine publications.
Ruiz v. Estelle, 503 F. Supp. 1265, filed in United States District Court for the Southern District of Texas, eventually became the most far-reaching lawsuit on the conditions of prison incarceration in American history.
Ellis (Eli) Reed is an American photographer and photojournalist. Reed was the first full-time black photographer employed by Magnum Agency and the author of several books, including Black In America. Several of the photographs from that project have been recognized in juried shows and exhibitions.
Richard Steven Street is an American photographer, historian and journalist of American farmworkers and agricultural issues. He is well known for his multi-volume history of California farmworkers and photo essays.
George "Elfie" Ballis was an American photographer and activist who advocated on behalf of migrant farm workers in California, and took tens of thousands of photographs documenting the efforts of César Chávez, the Mexican American labor leader who founded the United Farm Workers.
John Paul Fusco was an American photojournalist. Fusco is known in particular for his photographs of Robert F. Kennedy's funeral train, the 1966 Delano Grape strike and the human toll of the Chernobyl nuclear disaster. Fusco began his career as a photographer for Look magazine, and was a member of Magnum Photos from 1973 until his death in 2020.
Taro Michael Yamasaki is a Pulitzer Prize-winning photographer, and the eldest son of architect Minoru Yamasaki.
Harvey Richards was an American photographer and filmmaker. During his career, he produced a total of 22 documentaries of various social and political movements during the 1960s and 1970s. Richards died in April 2001 and his works are part of a collection known as the Harvey Richards Media Archive. Since 1978, his films and photographs have been licensed for use in more than 70 documentaries, books, magazine, exhibits, and television productions.
Kenneth Randall Light is an American social documentary photographer based in the San Francisco Bay Area. He is the author of twelve monographs, including Midnight La Frontera, What'sGoing On? 1969-1974,Delta Time, TexasDeath Row and, most recently, Course of the Empire, published by Steidl. He wrote Witness in our Time: Working Lives of Documentary Photographers, a collection of recollections and interviews with 29 of the world's most well-known photographers, editors and curators of the genre. He has had his photographs included as part of photo essays and portfolios in newspapers, magazines and other media, has been exhibited worldwide and is part of museum collections such as SF Museum of Modern Art and International Center of Photography. Light was also a co-founder of Fotovision, the Mother Jones International Fund for Documentary Photography and he is the recipient of a Guggenheim Fellowship and three National Endowment for the Arts photography fellowships. He is also a professor at the Graduate School of Journalism at UC Berkeley where he holds the Reva and David Logan chair in photojournalism and he is the director of the school's Logan documentary photography gallery.
John Kouns was a photographer and social justice activist who played an important role in documenting the United Farm Workers movement and the Civil Rights Movement.
Waging Peace in Vietnam: U.S. Soldiers and Veterans Who Opposed the War is a non-fiction book edited by Ron Carver, David Cortright, and Barbara Doherty. It was published in September 2019 by New Village Press and is distributed by New York University Press. In March 2023 a Vietnamese language edition of the book was launched at the War Remnants Museum in Ho Chi Minh City, Vietnam.