Amy Richlin | |
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Born | Amy Ellen Richlin December 12, 1951 |
Years active | 1977–present |
Known for | Classicist and professor |
Amy Ellen Richlin (born December 12, 1951) is a professor in the Department of Classics at the University of California Los Angeles (UCLA). Her areas of specialization include Latin literature, the history of sexuality, and feminist theory. [1]
Richlin was born in Hackensack, New Jersey on December 12, 1951, to Samuel Richlin and Sylvia Richlin. Her grandparents all immigrated to the US from Lithuania and Belarus. Her father studied at the Eastman School of Music, where he was close friends with Alec Wilder, but worked afterwards as a kosher butcher. Richlin's mother worked as a typist and secretary, most notably to Manie Sacks.
Richlin studied at Smith College, then transferred in 1970 to Princeton University, where she was the founding captain of the women's rowing team. [2] [3] She graduated from Princeton in 1973 as part of the first co-ed class to study there and then completed her PhD at Yale University, writing her dissertation on "Sexual Terms and Themes in Roman Satire and Related Genres". [4] She taught at Rutgers University (1977–1979), Dartmouth College (1979–1982), Lehigh University (1982–1989), and the University of Southern California (1989–2005), before moving to the University of California at Los Angeles. [5] She retired in 2022 from the University of California at Los Angeles after 45 years of teaching. [6]
Her first book was The Garden of Priapus: Sexuality and Aggression in Roman Humour (1983; rev 1992). [7] She developed similar themes in collected works including Pornography and Representation in Greece and Rome (1992), and Feminist Theory and the Classics (co-edited with Nancy Sorkin Rabinowitz, 1993). [1] [8] She has publicly cited Australian classical scholar Suzanne Dixon as a great influence in shaping her work on gender politics. [9] Richlin was the first to publish the word 'fuck' in the journal Classical Philology . [10] [11]
In Rome and the Mysterious Orient, Richlin translated three works – Curculio , Persa and Poenulus – by the Roman playwright Plautus (notably using "references taken right out of American pop culture" to make Plautus more understandable to modern audiences). [12] [13] For example, the conventionally translated text:
The lover that first set out on the highways of love with an empty purse went in for harder labours than Hercules
was translated by Richlin as:
The dude who first set out to go on the road of love without no dough, / this guy had to go through way more shit than all them Labours of Hercules." [13]
Her translation of Plautus' Rudens was adapted in a play Tug of War performed at the Getty Villa in 2007. [8] [14]
Richlin also engaged on a long-term project on the amatory letters of the young Marcus Aurelius and his teacher, Cornelius Fronto, [1] with Marcus Aurelius in Love published in 2007. [8]
Freeborn women in ancient Rome were citizens (cives), but could not vote or hold political office. Because of their limited public role, women are named less frequently than men by Roman historians. But while Roman women held no direct political power, those from wealthy or powerful families could and did exert influence through private negotiations. Exceptional women who left an undeniable mark on history include Lucretia and Claudia Quinta, whose stories took on mythic significance; fierce Republican-era women such as Cornelia, mother of the Gracchi, and Fulvia, who commanded an army and issued coins bearing her image; women of the Julio-Claudian dynasty, most prominently Livia and Agrippina the Younger, who contributed to the formation of Imperial mores; and the empress Helena, a driving force in promoting Christianity.
Irrumatio is a form of oral sex in which someone thrusts their penis into another person's mouth, in contrast to fellatio where the penis is being actively orally excited by a fellator. The difference lies mainly in which party takes the active part. By extension, irrumatio can also refer to the sexual technique of thrusting the penis between the thighs of a partner.
The Society for Classical Studies (SCS), formerly known as the American Philological Association (APA), is a non-profit North American scholarly organization devoted to all aspects of Greek and Roman civilization founded in 1869. It is the preeminent association in the field and publishes a journal, Transactions of the American Philological Association (TAPA). The SCS is currently based at New York University.
Satire VI is the most famous of the sixteen Satires by the Roman author Juvenal written in the late 1st or early 2nd century. In English translation, this satire is often titled something in the vein of Against Women due to the most obvious reading of its content. It enjoyed significant social currency from late antiquity to the early modern period, being read as a proof-text for a wide array of misogynistic beliefs. Its current significance rests in its role as a crucial body of evidence on Roman conceptions of gender and sexuality.
Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome, but sexuality was not excluded as a concern of the mos maiorum, the traditional social norms that affected public, private, and military life. Pudor, "shame, modesty", was a regulating factor in behavior, as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods. The censors—public officials who determined the social rank of individuals—had the power to remove citizens from the senatorial or equestrian order for sexual misconduct, and on occasion did so. The mid-20th-century sexuality theorist Michel Foucault regarded sex throughout the Greco-Roman world as governed by restraint and the art of managing sexual pleasure.
Homosexuality in ancient Rome often differs markedly from the contemporary West. Latin lacks words that would precisely translate "homosexual" and "heterosexual". The primary dichotomy of ancient Roman sexuality was active / dominant / masculine and passive / submissive / feminine. Roman society was patriarchal, and the freeborn male citizen possessed political liberty (libertas) and the right to rule both himself and his household (familia). "Virtue" (virtus) was seen as an active quality through which a man (vir) defined himself. The conquest mentality and "cult of virility" shaped same-sex relations. Roman men were free to enjoy sex with other males without a perceived loss of masculinity or social status as long as they took the dominant or penetrative role. Acceptable male partners were slaves and former slaves, prostitutes, and entertainers, whose lifestyle placed them in the nebulous social realm of infamia, so they were excluded from the normal protections afforded to a citizen even if they were technically free. Freeborn male minors were off limits at certain periods in Rome.
Elaine Fantham was a British-Canadian classicist whose expertise lay particularly in Latin literature, especially comedy, epic poetry and rhetoric, and in the social history of Roman women. Much of her work was concerned with the intersection of literature and Greek and Roman history. She spoke fluent Italian, German and French and presented lectures and conference papers around the world—including in Germany, Italy, the Netherlands, Norway, Argentina, and Australia.
The Lex Scantinia is a poorly documented Roman law that penalized stuprum against a freeborn male minor. The law may also have been used to prosecute adult male citizens who willingly took a passive role in having sex with other men. It was thus aimed at protecting the citizen's body from sexual abuse but did not prohibit homosexual behavior as such, as long as the passive partner was not a citizen in good standing. The primary use of the Lex Scantinia seems to have been harassing political opponents whose lifestyles opened them to criticism as being passive homosexuals or pederasts in the Hellenistic manner.
Shadi Bartsch is an American historian and professor of classics at the University of Chicago. She has previously held professorships at the University of California, Berkeley and Brown University where she was the professor of classics from 2008 to 2009. From 2015 to 2024 she was the Director of the Institute on the Formation of Knowledge (IFK) at the University of Chicago.
Judith P. Hallett is Professor and Distinguished Scholar-Teacher Emerita of Classics, having formerly been the Graduate Director at the Department of Classics, University of Maryland. Her research focuses on women, the family, and sexuality in ancient Greece and Rome, particularly in Latin literature. She is also an expert on classical education and reception in the nineteenth and twentieth centuries.
Helene P. Foley is an American classical scholar. She is Professor of Classical Studies at Barnard College, Columbia University and a member of the Institute for Research on Women, Gender and Sexuality at Columbia. She specialises in ancient Greek literature, women and gender in antiquity, and the reception of classical drama.
Nancy Sorkin Rabinowitz is a classical scholar, specialising in ancient Greek literature and intersectional feminism.
Suzanne Dixon is an Australian classical scholar, widely recognised as an authority on women's history and particularly marriage and motherhood.
Sulpicia was an ancient Roman poet who was active during the reign of the emperor Domitian. She is mostly known through two poems of Martial; she is also mentioned by Ausonius, Sidonius Apollinaris, and Fulgentius. A seventy-line hexameter poem and two lines of iambic trimeter attributed to her survive; the hexameters are now generally thought to have been a fourth- or fifth-century imitation of Sulpicia. Judging by the ancient references to her and the single surviving couplet of her poetry, Sulpicia wrote love poetry discussing her desire for her husband, and was known for her frank sexuality.
Kathryn J. Gutzwiller is a professor of classics at the University of Cincinnati. She specialises in Hellenistic poetry, and her interests include Greek and Latin poetry, ancient gender studies, literary theory, and the interaction between text and image. Her contribution to Hellenistic epigram and pastoral poetry has been considered particularly influential.
Eleanor Winsor Leach was the Ruth N. Halls Professor with the Department of Classical Studies at Indiana University. She was a trustee of the Vergilian Society in 1978–83 and was second and then first vice-president in 1989–92. Leach was the president of the Society of Classical Studies in 2005/6, and the chair of her department (1978–1985). She was very involved with academics and younger scholars – directing 26 dissertations, wrote letters for 200 tenure and promotion cases, and refereed more than 100 books and 200 articles. Leach's research interests included Roman painting, Roman sculpture, and Cicero and Pliny's Letters. She published three books and more than 50 articles. Leach's work had an interdisciplinary focus, reading Latin texts against their social, political, and cultural context. From the 1980s onwards, she combined her work on ancient literature with the study of Roman painting, monuments, and topography.
Shelley P. Haley is the Edward North Chair of Classics and Professor of Africana Studies at Hamilton College, New York, and President of the Society for Classical Studies. She is an expert in applying Black feminist and critical race approaches to the study and teaching of Classics.
Nandini Pandey is Associate Professor of Classics at the Johns Hopkins University, after teaching from 2014-2021 at the University of Wisconsin-Madison. She is an expert on the literature, culture, history, and reception of early imperial Rome.
Deborah Kamen is Chair and Professor of Classics at the University of Washington. Her research is on Greek cultural and social history, with a particular focus on ancient slavery.
Janet Marion Martin was an American college professor. Martin was a professor of classics at Princeton University from 1973 to 2010, and was recognized as an expert on medieval Latin.