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Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte. It is based on the legends of Don Juan, a fictional libertine and seducer, by Spanish writer Tirso de Molina. It was premiered by the Prague Italian opera at the National Theater, now called the Estates Theatre, on 29 October 1787. Da Ponte's libretto was billed as a dramma giocoso, a common designation of its time that denotes a mixing of serious and comic action. Mozart entered the work into his catalogue as an opera buffa. Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements.
Sir Geraint Llewellyn Evans was a Welsh bass-baritone noted for operatic roles including Figaro in Le nozze di Figaro, Papageno in Die Zauberflöte, and the title role in Wozzeck. Evans was especially acclaimed for his performances in the title role of Verdi's Falstaff. He sang more than 70 different roles in a career that lasted from his first appearance at Covent Garden in 1948 to his farewell there in 1984.
Giuseppe Taddei was an Italian baritone, who, during his career, performed multiple opera composed by numerous composers.
Otto Edelmann was an Austrian bass. He was born in Vienna and studied singing in Vienna with Gunnar Graarud. His debut was at Gera as Figaro in Mozart's The Marriage of Figaro. He later sang the Vienna State Opera, the Edinburgh Festival and the Metropolitan Opera. He sang at the Bayreuth Festival immediately after its reopening in 1951 after World War II, performing the role of Hans Sachs in Wagner's Die Meistersinger von Nürnberg. He also sang Ochs in Richard Strauss's Der Rosenkavalier at the first performances in the new Salzburg Festspielhaus in 1960. In 1957, he recorded the role of Wotan opposite Kirsten Flagstad in Georg Solti's recording of Act III of Wagner's Die Walküre. He died in Vienna.
Ferruccio Furlanetto is an Italian bass. His professional debut was in 1974 in Lonigo, he debuted at the Teatro alla Scala in Milan in 1979, in a production of Verdi's Macbeth, conducted by Claudio Abbado. He has gone on to sing numerous roles, including both Don Giovanni and Leporello in Mozart's Don Giovanni, Philip II in Verdi's Don Carlos, Figaro in Mozart's Le nozze di Figaro, Gremin in Tchaikovsky's Eugene Onegin, Zaccaria in Verdi's Nabucco, Méphistophélès in Gounod's Faust, Orestes in Strauss' Elektra, Fiesco in Verdi's Simon Boccanegra, the title role of Mussorgsky's Boris Godunov, as well as many other roles.
Édouard de Reszke, originally Edward, was a Polish bass from Warsaw. Born with an impressive natural voice and equipped with compelling histrionic skills, he became one of the most illustrious opera singers active in Europe and America during the late-Victorian era.
Erwin Schrott is an operatic bass-baritone, particularly known for his interpretation of the title role in Mozart's Don Giovanni.
Alessandro Corbelli is an Italian baritone opera singer. One of the world's pre-eminent singers specializing in Mozart and Rossini, Corbelli has sung in many major opera houses around the world and won admiration for his elegant singing style and sharp characterizations, especially in comic roles.
Robert Savoie, was a French-Canadian operatic baritone.
Wladimiro Ganzarolli was an Italian operatic bass-baritone, particularly associated with Mozart and Rossini roles.
Peter Kajlinger is a Swedish operatic baritone. Kajlinger grew up in a family of musicians. He made his debut in La Bohème at the Royal Swedish Opera in Stockholm at the age of 11.
David Bižić is an operatic baritone. He was born in Belgrade, Serbia.
John Pringle AM is a retired Australian operatic baritone. He sang leading and supporting roles with Opera Australia and its predecessors for 41 years (1967–2008), and with some overseas companies. He was strongly associated with roles by Mozart, such as Figaro and Count Almaviva in The Marriage of Figaro; the title role and Leporello in Don Giovanni; Guglielmo and Don Alfonso in Così fan tutte; and Papageno in The Magic Flute.
Donald John Gramm was an American bass-baritone whose career was divided between opera and concert performances. His appearances were primarily limited to the United States, which at the time was unusual for an American singer. John Rockwell of The New York Times described Gramm as follows: "He had an unusually rich, noble tone, and although its volume may not have been large, it penetrated even the biggest theaters easily. Technically, he could handle bel-canto ornamentation fluently. But his real strengths lay in his aristocratic musicianship and his instinctive acting." Among the most notable of his many operatic roles were the title role in Verdi's Falstaff, Leporello in Mozart's Don Giovanni, and Dr. Schön and Jack the Ripper in Berg's Lulu.
Johan Reuter is a Danish baritone and opera singer.
Agostino Rovere was an Italian operatic bass.
Richard Bernstein is an American bass. He grew up in Brooklyn, New York, with his three siblings, all of whom have followed artistic pursuits, and spent his high school years in Colorado. He attended the University of Southern California and graduated with a Bachelor of Music degree in vocal performance. He is currently a member of the Metropolitan Opera; 2018–19 is his 24th consecutive season with the company; he sang his 400th Met performance on January 27, 2018 and has been a part of more than 125 international live broadcasts with the company.
Christopher Maltman is a British operatic baritone.
Mikhail Petrenko is an opera singer who sings bass. His father Mikhail is an artist. His mother Olga teaches music, piano, and organ at University of St. Petersburg.
Virgilio Lazzari was an Italian operatic bass who had an active international performance career from 1908 to 1953. He had lengthy associations with the Chicago Civic Opera (1918–1932) and the Metropolitan Opera (1933–1950), and frequently performed at the Salzburg Festival during the 1930s. He appeared as a guest artist with opera houses internationally, including the Royal Opera House, the Teatro Colón, and the Teatro Carlo Felice among others.
References
- ↑ "Alex Esposito". www.operaarts.com. Opera Arts. Retrieved 24 February 2014.
- ↑ "Alex Esposito". www.roh.org.uk. Royal Opera House. Retrieved 25 February 2014.
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