Related Research Articles
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds.
A dance film is a film in which dance is used to reveal the central themes of the film, whether these themes be connected to narrative or story, states of being, or more experimental and formal concerns. In such films, the creation of choreography typically exists only in film or video. At its best, dance films use filming and editing techniques to create twists in the plotline, multiple layers of reality, and emotional or psychological depth.
Experimental film or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources.
Barbara Jean Hammer was an American feminist film director, producer, writer, and cinematographer. She is known for being one of the pioneers of the lesbian film genre, and her career spanned over 50 years. Hammer is known for having created experimental films dealing with women's issues such as gender roles, lesbian relationships, coping with aging, and family life. She resided in New York City and Kerhonkson, New York, and taught each summer at the European Graduate School.
Moysés Baumstein was a Brazilian artist. Baumstein worked in many fields: from literary creation to painting, from film making to holography. He was driven by singular curiosity and diligence and typified as a "Renaissance Man" joining science with art throughout his accomplishments.
Su Friedrich is an American avant-garde film director, producer, writer, and cinematographer.
Rea Tajiri is a Japanese American video artist, filmmaker, and screenwriter, known for her personal essay film History and Memory: For Akiko and Takashige (1991).
Bruno Aveillan is a French filmmaker, photographer, and contemporary artist.
Lois Greenfield is an American photographer best known for her unique approach to photographing the human form in motion. Born in New York City, she attended Hunter College Elementary School, the Fieldston School, and Brandeis University. Greenfield majored in Anthropology and expected to become an ethnographic filmmaker but instead, she became a photojournalist for local Boston newspapers. She traveled around the world on various assignments as a photojournalist but her career path changed in the mid-1970s when she was assigned to shoot a dress rehearsal for a dance concert. Greenfield has since specialized in photographing dancers in her photo studio as part of her exploration of the expressive potential of movement.
Peggy Ahwesh is an American experimental filmmaker and video artist. She received her B.F.A. at Antioch College. A bricoleur who has created both narrative works and documentaries, some projects are scripted and others incorporate improvised performance. She makes use of sync sound, found footage, digital animation, and Pixelvision video. Her work is primarily an investigation of cultural identity and the role of the subject in various genres. Her interests include genre; women, sexuality and feminism; reenactment; and artists' books. Her works have been shown worldwide, including in San Francisco, New York, Barcelona, London, Toronto, Rotterdam, and Créteil, France. Starting in 1990, she has taught at Bard College as a Professor of Film and Electronic Arts. Her teaching interests include: experimental media, history of the non-fiction film, and women in film.
Storm de Hirsch (1912–2000) was an American poet and filmmaker. She was a key figure in the New York avant-garde film scene of the 1960s, and one of the founding members of the Film-Makers' Cooperative. Although often overlooked by historians, in recent years she has been recognized as a pioneer of underground cinema.
Charles Atlas is a video artist and film director who also does lighting and set design.
Irit Batsry is an Israeli-American visual and installation artist.
Dieter Jung is a German artist working in the field of holography, painting and installation art. He lives and works in Berlin.
Wenyon & Gamble is the name used by the art team of Susan Gamble and Michael Wenyon.
Leslie Thornton is an American avant-garde filmmaker and artist.
Michal Rovner, also known as Michal Rovner Hammer, is an Israeli contemporary artist, she is known for her video, photo, and cinema artwork. Rovner is internationally known with exhibitions at major museums, including the Louvre (2011) and the Whitney Museum of American Art (2002).
Dinorah de Jesús Rodríguez is an experimental film artist based between Miami, Florida, and La Habana, Cuba.
Amy Jenkins is an American artist from Peterborough, New Hampshire who is recognized for her work in video installation and experimental film.
Donald Roger Snyder was an American photographer and multimedia artist. Immersed in the social upheaval of the 1960s, he is best known for his iconic photographs of the counterculture, collected in his 1979 book Aquarian Odyssey: A Photographic Trip into the Sixties.
References
- ↑ "Flesh Into Light: The Films of Amy Greenfield". Dance Films Association. 2012-04-18. Retrieved 2022-07-09.
- ↑ Milian, Mark (February 26, 2010). "YouTube reconsiders removal of artistic nudity". Technology. New York Times. Retrieved 28 February 2010.
- Biography at Western Connecticut State University, Missy Briggs, 2006. Accessed February 2010
- Elder, R. Bruce (1997). Body of vision: representations of the body in recent film and poetry. Wilfrid Laurier University Press. p. 294. ISBN 0-88920-276-1.
- Blaetz, Robin (2007). Women's experimental cinema: critical frameworks. Duke University Press. p. 152. ISBN 978-0-8223-4044-7.
- Dixon, Wheeler W. (1997). The exploding eye: a re-visionary history of 1960s American experimental cinema. SUNY Press. p. 72. ISBN 0-7914-3566-0.
