| All the Stuff (And More)-Vol 1 | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by | ||||
| Released | 1998 | |||
| Recorded | 1996, 1998 | |||
| Genre | Punk rock | |||
| Label | Burnt Toast Vinyl | |||
| Producer | The Huntingtons Scott Hatch Kraynight Productions, Inc. | |||
| The Huntingtons chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| HM Magazine | (not rated) [1] [2] |
All the Stuff (And More)-Vol 1 is an album by The Huntingtons released in 1998. It is a re-release of the band's debut disc, Sweet Sixteen, plus ten bonus tracks.
All songs written by Huntingtons, except track 19 by The Ronettes, track 20 by Mötley Crüe, track 21 by Twisted Sister, tracks 22 & 28 by Ramones, track 25 by The Queers and track 26 by Poison.
The Donnas were an American rock band formed in Palo Alto, California, United States, in 1993. The band consisted of Brett Anderson, Allison Robertson, Maya Ford and Amy Cesari. Cesari replaced Torry Castellano, who left the band in 2009 due to tendonitis. They drew inspiration from the Ramones, The Runaways, Girlschool, AC/DC, Bachman–Turner Overdrive and Kiss. Rolling Stone has stated that "the Donnas offer a guileless take on adolescent alienation; they traffic in kicks, not catharsis, fun rather than rage". MTV has stated that the band offers "a good old-fashioned rock & roll party". After gathering a cult following in the punk scene since their 1997 debut, the band achieved major label commercial success in the early 2000s and afterward as their music mixed punk, metal and classic rock sounds.
The Donnas is the debut studio album by American rock band The Donnas, released in 1997, re-released in 1998.. The last nine tracks on the re-released version are bonus tracks; they are the nine tracks that were released on three singles prior to the original release of this album.
Turn! Turn! Turn! is the second album by the folk rock band the Byrds and was released in December 1965 on Columbia Records. Like its predecessor, Mr. Tambourine Man, the album epitomized the folk rock genre and continued the band's successful mix of vocal harmony and jangly twelve-string Rickenbacker guitar. The album's lead single and title track, "Turn! Turn! Turn!", is a Pete Seeger adaptation of text from the Book of Ecclesiastes that had previously been arranged in a chamber-folk style by the band's lead guitarist Jim McGuinn, while working with folksinger Judy Collins. The arrangement that McGuinn used for the Byrds' version utilizes the same folk rock style as the band's previous hit singles.
Dance Naked is the thirteenth studio album by American singer-songwriter John Mellencamp released on June 21, 1994. The album was released in response to the record company's accusations that Mellencamp's previous album, Human Wheels, didn't "fit the format." Mellencamp was irritated with this remark, feeling that none of his albums ever fit the format. As a result, he wrote several purposely radio-friendly songs and recorded them within the span of 14 days at his Belmont Mall recording studio in Belmont, Indiana, intending to show the lack of effort required to produce the type of album they were asking for.
High School Rock is an album by the Huntingtons released in 1998 on Tooth & Nail Records, the band's first for the label. A remastered version was released in 2009, available as a digital download. According to the band, the album was remastered to get it sounding the way they always wanted it to sound. The remastered version includes a bonus track previously only available on vinyl.
Rocket to Ramonia is an album by the Huntingtons released in 1996 in cooperation with the Flying Tart Recording Company, a division of Burnt Toast Vinyl. All tracks on the album are cover versions of Ramones songs. The album title is a reference to the Ramones album Rocket to Russia.
Busted is the eleventh studio album released by Cheap Trick, which was released in 1990 and peaked at number 44 on the US album charts. After the success of "The Flame" from the previous album Lap of Luxury, the band recorded Busted with a similar format, especially on the single "Can't Stop Fallin' Into Love." The single peaked at number 12 on the US charts. The album failed to be as successful as the label had hoped, and about a year after the release of Busted Epic Records dropped Cheap Trick from their label. There were three videos shot for this LP; "Can't Stop Fallin' Into Love," "If You Need Me," and "Wherever Would I Be."
The Good, The Bad And The Ugly is an album by the Huntingtons released in 1999 on Tooth & Nail Records.
File Under Ramones is a Ramones tribute album by the Huntingtons released in 1999 on Tooth & Nail Records.
Rock 'n' Roll Habits for the New Wave is an album by the Huntingtons released in 2001 on the Burnt Toast Vinyl label. In 2011, the album was remastered and released digitally to improve clarity, dynamic range and song to song flow. This newly remastered edition includes new cover art.
For the Record is a two-disc, 44-track greatest hits package released by the American country music band Alabama.
Black Leather Mojo is the debut album released in 2000 by British Rock band Silver Ginger 5. Notably, the album was produced by Tim Smith of the Cardiacs, whom group frontman Ginger counted as one of his biggest influences. It was claimed by Ginger himself in an interview with Kerrang! magazine, that the audition for Wildhearts bassist Danny McCormack consisted of taking LSD and attending a Cardiacs concert. The link with the Cardiacs continued with the group's guitarist Jon Poole playing bass on Black Leather Mojo.
Bad Reputation is the debut solo studio album by American recording artist Joan Jett. It was originally self-released in 1980 as a self-titled album after her previous band The Runaways disbanded. It was then re-issued on Boardwalk Records in 1981 as Bad Reputation. The album was positively received by critics and reached number 51 on the Billboard 200.
I Love Rock 'n Roll is the second studio album by Joan Jett and the first with her backing band The Blackhearts. Soon after the first recording sessions at Soundworks Studios, original Blackheart guitarist Eric Ambel was replaced by Ricky Byrd. It is Jett's most commercially successful album to date with over 10 million copies sold, largely due to the success of the title track, which was released as a single soon after the album was released.
Heads Will Roll EP is Marion Raven's first EP that was released on October 31, 2006. All of the songs were written by Raven in collaboration with numerous artists including Nikki Sixx, Scott Stevens and Freddy Herrera, Keith Nelson and Xavier Muriel (Buckcherry), and Raine Maida. The EP was made available for downloading from iTunes while the hard copy was exclusively released in the US. In Raven's own words, the tracks on the EP are fun rock songs that are meant for jumping around to.
High Voltage is the first internationally released studio album by Australian hard rock band AC/DC. It contains tracks from their first two previous Australia-only issued albums: High Voltage and T.N.T..
Punk Sounds is an album by the Huntingtons released in 2009, digitally by Steinhaus Records and on CD by Knowhere Records. The album contains B-sides, rarities, and two newly recorded tracks.
Preflyte is a compilation album by the American folk rock band the Byrds and was released in July 1969 on Together Records. The album is a collection of demos recorded by the Byrds at World Pacific Studios in Los Angeles during 1964, before the band had signed to Columbia Records and become famous. It includes early demo versions of the songs "Here Without You", "You Won't Have to Cry", "I Knew I'd Want You", and "Mr. Tambourine Man", all of which appeared in re-recorded form on the band's 1965 debut album.
Enuff Z'Nuff currently has 15 studio albums, 5 live albums, and 3 compilations for a total of 23 official albums. Their highest charting singles were "Fly High Michelle" and "New Thing" from their 1989 self-titled release. Enuff Z'Nuff's latest studio release, named Brainwashed Generation, was released in July.
"Cynical Girl" is a 1982 song by American rock musician Marshall Crenshaw. The song was released on his 1982 debut album, Marshall Crenshaw. Written as a satire on the "mass culture" that Crenshaw disliked, the song was not based on a specific girl.
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