Alvia Wardlaw

Last updated
Alvia Wardlaw
Born (1947-11-05) November 5, 1947 (age 76)
NationalityAmerican
Alma mater Wellesley College NYU University of Texas Austin
OccupationProfessor

Alvia J. Wardlaw (born November 5, 1947) is an American art scholar, and one of the country's top experts on African-American art. [1] She is Curator and Director of the University Museum at Texas Southern University, an institution central to the development of art by African Americans in Houston. She also is a professor of Art History at Texas Southern University. Wardlaw is a member of the Scholarly Advisory Council of the National Museum of African American History and Culture, and co-founded the National Alliance of African and African American Art Support groups in 1998. [2] Wardlaw was University of Texas at Austin's first African-American PhD in Art History. [3]

Contents

Career

From 1995 to 2009, Wardlaw was Curator of Modern and Contemporary Art at the Museum of Fine Arts, Houston, where she organized more than 75 exhibitions on African and African-American art. [4] She was adjunct curator of African-American Art at the Dallas Museum of Art in 1994. Her exhibition The Quilts of Gee's Bend , a collection of quilts by outstanding quilters from Alabama, broke attendance records at major museums across the 11 cities to which it traveled [2] and was one of the most talked-about museum shows of 2002 in America and beyond. She has presented exhibitions that added to the American art canon the work of major, previously undercelebrated African-American artists, in particular John Biggers, Thornton Dial and Kermit Oliver. [5] Her own photographs were also shown across Texas. She grew up and lives in Third Ward, Houston, Texas.

Education

Wardlaw received a B.A. degree in Art History from Wellesley College in 1969. [6] In 1986, she earned an M.A. degree in Art History from the New York University Institute of Fine Arts. [6] In 1996, she received a Ph.D. degree in Art History from the University of Texas at Austin. [6]

Exhibitions curated

Wardlaw has historicized John Biggers' art philosophy, based in large part on his travels to Africa and his celebration of the African-American community, his legacy and impact on student artists who studied with him, and his impact upon the modern art world. [8] She has mentored countless students of color to pursue careers in the museum field, ranging from curatorial to conservation positions.

Writing

Awards

Related Research Articles

<span class="mw-page-title-main">John T. Biggers</span> African-American muralist

John Thomas Biggers was an African-American muralist who came to prominence after the Harlem Renaissance and toward the end of World War II. Biggers created works critical of racial and economic injustice. He also served as the founding chairman of the art department at Houston's Texas State University for Negroes, a historically black college.

<span class="mw-page-title-main">Quilts of Gee's Bend</span> Quilting tradition of Gees Bend, Alabama

The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River. The quilts of Gee's Bend are among the most important African-American visual and cultural contributions to the history of art within the United States. Arlonzia Pettway, Annie Mae Young and Mary Lee Bendolph are among some of the most notable quilters from Gee's Bend. Many of the residents in the community can trace their ancestry back to enslaved people from the Pettway Plantation. Arlonzia Pettway can recall her grandmother's stories of her ancestors, specifically of Dinah Miller, who was brought to the United States by slave ship in 1859.

William Sidney Arnett was an Atlanta-based writer, editor, curator and art collector who built internationally important collections of African, Asian, and African American art. Arnett was the founder and chairman of the Souls Grown Deep Foundation, an organization dedicated to the preservation and documentation of African American art from the Deep South that works in coordination with leading museums and scholars to produce groundbreaking exhibitions and publications using its extensive holdings. His efforts produced 13 books with nearly 100 essays by 73 authors. Thirty-eight museums have hosted major exhibitions, and comprehensive archives are maintained at UNC Chapel Hill. The White House has shown the collection. Arnett exhibited works from these collections and delivered lectures at over 100 museums and educational institutions in the United States and abroad. He is perhaps best known for writing about and collecting the work of African American artists from the Deep South. Arnett was named one of the "100 Most Influential Georgians" by Georgia Trend Magazine in January 2015. He died on August 12, 2020.

Sedrick Ervin Huckaby (1975) is an American artist known for his use of thick, impasto paint to create murals that evoke traditional quilts and his production of large portraits that represent his personal history through images of family members and neighbors.

<span class="mw-page-title-main">Mary Lee Bendolph</span> American quilt maker

Mary Lee Bendolph is an American quilt maker of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. Her work has been influential on subsequent quilters and artists and her quilts have been exhibited in museums and galleries around the country. Bendolph uses fabric from used clothing for quilting in appreciation of the "love and spirit" with old cloth. Bendolph has spent her life in Gee's Bend and has had work featured in the Philadelphia Museum of Art as well as the Minneapolis Institute of Art in Minnesota.

<span class="mw-page-title-main">Lucy Mingo</span> American quilt maker

Lucy Marie (Young) Mingo is an American quilt maker and member of the Gee's Bend Collective from Gee's Bend (Boykin), Alabama. She was an early member of the Freedom Quilting Bee, which was an alternative economic organization created in 1966 to raise the socio-economic status of African-American communities in Alabama. She was also among the group of citizens who accompanied Martin Luther King Jr. on his 1965 march from Selma to Montgomery, Alabama.

Kermit Oliver is an American painter who studied and worked in Houston before moving to Waco, Texas. His work reflects his Texas heritage and his interests in mythology, religion, and history. Oliver combines “contemporary and classical elements, resulting in a style he calls symbolic realism.” His paintings create “strange, lushly illustrated worlds populated by people and animals realistically drawn but placed in surreal juxtaposition.”

Nettie Jane Kennedy (1916–2002) was an American artist associated with the Gee's Bend group of quilters.

Gearldine Westbrook (1919–2016) was an American artist associated with the Gee's Bend group of quilters.

Florine Smith is an American artist associated with the Gee's Bend group of quilters.

Irene Williams (1920–2015) was an American artist. She is associated with the Gee's Bend quilting collective, although she made her quilts "in solitude" and "uninfluenced." Her work has been exhibited at the Museum of Fine Arts, Houston and the Frist Art Museum, and is included in the collections of the Philadelphia Museum of Art, the Indianapolis Museum of Art, the Museum of Fine Arts Boston, and the National Gallery of Art.

Arcola Pettway (1934–1994) was an American artist associated with the Gee's Bend group of quilters.

Lutisha Pettway (1925–2001) was an American artist associated with the Gee's Bend group of quilters.

<span class="mw-page-title-main">Polly Bennett</span> American artist

Polly Mooney Bennett (1922–2003) was an American artist. She is associated with the Gee's Bend quilting collective and was a member of the Freedom Quilting Bee. Her work has been exhibited in the Museum of Fine Arts, Houston.

Bettie Bendolph Seltzer (1939–2017) was an American artist. She was associated with the Gee's Bend quilting collective, along with her mother, Annie Bendolph, and her mother-in-law, Sue Willie Seltzer. She worked at the Freedom Quilting Bee.

Flora Moore is an American artist associated with the Gee's Bend group of quilters.

Mary L. Bennett is an American artist. She is associated with the Gee's Bend quilting collective. Bennett came from a family of quilters originating with the matriarch of the family her grandmother, Delia Bennett. Her work is included in the collection of the Museum of Fine Arts, Houston, and National Gallery of Art.

Rachel Carey George (1908–2011) was an American artist. She is associated with the Gee's Bend quilting collective, alongside her aunt Delia Bennett. Her work is included in the collection of the Museum of Fine Arts, Houston.

Lottie Mooney (1908–1992) was an American artist associated with the Gee's Bend group of quilters. In 2010 her 1940 quilt "Housetop"—four-block "Half-Log Cabin" variation appeared in a US postage stamp series commemorating the quilters of Gee's Bend.

Annie Bell Pettway (1930–2003) was an American artist. She is associated with the Gee's Bend quilting collective, along with her daughter Belinda Pettway.

References

  1. "Houston stories central in Smithsonian's new African American museum - HoustonChronicle.com". www.houstonchronicle.com. 2016-09-24. Retrieved 2019-05-11.
  2. 1 2 "Alumnae Achievement Awards 2010: Alvia Wardlaw '69". Wellesley College Alumnae Association. Retrieved 2020-09-23.
  3. "Living Legend: Alvia J. Wardlaw". Afram News. 2019-06-09. Retrieved 2020-08-31.
  4. Danilowitz, Brenda (July 1991). "Exhibitions of Contemporary South African Art". African Arts. 24 (3): 12. doi:10.2307/3336919. ISSN   0001-9933. JSTOR   3336919.
  5. "A Pioneering African-American Art Force Changes Houston and Museums Everywhere: Why Isn't She Better Known?". PaperCity Magazine. 2016-08-07. Retrieved 2019-05-11.
  6. 1 2 3 KTRK (2018-02-28). "Woman of the Week: Dr. Alvia Wardlaw, director and curator of TSU's University Museum". ABC13 Houston. Retrieved 2020-05-25.
  7. "Thornton Dial in the 21st Century at MFAH". artdaily.com. Retrieved 2019-05-11.
  8. "San Angelo Museum of Fine Arts to host lecture on African American artist John Biggers". San Angelo. Retrieved 2019-05-11.
  9. "Wardlaw, Alvia J. | Encyclopedia.com". www.encyclopedia.com. Retrieved 2019-05-11.
  10. Franklin, John Hope; Alvia J. Wardlaw (2009). Collecting African American art : the Museum of Fine Arts, Houston. Museum of Fine Arts, Houston. ISBN   9780300152913. OCLC   269282205.
  11. Wardlaw, Alvia; Rowell, Charles Henry (2009). "An Interview with Alvia Wardlaw". Callaloo . 32 (1): 261–276. doi:10.1353/cal.0.0393. ISSN   0161-2492. JSTOR   27655115. S2CID   161566300.