Amos Paul Kennedy Jr.

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Amos Paul Kennedy Jr.
Pull-A-Print with Amos Paul Kennedy, Jr.jpg
The artist with inky hands at a "Pull-a-Print" event in Wisconsin, 2010.
Born
Lafayette, Louisiana
EducationMFA, University of Wisconsin-Madison, 1997
BS Mathematics, Grambling State University, Louisiana, 1972 [1]
Occupationprinter
Children2
RelativesAmos III (son), Adric (son)
Website kennedyprints.com

Amos Paul Kennedy Jr. (born 1948) is an American printer, book artist and papermaker best known for social and political commentary, particularly in printed posters. [2] One critic noted that Kennedy is "...unafraid of asking uncomfortable questions about race and artistic pretension." [3]

Contents

Biography

From an early age, Kennedy was interested in letters and books and studied calligraphy for several years. [4] At the age of 40, Kennedy visited Colonial Williamsburg, a Virginia living history museum, and was mesmerized by an 18th-century print shop and book bindery demonstration. The incident so influenced that he studied printing at a community-based letterpress shop in Chicago [5] and, within a year quit his AT&T systems analyst job, which he had held for nearly two decades, to continue printmaking studies. [6]

Kennedy articulated his fascination with letterpress printing in one interview: "... I believe it was the capability of making multiples. Multiples of text are important to me. They allow for distribution." [6]

He attended the University of Wisconsin-Madison, studied under legendary book designer Walter Hamady, and earned an MFA in 1997. He later taught graphic design at the Henry Radford Hope School of Fine Arts at Indiana University. [7] [8] His letterpress poster shop, Kennedy Prints, is located in Detroit, Michigan. [9]

Technique

Kennedy teaching a letterpress printing workshop at Washington University in St. Louis during the 2011 SGC International conference Letterpress printing at Washington University in St. Louis during the 2011 SGCI conference.jpg
Kennedy teaching a letterpress printing workshop at Washington University in St. Louis during the 2011 SGC International conference

Kennedy creates prints, posters and postcards from handset wood and metal type, oil-based inks, and eco-friendly and affordable chipboard. Many of the posters are inspired by proverbs, sayings, and quotes Kennedy locates or potential clients provide. [8]

Using hand presses, he "produces large editions of wildly colourful, typographically-driven posters on inexpensive chipboard stock, posters which are often so riotously layered with vibrant colours of ink as to retain a wet iridescence and tackiness years after they were printed. His working method often involves overprinting multiple layers of text ...resulting in no two prints being truly identical." [10]

Residencies, Exhibitions, and Awards

Kennedy has been hosted as an artist-in-residence at a number of institutions, including the Minnesota Center for Book Arts, [11] Virginia Center for the Book at the University of Virginia, [12] BookLab at the University of Maryland, [13] and the Wells College Book Arts Center, [14] among many others.

His work has been exhibited at a range of museums, galleries, and libraries, including the Bainbridge Island Museum of Art, [15] the Museum of Modern Art Library, [16] the Institute for Contemporary Art at Virginia Commonwealth University, [17] and the Indiana University Bloomington Fine Arts Library. [18] In addition, his work is held in the permanent collections of the Poster House, [19] the New York Center for Book Arts, [20] and the Letterform Archive. [21]

In 2015, Kennedy was honored as a United States Artists Glasgow Fellow in Crafts and received a $50,000 unrestricted prize. [22] He was named the Individual Laureate by the American Printing History Association in 2021, [23] and the Outstanding Printmaker Awardee from the Mid Atlantic Print Council in 2022. [24]

Archival Collections

Letterpress posters by Amos Paul Kennedy Jr. Letterpress posters by Amos Paul Kennedy Jr.jpg
Letterpress posters by Amos Paul Kennedy Jr.

Selected bibliography

Related Research Articles

<span class="mw-page-title-main">Letterpress printing</span> Technique of relief printing using a printing press

Letterpress printing is a technique of relief printing for producing many copies by repeated direct impression of an inked, raised surface against individual sheets of paper or a continuous roll of paper. A worker composes and locks movable type into the "bed" or "chase" of a press, inks it, and presses paper against it to transfer the ink from the type, which creates an impression on the paper.

Private press publishing, with respect to books, is an endeavor performed by craft-based expert or aspiring artisans, either amateur or professional, who, among other things, print and build books, typically by hand, with emphasis on design, graphics, layout, fine printing, binding, covers, paper, stitching, and the like.

<span class="mw-page-title-main">William Andrews Clark Memorial Library</span> UCLA-associated library of rare books and manuscripts

The William Andrews Clark Memorial Library, an affiliated library of the University of California, Los Angeles, holds rare books and manuscripts with particular strengths in English literature and history (1641–1800), Oscar Wilde and the fin de siècle, and fine press printing. It is located about 10 mi (16 km) southeast from UCLA, in the West Adams district of Los Angeles, and 2 mi (3.2 km) west of the University of Southern California. It is administered by UCLA's Center for Seventeenth- and Eighteenth-Century Studies, which offers several long- and short-term fellowships for graduate and postdoctoral scholars to use the Library's collections. However, any reader with an interest in the collection is able to study.

<span class="mw-page-title-main">David Lance Goines</span> American artist (1945–2023)

David Lance Goines, was an American artist, calligrapher, printmaker, typographer, printing entrepreneur, and author. He was born in Grants Pass, Oregon, the oldest of eight children. His father was a civil engineer and his mother a calligrapher and artist.

<span class="mw-page-title-main">San Francisco Center for the Book</span> Art school in the United States

The San Francisco Center for the Book (SFCB) is a non-profit organization founded in 1996 by Mary Austin and Kathleen Burch in San Francisco, California in the United States. The first center of its kind on the West Coast, SFCB was modeled after two similar organizations, The Center for Book Arts in New York City and the Minnesota Center for Book Arts in Minneapolis.

The Rampant Lions Press was a fine letterpress printing firm in Britain, operating from 1924 to 2008. The firm was founded by Will Carter, publishing its first book in 1936, and was continued by his son, Sebastian Carter, from 1966.

Danny Flynn, is a D&AD award-winning designer and printer, specialising in limited edition book design and illustration, and letterpress and screen-printing. His work in design, typography and printing led to him working in post-production design for the opening title sequence of the Hollywood film Gladiator.

<span class="mw-page-title-main">Independent Publishing Resource Center</span> Resource centre

The Independent Publishing Resource Center (IPRC) is a resource center based in Portland, Oregon that provides access to tools for the creation of books, prints, posters, zines, and comics. The studios include a computer lab and general workspace, screen printing, letterpress printing, risograph printing, and a zine library. The center was founded in 1998 by Chloe Eudaly, owner of Reading Frenzy and Show & Tell Press, and Rebecca Gilbert, worker-owner at Stumptown Printers.

<span class="mw-page-title-main">Frank Brannon</span>

Frank Brannon is a book and paper artist, and the proprietor of Speakeasy Press.

Harry Alvin Duncan was a hand-press printer, author, librettist, translator, and publisher under his imprint the Cummington Press. He was known for publishing early works by Robert Lowell, Tennessee Williams, Wallace Stevens, Allen Tate, Marianne Moore, William Logan, Stephen Berg, and Dana Gioia. A 1982 Newsweek article about the rebirth of the hand press movement said that Duncan was "considered the father of the post-World War II private-press movement."

<span class="mw-page-title-main">Alan Kitching (typographic artist)</span>

Alan Kitching RDI AGI Hon FRCA is a practitioner of letterpress typographic design and printmaking. Kitching exhibits and lectures across the globe, and is known for his expressive use of wood and metal letterforms in commissions and limited-edition prints.

Oak Knoll is a bookseller and publisher based in New Castle, Delaware, United States. Oak Knoll includes Oak Knoll Books which specializes in the sale of rare and antiquarian books and Oak Knoll Press which is a publisher and distributor of in-print titles. Both divisions specialize in "books about books" on topics such as printing history, bibliography, and book arts. Oak Knoll has also been the sponsor of the book arts festival Oak Knoll Fest.

<span class="mw-page-title-main">Felicia Rice</span> American book artist

Felicia Rice is an American book artist, typographer, letterpress printer, fine art publisher, and educator. She lectures and exhibits internationally, and her books can be found in collections from Special Collections, Cecil H. Green Library to the Whitney Museum of American Art to the Bodleian Library. Work from the Press is included in exhibitions and collections both nationally and internationally, and has been the recipient of numerous awards and grants.

<span class="mw-page-title-main">Carolyn Reading Hammer</span>

Carolyn E. Hammer was curator of rare books at the University of Kentucky Libraries and the founder of multiple book arts presses in Lexington, Kentucky. These include the Bur Press, the Anvil Press, and the King Library Press. She was an influential figure in modern letterpress printing in the United States.

Letterform Archive is a non-profit museum and special collections library in San Francisco, California dedicated to collecting materials on the history of lettering, typography, printing, and graphic design. It is curated by graphic designer Rob Saunders, who founded the museum with his private collection of "books, periodicals, maquettes, posters, and other ephemera" in 2014. The museum opened in February 2015 with 15,000 items. It moved to a larger space in 2020. Guests can visit the gallery exhibition during regular open hours, or schedule tours or research visits by appointment.

The Gehenna Press was one of the earliest limited edition fine arts presses in the United States. Established in 1942 by sculptor and graphic artist Leonard Baskin (1922-2000) while still a student at Yale, the award-winning press went on to publish approximately 200 books in nearly 60 years, finally ceasing operation shortly after Baskin's death in 2000, which also makes it one of the longest-lived small presses in the U.S. The Press is known for its imaginative printing, use of type, binding and book illustration, as well as its collaborative work with several key 20th-century poets, including the United Kingdom's Poet Laureate Ted Hughes, Sylvia Plath and, posthumously, James Baldwin. Over the years, the Gehenna's work was widely exhibited in both museums and library collections, and its books are in public collections both in the U.S. and abroad. In 1995, Baskin and his work with the Press were recognized by the Library of Congress with a solo retrospective, the first for a living artist in its history."

Peter Rutledge Koch, also known simply as Peter Koch is an American letterpress master printer, artists' book maker and publisher, typographer, educator, author and book designer. Koch is internationally known for his fine press artists' books. Over the years he has published under a variety of imprints, including Black Stone Press; Peter and the Wolf Editions; Editions Koch; Hormone Derange Editions; and Peter Koch Printer and The REAL LEAD Saloon.

<span class="mw-page-title-main">Wood type</span> Movable type made out of wood

In letterpress printing, wood type is movable type made out of wood. First used in China for printing body text, wood type became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes of metal type.

<span class="mw-page-title-main">Dafi Kühne</span> Internationally renowned Swiss Graphic Designer

Dafi Kühne is a Swiss poster designer, graphic design educator and letterpress printer.

References

  1. Curtin, Michael. "Amos Paul Kennedy Jr.: Proceeding Boldly". Smile Politely. Retrieved 8 April 2018.
  2. Amos Paul Kennedy, Jr.: Citizen Printer. Letterform Archive Books. 2024. ISBN   9781736863381.
  3. A.C. "Just "a humble Negro printer"". The Economist. Retrieved 3 September 2017.
  4. "Stop Calling Yourself a Creative | Communication Arts". Communication Arts. 4 July 2017. Retrieved 3 September 2017.
  5. Kennedy, Jr., Amos Paul (4 July 2017). "Stop Calling Yourself a Creative | Communication Arts". Communication Arts. Retrieved 4 September 2017.
  6. 1 2 "Amos Kennedy Jr.: From Corporate Analyst To Modern-Day Artisan". 99U by Behance. 13 February 2017. Retrieved 4 September 2017.
  7. Steeves, Andrew. "Print! Amos Kennedy, Jr. & the Fine Art of Rabblerousery" . Retrieved 4 September 2017.
  8. 1 2 Fields, Monique (Jan 2012). "Words to Live By". American Craft Council. Retrieved 4 September 2017.
  9. "Who We Are • Amos P. Kennedy Jr". Partners in Print. Retrieved 2023-11-03.
  10. Steeves, Andrew. "Print! Amos Kennedy, Jr. & the Fine Art of Rabblerousery" . Retrieved 4 September 2017.
  11. Robbins, Andrea (2017-05-27). "Printer-in-Residence: Amos Paul Kennedy, Jr". Minnesota Center for Book Arts. Retrieved 2023-11-03.
  12. "Amos Paul Kennedy, Jr. Residency Recap". Virginia Center for the Book. 2019-04-01. Retrieved 2023-11-03.
  13. "Petrou Artist in Residence: Amos Kennedy @BookLab". University of Maryland College of Arts and Humanities. Retrieved 2023-11-03.
  14. "Amos Kennedy at Wells!". Wells Book Arts Center. 2019-03-20. Retrieved 2023-11-03.
  15. "Amos Paul Kennedy, Jr.: Rosa Parks Series". Bainbridge Island Museum of Art. Retrieved 2023-11-03.
  16. "Amos Paul Kennedy, Jr.: Quotations of Rosa Louise Parks and Church Fans". Museum of Modern Art. January 9, 2017.
  17. "Amos Paul Kennedy Jr.: Passin' on to others". Institute for Contemporary Art. Retrieved 2023-11-03.
  18. "Exhibit: Prints and Artists' Books from Amos Paul Kennedy, Jr., Printmaker: A Selection from the Fine Arts Library | Indiana University Libraries". Indiana University Libraries / Arts & Humanities. 2016-02-02. Retrieved 2023-11-03.
  19. Lippert, Angelina (2023-02-28). "Amos Paul Kennedy Jr. and the Democracy of Printing". Hyperallergic. Retrieved 2023-11-03.
  20. "Center for Book Arts Archive : Amos Paul Kennedy Jr". Center for Book Arts. Retrieved 2023-11-03.
  21. Coles, Stephen (2018-06-26). "This Just In: Amos Kennedy Jr". Letterform Archive. Retrieved 2023-11-03.
  22. "Amos Paul Kennedy". United States Artists. Archived from the original on 25 September 2016. Retrieved 4 September 2017.
  23. Announcement (2021-01-05). "APHA's 2021 Awards Recipients Named". American Printing History Association. Retrieved 2023-11-03.
  24. "MAPC Power of Print". MAPC Power of Print. Retrieved 2023-11-03.
  25. "[Amos Kennedy print collection]". Library of Congress, Washington, D.C. 20540 USA. Retrieved 2023-11-03.
  26. Kennedy & Sons, Fine Printers (16 November 2007). "Kennedy & Sons collection". findingaids.library.emory.edu. Retrieved 4 September 2017.
  27. "Guide to the Amos Paul Kennedy Jr. collection Printers Mss 83". oac.cdlib.org. Retrieved 4 September 2017.
  28. "Amos Paul Kennedy, Jr. Digital Collection". digital.library.illinois.edu. Retrieved 2 March 2020.
  29. "Collection: Amos Paul Kennedy Jr. ephemera collection". Modern Manuscripts & Archives at the Newberry. Retrieved 2023-11-03.