Sadler's Wells Theatre is a performing arts venue in Clerkenwell, London, England located on Rosebery Avenue next to New River Head. The present-day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500-seat main auditorium and the Lilian Baylis Studio, with extensive rehearsal rooms and technical facilities also housed within the site. Sadler's Wells is renowned as one of the world's leading dance venues. As well as a stage for visiting companies, the theatre is also a producing house, with a number of associated artists and companies that produce original works for the theatre. Sadler's Wells is also responsible for the management of the Peacock Theatre in the West End, during times not used by the London School of Economics.
The Royal Ballet is a British internationally renowned classical ballet company, based at the Royal Opera House in Covent Garden, London, England. The largest of the five major ballet companies in Great Britain, the Royal Ballet was founded in 1931 by Dame Ninette de Valois. It became the resident ballet company of the Royal Opera House in 1946, and has purpose-built facilities within these premises. It was granted a royal charter in 1956, becoming recognised as Britain's flagship ballet company.
The Royal Ballet School is a British school of classical ballet training founded in 1926 by the Anglo-Irish ballerina and choreographer Ninette de Valois. The school's aim is to train and educate outstanding classical ballet dancers, especially for the Royal Ballet and the Birmingham Royal Ballet.
Philippine "Pina" Bausch was a German dancer and choreographer who was a significant contributor to a neo-expressionist dance tradition now known as Tanztheater. Bausch's approach was noted for a stylized blend of dance movement, prominent sound design, and involved stage sets, as well as for engaging the dancers under her to help in the development of a piece, and her work had an influence on modern dance from the 1970s forward. Her work, regarded as a continuation of the European and American expressionist movements, incorporated many expressly dramatic elements and often explored themes connected to trauma, particularly trauma arising out of relationships. She created the company Tanztheater Wuppertal Pina Bausch, which performs internationally.
The German Tanztheater grew out of German Expressionist dance in Weimar Germany and 1920s Vienna. The term first appears around 1927 to identify a particular style of dance emerging from within the new forms of 'expressionist dance' developing in Central Europe since 1917. Its main exponents include Mary Wigman, Kurt Jooss and Rudolf Laban. The term reappears in critical reviews in the 1980s to identify the work of primarily German choreographers who were students of Jooss and Wigman, along with the Austrian Johann Kresnik. The development of the form and its concepts was influenced by Bertolt Brecht and Max Reinhardt, and the cultural ferment of the Weimar Republic.
Meryl Tankard is an Australian dancer and choreographer who has a wide national and international reputation.
The Hong Kong Arts Festival (HKAF), launched in 1973, is a major international arts festival committed to enriching the cultural life of the city by presenting leading local and international artists in all genres of the performing arts as well as a diverse range of “PLUS” and educational events in February and March each year.
Dominique Mercy is a French contemporary dancer. He has been a member, since 1974, of the Tanztheater Wuppertal company of Pina Bausch as well as a choreographer in his own right.
Pina is a 2011 German 3D documentary film directed by Wim Wenders that is about German dancer and choreographer Pina Bausch. On 30 June 2009, during the preparation for the film, Bausch died unexpectedly, so Wenders cancelled the project, but the dancers of Bausch's company, Tanztheater Wuppertal, convinced him to proceed as planned, as a way of memorializing Bausch and some of her choreography.
Opernhaus Wuppertal is a German theatre in Wuppertal, North Rhine-Westphalia. It houses mostly performances of operas, but also plays, run by the municipal Wuppertaler Bühnen. The house is also the venue for dance performances by the Tanztheater Wuppertal company created by Pina Bausch.
Wuppertaler Bühnen is the municipal theatre company in Wuppertal, North Rhine-Westphalia, Germany. It serves opera and plays. The opera house Opernhaus Wuppertal has served from 1956 as a venue for opera and performances of the separate dance company Tanztheater Wuppertal, founded by Pina Bausch. Plays have been performed at different locations, from 1966 to 2013 in the Schauspielhaus Wuppertal.
Gabriele Klein is a sociologist, dance theorist and professor at the University of Hamburg.
Sidi Larbi Cherkaoui is a Belgian dancer and choreographer and director. He has made over 50 choreographic pieces and received two Laurence Olivier Award for Best New Dance Production, three Ballet Tanz awards for best choreographer, the KAIROS Prize (2009) and the Europe Prize Theatrical Realities (2018).
Café Müller is a dance choreographed by Pina Bausch set to the music of Henry Purcell. It has been performed regularly since its creation and in May 1978 was performed and filmed at the Opernhaus, and broadcast on German television in December of that year.
Alan Lucien Øyen is a choreographer, writer, and director from Bergen, Norway. He is the founder and artistic director of the company winter guests.
Josephine Ann Endicott is an Australian dancer and former employee of the Tanztheater Wuppertal Pina Bausch dance ensemble.
Alain Platel is a Belgian choreographer and director. In 1984, he founded les ballets C de la B, which has been called 'one of the world's most influential dance theatre companies'. Platel came to prominence alongside choreographers like Anne Teresa de Keersmaeker and Wim Vandekeybus in what became known as the Flemish Wave.
Raimund Hoghe was a German choreographer, dancer, film maker, journalist, and author. Because he was born with scoliosis, his early efforts were focused on journalism. His writings explored the human condition; a documentation series won him an award by the age of 24. For the weekly Die Zeit, he portrayed personalities, the well-to-do, the less fortunate, and those shunned by society. After meeting Pina Bausch while profiling her, he served as dramaturge and chronicler of her Tanztheater from 1980 to 1990. He made his choreographic debut in 1989, then worked independently. His first solo production, Meinwärts in 1994, was about the Jewish tenor and actor Josef Schmidt, but also Hoghe's nonormative body. He was awarded the Deutscher Tanzpreis in 2020, and is regarded as "one of the protagonists of German contemporary dance theatre".
Jochen Schmidt was a German journalist and book author, especially as a dance theatre expert. He became known through more than 30 years as a critic in the Frankfurter Allgemeine Zeitung, reviewing also non-fiction books on dance and crime novels, and working for other papers and broadcasters. He closely watched Pina Bausch's Tanztheater Wuppertal, and published a biography of her. He wrote a book about the history of dance in the 20th century, observing mainly European, but also international innovations.
Andrey Eduardovich Klemm is a Russian born ballet dancer, ballet teacher, author and choreographer.