Alexandra Chang | |
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Occupation(s) | Art historian, curator |
Alexandra Chang is an Asian-American art curator, art historian, and editor. [1] [2] [3] [4] [5] Chang co-founded the peer-reviewed journal Asian Diasporic Visual Cultures and the Americas in 2015. [2] [1] [6]
In 2009, Timezone 8 Editions published Chang's book Envisioning Diaspora : Asian American visual arts collectives from Godzilla, Godzookie to the Barnstormers, which had a foreword by art historian Margo Machida . [7] In 2015, Chang and Alice Ming Wai Jim co-founded the journal Asian Diasporic Visual Cultures and the Americas, which they continue to serve as co-editor-in-chiefs. [2] [6]
In April 2018, Chang's book Circles and Circuits: Chinese Caribbean Art, which addresses Chinese diasporic community in the Caribbean, was published by Duke University Press. [8] Chang was a co-curator with Zarina Hashmi on the Dark Roads exhibition, which commemorated the 70th anniversary of the 1947 Partition of Bengal. [9] Chang was also the project director for The Virtual Asian American Art Museum. [10] In 2019, ArtTable, a professional organization dedicated to the advancement of women in visual arts, awarded Chang with the New Leadership Award for her role as Curator of Special Projects and Director of Global Arts Programs at Asian/Pacific/American Institute at New York University (NYU). [3] While working at NYU, Chang was part of the 2019 organizing committee for the Diasporic Asian Art Network. [11] She also served on the curatorial committee for the Smithsonian Archives of American Art and the National Portrait Gallery's 2019-2020 exhibit - What is Feminist Art? [12] [1] Chang works as an Associate Professor in Rutgers University's Department of Arts, Culture and Media. [13]
In 2021, Chang, along with 18 other members of the artist collective Godzilla, signed a letter to the Museum of Chinese in America (MOCA) withdrawing from an exhibit they were featured in as a way to protest MOCA's 'complicity' with the city plan to build a new jail in Chinatown. [14] [4] In the same year, Chang was a panelist at the College Art Association conference for an event titled "Futures of 'Activists' Scholarship." [5] In 2022, Chang co-curated the exhibit "Imagining Justice—Asian American Art Movements" at the Mōri Museum. [15]
The Museum of Chinese in America is a museum in New York City which exhibits Chinese American history. It is a nonprofit 501(c)(3) education and cultural institution that presents the living history, heritage, culture, and diverse experiences of Chinese Americans through exhibitions, educational services and public programs. Much of its collection was damaged or destroyed in a fire in January 2020. After being closed for more than a year following the fire, the museum reopened to the public on July 15, 2021.
The Museum of Contemporary Art (MOCA) is a collecting museum located in North Miami, Florida. The 23,000-square-foot (2,100 m2) building was designed by the architecture firm Gwathmey Siegel & Associates Architects, New York City.
The Chinese Culture Center of San Francisco is a community-based, non-profit organization established in 1965 as the operations center of the Chinese Culture Foundation located in Hilton San Francisco Financial District, at 750 Kearny Street, 3rd Floor, San Francisco, California, United States.
Godzilla: Asian American Arts Network was a New York-based Asian American arts collective and support network established in 1990. Founding members Ken Chu, Bing Lee, Margo Machida, and others established Godzilla in order to facilitate inter-generational and interdisciplinary dialogue and collaboration for Asian American artists and art professionals. The collective provided visibility in local and national exhibitions, developed press outreach strategies, published newsletters, and sponsored symposia on Asian American art. It was disbanded in 2001.
Asia Art Archive (AAA) is a nonprofit organisation based in Hong Kong which focuses on documenting the recent history of contemporary art in Asia within an international context. AAA incorporates material that members of local art communities find relevant to the field, and provides educational and public programming. AAA is one of the most comprehensive publicly accessible collections of research materials in the field. In activating its collections, AAA initiates public, educational, and residency programmes. AAA also offers research grants and publishes articles on IDEAS Journal.
Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.
Herb Tam is the curator and director of exhibitions at the Museum of Chinese in America located in Manhattan's Chinatown.
Jeffrey Deitch is an American art dealer and curator. He is best known for his gallery Deitch Projects (1996–2010) and curating groundbreaking exhibitions such as Lives (1975) and Post Human (1992), the latter of which has been credited with introducing the concept of "posthumanism" to popular culture. In 2010, ArtReview named him as the twelfth most influential person in the international art world.
Nina Kuo is a Chinese American painter, photographer, sculptor, author, video artist and activist who lives and works in New York City. Her work examines the role of women, feminism and identity in Asian-American art. Kuo has worked in partnership with the artist Lorin Roser.
Jiha Moon is a contemporary artist who focuses on painting, printmaking, and sculptural ceramic objects. Born in Daegu, South Korea, Moon is currently based in Tallahassee, Florida, after years of living and working in Atlanta, Georgia. She joined Florida State University's Art department faculty in the fall of 2023.
Weston Teruya is an Oakland-based visual artist and arts administrator. Teruya's paper sculptures, installations, and drawings reconfigure symbols forming unexpected meanings that tamper with social/political realities, speculating on issues of power, control, visibility, protection and, by contrast, privilege. With Michele Carlson and Nathan Watson, he is a member of the Related Tactics artists' collective and often exhibits under that name.
Helen Anne Molesworth is an American curator of contemporary art based in Los Angeles. From 2014 to 2018, she was the Chief Curator at The Museum of Contemporary Art (MOCA) in Los Angeles.
Jenifer K Wofford is an American contemporary artist and art educator based in San Francisco, California, United States. Known for her contributions to Filipino-American visual art, Wofford's work often addresses hybridity, authenticity and global culture, frequently from an ironic, humorous perspective. Wofford collaborates with artists Reanne Estrada and Eliza Barrios as the artist group Mail Order Brides/M.O.B. She was also the curator of Galleon Trade, an international art exchange among California, Mexico and the Philippines.
Alice Ming Wai Jim is an art historian, curator and Professor at Concordia University in Montreal, Quebec, Canada, as well as an Adjunct Professor in Graduate Studies at OCAD University in Toronto, Ontario, Canada. She focuses her research on diasporic art in Canada, contemporary Asian art and contemporary Asian Canadian art, particularly on the relationships between remix culture and place identity. She currently holds the Concordia University Research Chair in Ethnocultural Art History (2017–2022).
Emily Cheng is an American artist of Chinese ancestry. She is best known for large scale paintings with a center focus often employing expansive circular images... "radiantly colored, radially composed". She has won numerous awards including Pollock-Krasner Foundation Fellowship, 2010, New York Foundation for the Arts Fellowship, 1996, Yaddo Residency, 1995, National Endowment for the Arts Fellowship, 1982–1983.
Painting for me, is the evidence of an inquiry…It is the postulation made physical….It is the wall that penetrates….It is the mind reminded. It is the hunch made vivid. It is the reworking of the familiar. It is the shadow of the unfamiliar. It is the acting out of desire. It is the probe of limits. It is the life imaged. It is the eye engaged. Painting is luxury bounded.
Andrea Fatona is a Canadian independent curator and scholar. She is an associate professor at OCAD University, where her areas of expertise includes black, contemporary art and curatorial studies.
The Feminist Art Coalition (FAC) is a collaboration of over 100 art museums and nonprofit institutions from across the United States. The organizations are collectively creating a series of programming and exhibitions centered around feminist thought to be held beginning in the fall of 2020, during the run-up of the presidential election. The project was initially planned to occur from September through November 2020, but has been extended through the end of 2021 due to changes in exhibition schedules resulting from the COVID-19 pandemic.
Ruba Katrib is a Syrian-American curator of contemporary art. She has served as Curator and Director of Curatorial Affairs at MoMA PS1 since 2017. From 2012 until 2017, Katrib was Curator at SculptureCenter in New York. Prior to this post, she worked first as Assistant Curator and then as Associate Curator at the Museum of Contemporary Art in North Miami. She is best known for exhibitions highlighting women artists and global issues.
The Diasporic African Women’s Art Collective (DAWA) is a collective of Black women artists based in Canada. It was founded in 1984 by Grace Channer, Buseje Bailey, Foluké Olubaiyu, Pauline Peters and DZI..AN. DAWA was a non-profit community network of Black Canadian women artists. The word DAWA means "medicine" in Kiswahili.
Connie Zheng is a Chinese-born artist, writer, and filmmaker based in Oakland, California. Her projects include large-scale maps, seed exchanges, seed-making workshops, and experimental films about seeds. Themes in Zheng's work include navigating diasporic memory, ecological transformation, and relationships between human and more-than-human worlds.
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