Amit Dutta

Last updated

Amit Dutta (born 1977 in Jammu) is an Indian experimental filmmaker and writer. He is considered to be one of the most significant contemporary practitioners of experimental cinema, [1] [2] [3] known for his distinctive style of filmmaking rooted in field-research and personal symbolism resulting in images that are visually rich and acoustically stimulating. [4] His works mostly deal with subjects of art history, ethno-anthropology, and cultural inheritance through cinema. [5]

Contents

Life and career

Amit Dutta graduated from the Film and Television Institute of India, Pune in 2004. [6] He has taught at the National Institute of Design (NID) [7] , Ahmedabad. In 2015, he joined the Indian Institute of Advanced Study (IIAS), Shimla as a Tagore fellow. [8]

Early works

Amit Dutta began his career making several short experimental films which critics described as "without precedents except probably for a distant echo of Sergey Parajanov's avant-garde play with childhood memories, making the director probably the most singular and idiosyncratic in the world." His montages are considered as baffling the eye and the urge to interpret, being interwoven with a complex labyrinth of allusions from historical reminiscences, fairytales, children's stories, texture etc. [9]

Kramasha (To Be Continued) (2007)

Kramasha (To Be Continued), an experimental short film made in 2007, earned considerable acclaim from film scholars and critics and was considered to be a defining achievement in experimental cinema. After winning many national and international awards, it was included in the list of thousand best films of all times compiled by film critic Jonathan Rosenbaum [10] [11] who also described the film as "a dazzling, virtuoso piece of mise en scene in 35-millimeter, full of uncanny imagery about the way the narrator imagines the past of his village and his family." [12] It was also voted as one of the best films in the Senses of Cinema poll in 2007. [13]

The FIPRESCI Jury while giving it the critic's prize in 2007 at the Oberhausen Film Festival in remarked, "Now that 35-millimeter appears to be a format whose pleasures are being overlooked or forgotten, especially in the realm of short films, the sensual pleasures of Amit Dutta's 22-minute To Be Continued (Kramasha) seem all the more precious..." [14]

The Jury at the MIFF (Mumbai International Film Festival) while giving it the Golden Conch for the Best Film of the Festival in 2008 wrote about the film: "In the manner music keeps you quietly enthralled with a resonating sense of things without a need to necessarily reduce the experience to a verbalization of meanings, Kramasha offers a world of images and sounds that made us smell and touch the lush of nature amid a mysterious index of hallucinations. Like a dream that we may fail to understand but that reaches deep recesses of our unconscious and touches familiar chords, Amit Dutta's Kramasha weaves a powerful narrative that blends legends, myths and nostalgia into a film that allows us to recall our own early experiences." [15]

Aadmi ki Aurat Aur Anya Kahaniyan (The Man's Woman and Other Stories) (2009)

The Man's Woman and Other Stories, a triptych of three separate short-stories received the Jury's Special Mention award of the Orizzonti [New Horizons] section of the 66th Venice Film Festival with the note that the film "opens a window on a new form of film-making on many levels". Jury-member and film-artist Bady Minck wrote that the director "creates images which are poetic and unsettling at the same time. They oscillate between the fantastic and the concrete, imagination and present-day reality". [16]

Barbara Wurm, writing in the Senses of Cinema magazine states that the director "celebrates neo-expressionist cinematography and demonstrates outstanding skills in merging the tempus and the mode of narration, a very sophisticated plot wandering from reality to possibility and back being the result: Aadmi ki aurat aur anya kahaniya (The Man's Woman and Other Stories)” [17]

In an article for the Film Comment, Nicolas Rapold says, " The Man's Woman and Other Stories renders three short stories with such exquisite gemlike color and composition and feel for rhythm that their subject matter fades into the background." [18]

Sonchidi (The Golden Bird) (2011)

In Sonchidi, two travelers journey in the quest for a flying craft that they believe would help them cross the cycle of births. The Rotterdam film festival described it as an "intriguing philosophical piece which evokes many memories, challenges various interpretations. Truly cinematic, a connoisseur's piece." [19] [20]

Nainsukh (2010)

Since 2007, he has collaborated with the art historian Eberhard Fischer, researching in the Kangra Valley of Himachal Pradesh and eventually directed the feature film Nainsukh in 2010. The film is based on the biography of an 18th-century master painter of the same name belonging to the region. It premiered at the 67th Venice Film Festival, was presented in the 'World Cinema Spotlight' section [21] of the San Francisco Film Festival, was showcased in MoMA, New York and travelled widely to many festivals including Rotterdam, Beijing and Vancouver Film Festivals among others.

The 'Film Comment' magazine had rated "Nainsukh" as one of the top ten films of the 67th Venice Film Festival. [22] The Ferroni Brigade group of film critics had nominated it as one of the best films of the 67th Venice film festival. [23] Film critics at the "Senses of Cinema's poll have twice voted it among the best films (2010 [24] and 2017 [25] ). In 2024, The NewYorker listed "Nainsukh" among the best bio-pics ever made. [26]

Nainsukh has received a great deal of appreciation from film critics and art-historians, Milo Beach stated, "I think that this will do more for public interest in Indian painting that all the many scholarly essays." [27]

Nainsukh has been widely discussed by critics for its unique formal qualities which evade categorisations. The film is said to be balancing between documentary approach and playful plot, developing its own visual language by interpreting as well as questioning Indian art history and one of its greatest artists. [28] While deeply rooted in Indian tradition and philosophy, [29] the film is also seen by eminent critic Olaf Moller as a "thought-provoking investigation into the slippery, ever-changing nature of realism, its representation in the arts. A true masterpiece of Indian modernism". [30]

With no considerable dialogue, the almost silent film is considered to create "a hypnotic fusion of imagery and sound that conjures up a lost age". [31] George Heymont of Huffington Post also observes the lack of dialogue and calls the film "visually stunning and acoustically stimulating that its beauty can often take the viewer's breath away" [32] The film contains meticulous recreations of Nainsukh's miniatures through compositions set amidst the ruins of the Jasrota palace where the artist was retained. Galina Stoletneya remarks that "By harmoniously juxtaposing the gorgeous visuals with outstanding sound design, the filmmaker produces a unique work of art—a living painting itself—that stands on its own" [33]

Max Goldberg of San Francisco Film Society observes that the film pays close attention to the finesse of Naisukh's brushwork and his observant images of the patron's more informal moments like smoking and beard-trimming. He adds that "When the filmmaker reconstructs one of Nainsukh's more complexly staged scenes—as in the hunting of a tiger clutching its human prey—his cinematic technique of isolating different elements of a single scene evokes the dynamic register of imagination and realism animating the artist's deceptively flat pictures". [34]

Other works

After graduating from the film school in 2004, he spent many months interviewing painters from the Gond tribal community of Madhya Pradesh, who had migrated to the city of Bhopal following the success and untimely demise of one pioneering young Gond artist ‘Jangarh Singh Shyam’. It resulted in a film 'Jangarh Film-One', which revolves around his absence amidst his legacy in the contemporary art practice of his kin.

He also made a feature-length documentary Ramkhind, a meditative observation of the everyday life of the people in a Warli village, which has produced some of the finest contemporary painters in its distinctive folk idiom.

Since Nainsukh in 2010, Dutta's area of interest has focused more specifically towards the art-historical and cultural aspects of the Kangra Valley and the surrounding area, most of his recent work being based in the same region. [35]

In the years 2011–12, Dutta recorded extensive conversations with another eminent Indian art-historian B.N.Goswamy, an authority on Pahari Art, for the production of an archive of his works in twenty volumes. Created during the archiving process are two shorts: 'The Museum of Imagination' and 'Field-trip'.

'The Museum of Imagination, A Portrait in Absentia', is an abstract portrait of the art-historian. This film was first shown at the Rome Film Festival and then Rotterdam and Oberhausen Film Festivals subsequently. Rotterdam called it an extraordinary, intriguing and unconventional portrait. [36]

Andrea Picard, Chief Curator of "Wavelengths", the Toronto International Film Festival's celebrated avant-garde section, and a columnist for Cinema Scope magazine wrote about the film that "Dutta continues his exploration of Indian art history and culture...The quietude in the film – the quest to understand the silences as much as the conversation – speaks volumes about the weight of art and creativity... While the film exudes precision and grace, its admiration and respect for its subject is awakened outward, never venerated into stasis. Studying art is a way of seeing the world; the film's official subtitle, "portrait in absentia" suggests infinitude as Dutta's discerning eye alludes to the images that will forever remain lodged in our memory spurring us on as a life force". [37]

Books

Screenings

Dutta's films have been screened at various museums and film festivals, including:

Awards and honors

Dutta's films have received a number of national and international awards including the Golden Conch and Best Film of the Festival Award at the Mumbai International Film Festival (MIFF) [72] , Gold Mikaldi at Bilbao (Spain) [73] , the FIPRESCI, International Film critic's award in the 53rd Oberhausen Film Festival [74] (Germany), the John Abraham National Award (Federation of Film Societies of India, Keralam) [75] , the main prize of the International Jury at the 70th International Short Film Festival, Oberhausen (Germany), [76] and four times the National award of India [77] [78] [79] . Kramasha became one of the entries in Jonathan Rosenbaum's list of thousand best films in the Afterword of the second edition of his collection 'Essential Cinema' [80] . 'The Man's Woman and Other Stories' won the Jury's special prize (Orrizonti-2009) in the 66th Venice Film Festival. [81] [82] [83] [84] . He received the Hubert Bal Award of the Rotterdam International Film Festival for his screenplay The Invisible One in 2012. [85] The Ferroni Brigade group of film critics had named him among the Best New Filmmakers of the Decade in 2011. [86] In 2013, he was invited by the Venice Film Festival to make a short film for its 70th anniversary on the theme of the 'Future of Cinema'. [35] In October 2013, he was conferred the title of honor, 'Dogra Ratna', for his contribution in the fields of Art and Culture. [87] In 2015, he received CNAP award for his project on the History of Chess, by the Centre National des Arts Plastiques, France. [88] Same year he was awarded the Tagore fellowship at the Indian Institute of Advanced Study IIAS, Shimla [89] , where he wrote his first book. [90] In 2024, The NewYorker listed "Nainsukh" among the best bio-pics ever made. [26] Many of his films regularly been voted by film-critics as among the best in the years in the 'Senses of Cinema' world polls. [91]

Retrospectives

In March 2015, at the Centre Pompidou, Paris, the 37th edition of Cinéma du Réel conducted a major retrospective of 14 of his features and short-films, curated by eminent curator and film-critic Marie-Pierre Duhamel Muller entitled “Amit Dutta: Through the Looking Glass,” [92] followed by a round table conference dedicated to discussing his work where using excerpts from Amit Dutta's films, the participants went over the different stages of his filmography and artistic path. [93]

Marie-Pierre Duhamel in her introduction to the retrospective writes:

“Amit Dutta explores the expressive dimensions of cinema as a time machine. He builds up a universe for the spectator where research feeds the imaginary, where the arts, history and mythology form part of landscapes and gestures and where knowledge enchants reality.” [94] and that his body of work evokes “the philosophical majesty of the image.” [95]

Dutta's films have been compiled and screened as comprehensive retrospectives at several points in his career. The 56th International Short Film Festival Oberhausen curated the director's profile in 2010 with seven of his short-films. [96] Lalit Kala Akademi, Chandigarh, had organized the Cinema and Art festival showcasing a selection of both his short films and feature films hosted at the Government Museum and Art Gallery, Chandigarh, in March 2014. [97] In June 2015, the 8th International Documentary and Short film Festival of Kerala (IFFK) screened a retrospective of ten of his films hosted by the Kerala State Chalachitra Academy at Thiruvananthapuram. [98]

Retrospectives (selected list):

Filmography (selected list):

2001Ramkhind 90 min [124] [125]
2007Kramasha (To Be Continued) 22min [126] [127]
2008Jangarh Film Ek (Jangarh Film One) 20 min [128]
2009Aadmi Ki Aurat Aur Anya Kahaniyan (The Man's Woman and Other Stories) 70 min [129] [130]
2010 Nainsukh 75 min [131] [132]
2011Sonchidi (The Golden Bird) 55min [133]
2012The Museum of Imagination20 min [134]
2013Field-Trip20 min [135]
2013Saatvin Sair (The Seventh Walk) 75 min [136]
2014Gitagovinda35 min [137]
2015Chitrashala (House of Paintings) 20 min [138]
2015Lal Bhi Udhaas Ho Sakta Hai (Even Red Can Be Sad) 60 min [139]
2016Scenes from a Sketchbook21 min [140]
2017The Unknown Craftsman 89 min [141] [142]
2019Notes on Guler55 min [143]
2020Wittgenstein Plays Chess with Marcel Duchamp, or How Not to Do Philosophy [144] 17 min
2022Mother Who Will Weave Now? [145] [146]
2023Blueprint of a Pleasure Machine [147] [148]
2024Many Interrupted Dreams of Mr. Hemmady [149]

Related Research Articles

<span class="mw-page-title-main">Roy Andersson</span> Swedish film director

Roy Arne Lennart Andersson is a Swedish film director, best known for his distinctive style of absurdist humor and melancholic depictions of human life. His personal style is characterized by long takes, and stiff caricaturing of Swedish culture and grotesque. Over his career Andersson earned prizes from the Cannes Film Festival, Berlin International Film Festival and Venice International Film Festival.

Jean-Marie Straub and Danièle Huillet were a duo of French filmmakers who made two dozen films between 1963 and 2006. Their films are noted for their rigorous, intellectually stimulating style and radical, communist politics. While both were French, they worked mostly in Germany and Italy. From the Clouds to the Resistance (1979) and Sicilia! (1999) are among the duo's best regarded works.

<span class="mw-page-title-main">Anjan Dutt</span> Indian filmmaker and musician (born 1953)

Anjan Dutt is an Indian film director, actor, and singer-songwriter known for his work in the Bengali alternative music genre anyodharar gaan. As an actor, Dutta began his career in Bengali cinema in the Mrinal Sen film Chaalchitra, for which he won the best newcomer actor award at the Venice Film Festival. He acted in Aparna Sen's hit film, Mr. and Mrs. Iyer. In 2018 he featured in Swapnasandhani's new play Taraye Taraye, as Vincent van Gogh, under the direction of Kaushik Sen.

Parallel cinema or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema.

<span class="mw-page-title-main">Otar Iosseliani</span> Georgian film director (1934–2023)

Otar Iosseliani was a Georgian film director, known for movies such as Falling Leaves, Pastorale and Favourites of the Moon. Iosseliani received a lifetime achievement honor – the CineMerit Award at the Munich International Film Festival in 2011 for his career accomplishments.

<span class="mw-page-title-main">International Short Film Festival Oberhausen</span>

The International Short Film Festival Oberhausen, founded in 1954, is one of the oldest short film festivals in the world. Held in Oberhausen, it is one of the major international platforms for the short form. The festival holds an International Competition, a German Competition, an International Children's and Youth Film Competition, the MuVi Award for best German music video, and, since 2009, the NRW Competition for productions from the German state of North Rhine-Westphalia.

Lior Shamriz is a writer, producer, and film director. They reside in Santa Cruz, California.

<span class="mw-page-title-main">66th Venice International Film Festival</span> Film festival

The 66th annual Venice International Film Festival, held in Venice, Italy, was held from 2 to 12 September 2009, with Maria Grazia Cucinotta serving as the festival's hostess. The opening film of the festival was Baarìa by Giuseppe Tornatore and the closing film was Chengdu, I Love You by Fruit Chan and Cui Jian.

<span class="mw-page-title-main">K. M. Madhusudhanan</span> Indian film maker and artist

Madhusudhanan is an Indian film maker and artist, also known as K. M. Madhusudhanan. His debut feature film, Bioscope has received many awards. He is working with different media in art, including sculpture, printmaking installation art and film.

<span class="mw-page-title-main">Vipin Vijay</span> Indian film director and screenwriter (born 1977)

Vipin Vijay is an Indian film director and screenwriter. He received his post-graduate degree in filmmaking from the Satyajit Ray Film and Television Institute SRFTI, Calcutta. He received the Charles Wallace Arts Award for research at the British Film Institute, London, 2003. Vipin is the recipient of "The Sanskriti Award" (2007) for social & cultural achievement. His works are made under independent codes and defy any categorisation eluding all traditional genre definitions and merge experimental film, documentary, essay, fiction all into one.

<span class="mw-page-title-main">Eberhard Fischer (art historian)</span>

Eberhard Fischer is a German art historian, ethnologist and author based in Switzerland. He is a former Director and the incumbent President of Rietberg Society, Switzerland. Fischer was honored by the Government of India, in 2012, with the fourth highest Indian civilian award of Padma Shri.

Hu Wei is a Chinese filmmaker.

<span class="mw-page-title-main">Jangarh Singh Shyam</span> Indian painter (1962–2001)

Jangarh Singh Shyam (1962–2001) was a pioneering contemporary Indian artist credited with being the creator of a new school of Indian art called Jangarh Kalam. His work has been exhibited widely the world over including Bhopal, Delhi, Tokyo and New York. His most notable exhibitions include the Magiciens de la terre in Paris (1989) and Other Masters curated by Jyotindra Jain at the Crafts Museum, New Delhi (1998). His 1988 piece Landscape with Spider sold for $31,250 at Sotheby's, New York, in 2010—a first for an adivasi artist. Jangarh had also painted the interiors of the Legislative Assembly of Madhya Pradesh, the Vidhan Bhavan, and the dome of Bhopal's Bharat Bhavan—one of the most prestigious museums of tribal and contemporary Indian art. He was among the first Gond artists to use paper and canvas for his paintings, thereby inaugurating what is now known as Jangarh Kalam.

<span class="mw-page-title-main">Madhusree Dutta</span> Indian filmmaker, author and curator

Madhusree Dutta is an Indian filmmaker, author and curator.

<i>Nainsukh</i> (film) 2010 Indian film

Nainsukh is a 2010 film directed by Amit Dutta based on the life and works of Nainsukh, an 18th-century Indian miniature painter. The film contains meticulous recreations of Nainsukh's paintings through compositions set amidst the ruins and environs of the Jasrota palace where the artist was retained.

Philbert Aimé Mbabazi Sharangabo, is a Rwandan filmmaker. He has made several critically acclaimed short films including, The Liberators, Versus and I Got My Things And Left.

<span class="mw-page-title-main">Rajee Samarasinghe</span> Director and filmmaker

Rajee Samarasinghe is a Sri Lankan filmmaker and visual artist. His work explores a wide array of topics including the Sri Lankan Civil War, his family, and the deconstruction of documentary and narrative film.

Shriniwas Joshi is a columnist, theatre artist, and retired civil servant from Himachal Pradesh, India. As a columnist, Joshi is especially known for his column 'Vignettes' in the Indian English daily The Tribune, through which he has documented people, history, places, and idiosyncratic things all across Himachal Pradesh. As a theatre figure, he has been associated for decades with Shimla's historic Gaiety Theatre, for which he has written, acted in, and directed a number of plays. As a retired civil servant, Joshi has been active in various civic causes in Shimla, including heritage conservation, environmental protection, and the promotion of arts.

Kramasha is a short experimental film directed by Amit Dutta. Released in 2007, the film won two National Film Awards in 2007 and received recognition at various international film festivals.

Ashish Avikunthak is an Indian avant-garde filmmaker, film theorist, archaeologist and cultural anthropologist. His works have been screened at art galleries and private screenings, including Tate Modern, Centre George Pompidou, Paris Film Archive; along with Rotterdam, Locarno, London film festivals, among others. He is a professor of film media at Harrington School of Communication, University of Rhode Island.

References

  1. ↑ Vajpeyi, Udayan (21 July 2018). "On Amit Dutta: The reticent revolutionary". The Hindu. ISSN   0971-751X . Retrieved 9 July 2024.
  2. ↑ "Amit Dutta". IFFR EN. Retrieved 23 June 2024.
  3. ↑ "I want to use cinema to explore that which escapes you". 6 April 2014.
  4. ↑ Puru (10 June 2021). "Amit Dutta | Art House Cinema". www.arthousecinema.in. Retrieved 23 June 2024.
  5. ↑ Vajpeyi, Udayan (21 July 2018). "Amit Dutta: The reticent revolutionary". The Hindu. ISSN   0971-751X . Retrieved 26 December 2020.
  6. ↑ "Amit Dutta". Mubi.com. Retrieved 28 January 2014.
  7. ↑ "BOMB Magazine | Amit Dutta". BOMB Magazine. Retrieved 9 July 2024.
  8. ↑ "Buy INVISIBLE WEBS: An art Historical inquiry into the life and death of Jangarh Singh Shyam online - Indian Institute of Advanced Study". books.iias.org. Retrieved 9 July 2024.
  9. ↑ Wieczorek, Dieter. "56th International Short Film Festival Oberhausen". schnitt.de. Archived from the original on 16 December 2013. Retrieved 24 October 2018.
  10. ↑ "Reconsidered Essentials, July 2007 | Jonathan Rosenbaum". jonathanrosenbaum.net. Retrieved 14 April 2024.
  11. ↑ "Alexis A. Tioseco, R.I.P. | Jonathan Rosenbaum". jonathanrosenbaum.net. Retrieved 14 April 2024.
  12. ↑ Rosenbaum, Jonathan (2009). "IITB IDC FILM CLUB Reviews". Chicago Reader.
  13. ↑ "2009 World Poll". 27 August 2008.
  14. ↑ "On Kramasha".
  15. ↑ Nagpal, BB. "India Dominates MIFF, Wins Largest Number of Awards in International Category".
  16. ↑ Minck, Bady. "badyminck.com". Archived from the original on 20 August 2011. Retrieved 27 August 2013.
  17. ↑ "Vienna International Film Festival Report". 17 December 2013.
  18. ↑ Rapold, Nicolas (8 September 2010). "2010 Jeonju International Film Festival". Film Comment. Retrieved 23 June 2024.
  19. ↑ "The Golden Bird | IFFR". iffr.com. Retrieved 1 March 2022.
  20. ↑ "Rotterdam Film profile- Sonchidi". 28 May 2024.
  21. ↑ "54th San Francisco International Film Festival Presents World Cinema Spotlight: Painting with Light". SFFILM. 29 March 2011. Retrieved 6 December 2020.
  22. ↑ "November-December 2010". Film Comment. Retrieved 28 March 2024.
  23. ↑ "The Golden Donkey Venice 2010". 22 November 2010. Retrieved 22 November 2010.
  24. ↑ Various (8 February 2005). "2010 World Poll – Senses of Cinema" . Retrieved 28 March 2024.
  25. ↑ "World Poll 2017 – Part 1 – Senses of Cinema". 12 September 2000. Retrieved 28 March 2024.
  26. 1 2 Brody, Richard (19 March 2024). "The Best Bio-Pics Ever Made". The New Yorker. ISSN   0028-792X . Retrieved 28 March 2024.
  27. ↑ AK, Arun (11 November 2020). "The Inimitable Image Of Amit Dutta, On MUBI: Infusing Life Into The Paintings Of Nainsukh And Other Indian Artists". www.filmcompanion.in. Retrieved 9 July 2024.
  28. ↑ "doku-arts.de/2012/en/programme/Nainsukh".
  29. ↑ "filmfestivalrotterdam.com". 28 May 2024.
  30. ↑ Möller, Olaf (November–December 2010). "Olaf's World". Film Comment.
  31. ↑ "moma.org".
  32. ↑ Heymont, George. "Breathing New Life into Old Art". Huffington Post.
  33. ↑ Stoletneya, Galina. "Nainsukh".
  34. ↑ Goldberg, Max. "Swimming in the Deep End of San Francisco International Film Festival". Archived from the original on 27 January 2012.
  35. 1 2 "70 Directors for Venice 70 – AMIT DUTTA". 7 April 2017.
  36. ↑ "Museum of imagination". 28 May 2024.
  37. ↑ "slow criticism, Tiger Shorts Competition". Archived from the original on 10 May 2013. Retrieved 27 August 2013.
  38. ↑ "Cultural Calender[sic] 2016". 1 January 2017.
  39. ↑ "Kaljayi Kambakht". goodreads.com. Retrieved 2 October 2020.
  40. ↑ Dutta, Amit. Kaljayi Kambakht. ASIN   8193287827.
  41. ↑ "The Armory Square Prize for South Asian Literature in Translation releases its shortlist". The Indian Express. 10 April 2023. Retrieved 11 April 2023.
  42. ↑ "2023 Prize Announcement". Armory Square Ventures. Retrieved 11 April 2023.
  43. ↑ "Gallery 3". Armory Square Ventures. Retrieved 11 April 2023.
  44. ↑ "Khud Se Kayi Sawal (Raza Pustak Mala)". rajkamalprakashan.com. Retrieved 2 October 2020.
  45. ↑ Dutta, Amit. Khud Se Kayi Sawal. Translated by Chaturvedi, Geet. ASIN   8126730730.
  46. ↑ "किताबें मिलीं: 'ताजमहल- छ: फिट नीचे', 'कनस्तर में गंगा', 'खुद से कई सवाल' और 'शिक्षा-परीक्षा और प्रधानमंत्री'". Jansatta (in Hindi). 3 June 2018. Retrieved 2 October 2020.
  47. ↑ "Book Review: Amit Dutta's 'Invisible Webs: An Art Historical Inquiry into the Life and Death of Jangarh Singh Shyam'". The Financial Express. 4 November 2018. Retrieved 2 October 2020.
  48. ↑ "Invisible Webs". goodreads.com. Retrieved 2 October 2020.
  49. ↑ Srinivasan, Srikanth (22 September 2018). "'Invisible Webs' by Amit Dutta explores the implications of artist Jangarh Singh Shyam's death". The Hindu. ISSN   0971-751X . Retrieved 2 October 2020.
  50. 1 2 "Tata Trusts' Parag Initiative Announces Parag Honours List 2022 – Press Releases". Tata Trusts. Retrieved 16 February 2022.
  51. ↑ "Parag Honour List Books | Parag" . Retrieved 18 February 2022.
  52. ↑ Excelsior, Daily (25 December 2021). "Cultural Round-up 2021". dailyexcelsior.com. Retrieved 16 February 2022.
  53. ↑ "Tata Trusts' Parag Initiative Announces Parag Honours List 2022". frontlist.in. Retrieved 16 February 2022.
  54. ↑ "Tata Trusts' Parag Children Literature Honour List 2022 announced – Curriculum Magazine" . Retrieved 16 February 2022.
  55. ↑ "The Quiet Filmmaker: Srikanth Srinivasan's "Modernism by Other Means" and the Cinema of Amit Dutta". Los Angeles Review of Books. 29 January 2021. Retrieved 9 July 2024.
  56. ↑ Versteirt, Bart (22 February 2021). "Returning to the Canvas. On Amit Dutta and 'Modernism by Other Means'". photogénie. Retrieved 9 July 2024.
  57. ↑ "Chitrashala | House of Paintings | Haus der Bilder". www.berlinale.de. Retrieved 9 July 2024.
  58. ↑ timesofindia.indiatimes.com https://timesofindia.indiatimes.com/asrelated.cms?msid=5020339 . Retrieved 9 July 2024.{{cite web}}: Missing or empty |title= (help)
  59. ↑ Venice film festival, Olaf Moller (2010). "venice Film festival by Olaf Moller" (PDF).
  60. ↑ Venice 70 - Future Reloaded: Amit Dutta (2013) | MUBI . Retrieved 9 July 2024– via mubi.com.
  61. ↑ "AADMI KI AURAT AUR ANYA KAHANIYA | Viennale". www.viennale.at. Retrieved 9 July 2024.
  62. ↑ "Amit Dutta". IFFR EN. Retrieved 9 July 2024.
  63. ↑ "Amit Dutta's Short Film "To Be Continued" The Rapture By Jonathan Rosenbaum" . Retrieved 9 July 2024.
  64. ↑ gGmbH, Internationale Kurzfilmtage Oberhausen (5 May 2024). "The Awards of the 70th Festival". Internationale Kurzfilmtage Oberhausen gGmbH. Retrieved 9 July 2024.
  65. ↑ "Nainsukh I SAVAC". 26 October 2011.
  66. ↑ "YIDFF: 2023: Double Shadows 3". yidff.jp. Retrieved 5 November 2023.
  67. ↑ "Amit Dutta : De l'autre côté du miroir". Centre Pompidou. Retrieved 9 July 2024.
  68. ↑ MoMA, MoMA (2022). "Nainsukh. 2010. Directed by Amit Dutta Drawn From Dreams. 2019. Directed by Amit Dutta".
  69. ↑ "Amit Dutta's Cinematic Museum". BAMPFA. 14 July 2017. Retrieved 29 June 2024.
  70. ↑ Vick, Tom (19 February 2021). "Amit Dutta's Cinematic Museum". Smithsonian's National Museum of Asian Art. Retrieved 9 July 2024.
  71. ↑ "Amit Dutta's Cinematic Museum". amitdutta.eventive.org. Retrieved 9 July 2024.
  72. ↑ MIFF Awards, MIFF Awards (2008). "MIFF Awards" (PDF).
  73. ↑ "Festival Scope". pro.festivalscope.com. Retrieved 9 July 2024.
  74. ↑ "53rd Oberhausen International Short Film Festival" . Retrieved 9 July 2024.
  75. ↑ "Amit Dutta | India Foundation for the Arts". indiaifa.org. Retrieved 9 July 2024.
  76. ↑ gGmbH, Internationale Kurzfilmtage Oberhausen (5 May 2024). "Die Preisträger der 70. Kurzfilmtage". Internationale Kurzfilmtage Oberhausen gGmbH (in German). Retrieved 16 May 2024.
  77. ↑ "FTII Awards List | PDF | Film Awards | Cinema Of India". Scribd. Retrieved 9 July 2024.
  78. ↑ "National Film Awards For Special Jury Award - National Film Special Mention Award". www.awardsandshows.com. Retrieved 9 July 2024.
  79. ↑ "National Awards 2004 Winners". The Times of India. ISSN   0971-8257 . Retrieved 9 July 2024.
  80. ↑ "Reconsidered Essentials, July 2007 | Jonathan Rosenbaum". jonathanrosenbaum.net. Retrieved 9 July 2024.
  81. ↑ Berlinale, Berlinale (2009). "The Man's Woman and other Stories".
  82. ↑ timesofindia.indiatimes.com https://timesofindia.indiatimes.com/asrelated.cms?msid=5020339 . Retrieved 9 July 2024.{{cite web}}: Missing or empty |title= (help)
  83. ↑ "Special mention to Amit Dutta's AKAAAK@Venice film Festival!". F.i.g.h.t C.l.u.b. 13 September 2009. Retrieved 9 July 2024.
  84. ↑ "The new film by Indian director Amit Dutta, "The Seventh Walk" (Saatvin Sair) to close the CinemaXXI programme – Fondazione Cinema per Roma". 18 October 2013. Retrieved 9 July 2024.
  85. ↑ "HBF Fall 2012 selection". 28 May 2024.
  86. ↑ "The Ferroni's Film Comment Decade List". January 2011.
  87. ↑ "J-K Governor presents Dogra Ratna Awards 2013". Business Standard India. Press Trust of India. 4 October 2013.
  88. ↑ "CNAP 2014". Archived from the original on 23 September 2015.
  89. ↑ IIAS, IIAS (2017). "IIAS" (PDF).
  90. ↑ "Book Review: Amit Dutta's 'Invisible Webs: An Art Historical Inquiry into the Life and Death of Jangarh Singh Shyam'". Financialexpress. 4 November 2018. Retrieved 9 July 2024.
  91. ↑ "Search Results for "amit dutta" – Senses of Cinema". 29 May 2022. Retrieved 9 July 2024.
  92. ↑ "37e Cinéma du Réel". leblogdocumentaire.fr. 20 March 2015.
  93. ↑ "37e Cinéma du Réel- Table Ronde". Archived from the original on 15 August 2015. Retrieved 1 September 2015.
  94. ↑ Duhamel, Marie-Pierre. "37th Cinéma du Réel- Press Dossier" (PDF). Archived from the original (PDF) on 23 September 2015. Retrieved 1 September 2015.
  95. ↑ Duhamel, Marie. "Amit Dutta: Through the Looking Glass". Marie-Pierre Duhamel – via Academia.edu.{{cite journal}}: Cite journal requires |journal= (help)
  96. ↑ "Oberhausen Profiles 2010". kurzfilmtage.de.
  97. ↑ "Cinema and Art Festival".
  98. ↑ "8th IDSFFK 2015" (PDF). iffk.in. Archived from the original (PDF) on 24 September 2015. Retrieved 1 September 2015.
  99. ↑ "Profile – Internationale Kurzfilmtage Oberhausen". kurzfilmtage.de.
  100. ↑ "Lalit Kala Akademi". lalitkala.gov.in.
  101. ↑ "The Tribune, Chandigarh, India – The Tribune Lifestyle". tribuneindia.com.
  102. ↑ "Amit Dutta: Through the Looking Glass – Cinéma du Réel". cinemadureel.org. Archived from the original on 21 October 2017. Retrieved 20 October 2017.
  103. ↑ "Amit Dutta Movies Beckon Movie Buffs to IDSFFK". anandvattamannil.blogspot.in. 7 August 2015.
  104. ↑ "Amit Dutta's Films a Big Draw | THIRUVANANTHAPURAM NYOOOZ".
  105. ↑ "LAC Focus India – Eventi – Affinità elettive. India 1947-2017". Archived from the original on 14 November 2017. Retrieved 14 November 2017.
  106. ↑ "Affinità elettive. India 1947-2017: cinema e altri linguaggi – SentieriSelvaggi". 8 November 2017.
  107. ↑ "Amit Dutta's Cinematic Museum – BAMPFA". bampfa.org.
  108. ↑ Chakraborty, Sucheta (7 December 2017). "Glimpses of a rare filmmaker – OTHERS – The Hindu". The Hindu .
  109. ↑ ""nfai-plans-a-retrospective-of-art-filmmaker-amit-duttas-works"". The Times of India . 11 April 2018.
  110. ↑ ""nfai-to-host-a-retrospective-of-experimental-filmmaker-amit-dutta"". 11 April 2018.
  111. ↑ "The Inimitable Image: An Amit Dutta Retrospective". MUBI. Retrieved 14 May 2024.
  112. ↑ Chabria, Suresh (10 August 2020). "In Amit Dutta's bold and beautiful cinema, an unforgettable exploration of Indian art traditions". Scroll.in. Retrieved 14 May 2024.
  113. ↑ "The Ca' Foscari Short Film Festival is ready to celebrate its 10th edition, from the 7 to 10 October".
  114. ↑ "Kiran Nadar Museum of Art presents 'An Auteur's Palette' – week long online festival of Amit Dutta's films". The Live India. 27 February 2021. Retrieved 27 February 2021.
  115. ↑ "An Auteur's Palette – A Festival of Amit Dutta's Films". Kiran Nadar Museum of Art. 19 February 2021. Retrieved 27 February 2021.
  116. ↑ "Films". Freer Gallery of Art & Arthur M. Sackler Gallery. Retrieved 7 February 2021.
  117. ↑ "Amit Dutta's Cinematic Museum". amitdutta.eventive.org. Retrieved 7 February 2021.
  118. ↑ "Streaming: Surface and Depth: Recent Short Films by Amit Dutta". bampfa.org. 9 April 2021. Retrieved 9 March 2023.
  119. ↑ "House of Paintings | Surface and Depth: Recent Short Films by Amit Dutta". watch.eventive.org. Retrieved 9 March 2023.
  120. ↑ "The Films of Amit Dutta – e-flux". e-flux.com. Retrieved 7 June 2023.
  121. ↑ "The Films of Amit Dutta – Announcements – e-flux". e-flux.com. Retrieved 7 June 2023.
  122. ↑ Hudson, David. "One More Day with Amit Dutta". The Criterion Collection. Retrieved 7 June 2023.
  123. ↑ "Animating the Archive: Short Films by Amit Dutta | Jio MAMI Mumbai Film Festival". mami.mumbaifilmfestival.com. Retrieved 5 November 2023.
  124. ↑ "Amit Dutta : De l'autre côté du miroir". www.centrepompidou.fr. Retrieved 9 July 2024.
  125. ↑ Ramkhind (2001) | MUBI . Retrieved 9 July 2024– via mubi.com.
  126. ↑ "On KRAMASHA | Jonathan Rosenbaum". jonathanrosenbaum.net. Retrieved 9 July 2024.
  127. ↑ To Be Continued (2007) | MUBI . Retrieved 9 July 2024– via mubi.com.
  128. ↑ Jangarh Film Ek (2008) | MUBI . Retrieved 9 July 2024– via mubi.com.
  129. ↑ "AADMI KI AURAT AUR ANYA KAHANIYA | Viennale". www.viennale.at. Retrieved 9 July 2024.
  130. ↑ The Man's Woman and Other Stories (2009) | MUBI . Retrieved 9 July 2024– via mubi.com.
  131. ↑ Nast, Condé. "Nainsukh". The New Yorker. Retrieved 9 July 2024.
  132. ↑ Nainsukh (2010) | MUBI . Retrieved 9 July 2024– via mubi.com.
  133. ↑ "The Golden Bird". IFFR EN. Retrieved 9 July 2024.
  134. ↑ The Museum of Imagination (2012) | MUBI . Retrieved 9 July 2024– via mubi.com.
  135. ↑ Field-Trip (2013) | MUBI . Retrieved 9 July 2024– via mubi.com.
  136. ↑ "MoMA Documentary Fortnight 2014 Review: The Seventh Walk (2013) - NP Approved". Next Projection. 21 February 2014. Retrieved 9 July 2024.
  137. ↑ "Gita Govinda • Cinéma du Réel". Cinéma du Réel. Retrieved 9 July 2024.
  138. ↑ "Chitrashala | House of Paintings | Haus der Bilder". www.berlinale.de. Retrieved 9 July 2024.
  139. ↑ "Even Red Can Be Sad". BAMPFA. 20 July 2017. Retrieved 9 July 2024.
  140. ↑ "Scenes from a Sketchbook :: 25 FPS". www.25fps.hr. Retrieved 9 July 2024.
  141. ↑ CdC, Caimán (12 June 2018). "The Unknown Craftsman - Filmadrid - Caimán Cuadernos de Cine". Caiman Ediciones (in Spanish). Retrieved 9 July 2024.
  142. ↑ "The Unknown Craftsman - Film - e-flux". www.e-flux.com. Retrieved 9 July 2024.
  143. ↑ "Notes on Guler" . Retrieved 3 January 2021.
  144. ↑ Wittgenstein Plays Chess With Marcel Duchamp, or How Not To Do Philosophy (2020) | MUBI . Retrieved 9 July 2024– via mubi.com.
  145. ↑ "The film programme for Berlin Critics' Week 2024 - Woche der Kritik". 8 January 2024. Retrieved 9 July 2024.
  146. ↑ Mother, Who Will Weave Now? (2022) | MUBI . Retrieved 9 July 2024– via mubi.com.
  147. ↑ "Blueprint of a Pleasure Machine". IFFR EN. Retrieved 9 July 2024.
  148. ↑ Blueprint of a Pleasure Machine (2023) | MUBI . Retrieved 9 July 2024– via mubi.com.
  149. ↑ The Many Interrupted Dreams of Mr. Hemmady (2024) | MUBI . Retrieved 9 July 2024– via mubi.com.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.