Factory Records was a Manchester-based British independent record label founded in 1978 by Tony Wilson and Alan Erasmus.
The Durutti Column are an English post-punk band formed in 1978 in Manchester, England. The band is a project of guitarist and occasional pianist Vini Reilly who is often accompanied by Bruce Mitchell on drums and Keir Stewart on bass, keyboards and harmonica. They were among the first acts signed to Factory Records by label founder Tony Wilson.
James Martin Hannett, initially credited as Martin Zero, was a British record producer, musician and an original partner/director at Tony Wilson's Factory Records. Hannett produced music by artists including Joy Division, the Durutti Column, Magazine, John Cooper Clarke, New Order, Orchestral Manoeuvres in the Dark and Happy Mondays. His distinctive production style embraced atmospheric sounds and electronics.
A Certain Ratio are an English post-punk band formed in Flixton, Lancashire in 1977 by Peter Terrell and Simon Topping, with additional members Jez Kerr, Martin Moscrop, Donald Johnson (drums), and Martha Tilson (vocals) joining soon after.
The Wake are a British post-punk, synth-pop and later indie pop band, formed in Glasgow in 1981 by Gerard "Caesar" McInulty, Steven Allen (drums) and Joe Donnelly (bass), the latter replaced by Bobby Gillespie. Steven's sister Carolyn Allen also joined on keyboards, and remained in the band thereafter. Gillespie left the band in 1983, replaced by Martin Cunning and then by Alexander 'Mac' Macpherson.
"Ceremony" is a song written by Joy Division, and first released as New Order's debut single in 1981. The song and its B-side, "In a Lonely Place", were written and recorded as Joy Division prior to the death of Ian Curtis. Both were re-recorded and carried over to Joy Division's re-formation under the name New Order.
"Everything's Gone Green" is the third single by the English rock band New Order, released in December 1981.
Heart and Soul is a box set by English rock band Joy Division containing nearly every track the band recorded between 1977 and 1980. The first two discs contain almost their entire studio output, including the albums Unknown Pleasures and Closer, along with singles and compilation appearances. Discs three and four collect rare demos and live recordings, many of which were previously unreleased. All tracks are digitally remastered. It reached #70 in the UK.
Section 25 are an English post-punk and electronic band, best known for the 1984 single "Looking from a Hilltop", associated with Manchester record label Factory Records.
From the Hip is the third studio album by English post-punk and electronic band Section 25, released in March 1984 by Factory Records. Following on from their previous albums, Always Now and The Key of Dreams, it marked a major departure in terms of sound and scope. Abandoning their harsh original post-punk sound the band embarked upon a new journey into the realms of electronic and dance music, with the help of Bernard Sumner of New Order who co-produced the album at Rockfield Studios in Monmouthshire, Wales.
Crispy Ambulance are an English post-punk band, formed in Manchester in late-1977 by Keith Darbyshire (bass), Robert Davenport (guitar), Alan Hempsall (vocals), and Gary Madeley (drums). They had been inspired by the Sex Pistols' second gig in the Lesser Free Trade Hall, in addition to the bands Magazine and Hawkwind.
The Names are a Belgian post-punk band from Brussels, Belgium, formed in 1978 around bassist, vocalist and songwriter Michel Sordinia.
The Return of the Durutti Column is the debut studio album by English band The Durutti Column. It was released in January 1980, through record label Factory.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
Shadowplayers is the title of both a 2006 documentary film and a 2010 book by James Nice of LTM Recordings, tracing the detailed history of Factory Records and the Manchester post-punk music scene between 1978–1981.
Stockholm Monsters were an English post-punk band, formed in Burnage a suburb of the city of Manchester in 1980. They recorded for Factory Records between 1981 and 1987.
Minny Pops is a Dutch, Amsterdam-based new wave/electronic/art punk band, associated with the Ultra post-punk movement in the Netherlands and the Factory Records label in the UK.
Sparks in a Dark Room is the second studio album by Dutch experimental electronic post-punk/ultra band Minny Pops. After signing to Factory Benelux in 1982 following their "noisy" and "goofy" debut album Different Measures, Drastic Movement (1979), the band settled into a new, less aggressive sound featuring influences of industrial music and funk. Recording Sparks in a Dark Room in late 1981, the band headed for a more clinical and clean sound. Considered a high point of the ultra movement, the record features cold, electronic tones and darkly humorous lyrics from lead singer and songwriter Wally van Middendorp.
The Key of Dreams is the second studio album by English post-punk band Section 25, released in 1982 by record label Factory Benelux. It was reissued in 1991 with extra tracks by LTM Recordings.
The Wake is the debut studio album by English post-punk band The Wake, released in 1982 by record label Factory.
