Early life
Alexander Campbell was born in Sydney, Australia in 1986. His father is Alan Campbell, who was a selector and manager for Cricket New South Wales, and State Director of Coaching for 20 years. Alexander was attracted to ballet at the age of five after seeing the work of his grandmother who was a ballet teacher at the time. Both his maternal grandmother and grandfather, Valma Briggs and Mario Desva, had been professional dancers with Ballet Rambert in London. [1] [3]
Campbell, although training under Nicholina Kuner at the Academy Ballet school on the east side of Sydney, at first viewed ballet as a hobby alongside his participation in the sport of cricket. By the age of 14, both ballet and cricket were his passions. [4] Realizing that progress to a professional career in either discipline meant he had to concentrate on just one, he later said, ‘I struggled with the decision for a long time but my love for ballet and the opportunity to do something that seemed unusual for a kid from Sydney was enticing.’ [5]
As his training progressed, Campbell was influenced by the performance style of Mikhail Baryshnikov and described him as "a massive inspiration." [6]
Professional career
In 2005, at the age of 18, he started his professional career graduating into the Birmingham Royal Ballet and was promoted to the position of the first artist followed by promotion to soloist (2007) and first soloist in 2009. [1]
During his time with Birmingham Royal Ballet, his repertory included: both Romeo and Mercutio (Romeo and Juliet), Franz (Coppelia), Prince (The Sleeping Beauty, Cinderella and The Nutcracker,) Sam and Will Moffit (Hobson’s Choice).Cyrano (Cyrano) and Petrusha. [1] He created the roles of Young Man in Michael Corder's La Baiser de la fée and Celeritas2 in David Bintley's E=mc2. [1] In 2009 Campbell danced Puck in The Dream. [8]
In 2011 he joined the Royal Ballet as a soloist at Covent Garden and was promoted to first soloist in 2012 and principal in June 2016.
As first soloist at The Royal Ballet, Alexander performed many principal and non principal roles. During his career at Covent Garden he has danced Lescaut (Manon), Basilio (Don Quixote), Franz (Coppelia), Bratfisch and Hungarian Officer (Mayerling),Lewis Carroll/White Rabbit, Jack/Knave of Hearts and Magician/Mad Hatter (Alice’s Adventures in Wonderland), Bluebird and Florestan (Sleeping Beauty), Bronze Idol (La Bayadère), Jack (Sweet Violets), Emble (The Age of Anxiety), Texan Kangaroo Rat (‘Still Life’ at the Penguin Café), Principal (In the Night), Officer (Anastasia), Florizel (The Winter's Tale), Victor Frankenstein (Frankenstein), Troyte (Enigma Variations) and roles in ‘Emeralds’(Jewels), Voices of Spring, Concerto, In the Night, Polyphonia, Birthday Offering, Requiem, Raven Girl, Connectome, Woolf Works, Swan Lake, Giselle, Viscera, Within the Golden Hour, Carbon Life and Obsidian Tear. [1] Over several years he has danced the roles of both Hans-Peter and the Prince in The Nutcracker at the Royal Opera House. [9] He also frequently performed the role of Mercutio (Romeo and Juliet) at Covent Garden. [10] Campbell danced with distinction in Song of the Earth in 2015. [11] In the same year he performed his debut in the role of Colas (La fille mal gardee) with Yuhui Choe to critical acclaim. [12]
In the role of The Young Man in Ashton's The Two Pigeons in 2016 Campbell, again dancing with Choe, garnered universal acclaim in 14 independent reviews including The Times, The Financial Times, The Daily Telegraph and The Guardian. [13] [14] [15] [16] Campbell's role creations at Covent Garden include Henry Clerval (Frankenstein). [1]
His first role as Principal was as partner to the acclaimed Ashtonian dancer, Roberta Marquez in La Fille Mal Gardee at her Royal Ballet farewell performance in 2016. Campbell first danced Prince Florimund in The Sleeping Beauty at Covent Garden partnering Francesca Hayward on her debut as Aurora in February 2017. [17] Later in 2017 he danced in Rubies (Jewels), Tarantella [1] and as Oberon in The Dream. [18] In 2018 he debuted as Albrecht partnering Francesca Hayward in Giselle. [19]
In April 2018 Campbell made his debut as des Giroux in Kenneth McMillan’s Manon and in the same run of performances at Covent Garden danced on different days the roles of both des Giroux and Lescaut; a rare distinction in the history of the Royal Ballet. [20] [21] In the following month he danced the expanded role of Benno at the World premiere of Liam Scarlett’s new production of Swan Lake. [22] In June 2019 Campbell gave a stand out performance of the 3rd movement of Symphony in C. [23]
In major roles, Campbell has toured with the Royal Ballet in Russia, Japan, The United States of America, Spain and Australia and has made guest appearances with Birmingham Royal Ballet and Australian Ballet. [1] [6] In 2015 Campbell performed the role of The Devil in Will Tuckett’s a Soldiers Tale in Tokyo. He partnered Francesca Hayward in Robert Binet's immersive work, The Dreamers Ever Leave You in collaboration with the National Ballet of Canada at The Printworks in London in October 2017. [24] Campbell starred with Francesca Hayward in the BBC television documentary film Dancing the Nutcracker: Inside the Royal Ballet which was first shown on Christmas Day 2016. As a presenter, Campbell has introduced broadcasts of ballet from the Royal Opera House and co-presented World Ballet Days with Kristin McNally. [25]
Personal life
Campbell was awarded British Citizenship in 2013.
He has always maintained his love and knowledge of cricket and was invited in 2010 to speak annually to the England and Wales Cricket Board as part of their Level Four Training for international cricket coaches. [5] In 2015, he was invited to take part in the BBC program Test Match Special with an interview entitled, View from the Boundary. [5]
In 2018 Campbell was featured on ABC Television (Australia) in a documentary charting his early life and that of fellow Royal Ballet Principal, Steven McRae. [31]
In March 2021 Campbell announced his engagement to his co-star and first soloist of the Royal Ballet, Claire Calvert.
