"Touched by the Hand of God" is a song by English band New Order, released as a single on 7 December 1987. The song was originally recorded for the soundtrack to the film Salvation! and the version released as a single was remixed by Arthur Baker. The B-side was a dub remix, titled "Touched by the Hand of Dub", and the release had the catalogue number FAC 193; its production is credited to New Order.
"Perfect" is the debut single by the English folk and soft rock band Fairground Attraction, written by Mark E. Nevin. Released on 21 March 1988 by RCA, the single reached number one in the United Kingdom on 14 May 1988, where it stayed for one week. It also reached number one in Australia, Ireland, and South Africa. In the United States, the song peaked at number 80 on the Billboard Hot 100. "Perfect" won the award for British Single of the Year at the Brit Awards 1989.
"This House" is a song by American singer–songwriter Tracie Spencer. This song was the second single released from Spencer's second album, Make the Difference (1990). Issued via the Capitol Records label, the single was released on November 7, 1990 when Spencer was just 14 years old.
"What I Am" is a song written by Edie Brickell and Kenny Withrow and recorded by Edie Brickell & New Bohemians for their debut album, Shooting Rubberbands at the Stars (1988). The song is highlighted by a guitar solo that notably features an envelope filter. It peaked at number seven on the US Billboard Hot 100, topped the Canadian RPM 100 Singles chart, and became a top-20 hit in Australia and New Zealand. "What I Am" was ranked number 23 on VH1's list of the "100 Greatest One-Hit Wonders of the 80s".
"Breakfast in Bed" is a soul–R&B song written by Muscle Shoals songwriters Eddie Hinton and Donnie Fritts for Dusty Springfield. It takes a knowing spin on the line "You Don't Have to Say You Love Me", the title of a song that had previously been a number one hit for her in the UK. After being released on her 1969 album Dusty in Memphis, it was recorded and popularized the same year by Baby Washington. Harry J produced three reggae versions in 1972, by Lorna Bennett, Scotty, and Bongo Herman.
"Electric Blue" is a song by Australian rock band Icehouse. It was co-written by Iva Davies of Icehouse and John Oates of US band Hall & Oates. Oates became involved with Davies after contacting him to state he was a fan. The resulting collaboration produced this song and Oates has stated that if Davies had not released the song under the Icehouse name, then it would have been a Hall & Oates track.
"Circle in the Sand" is a song recorded by American singer Belinda Carlisle for her second studio album, Heaven on Earth (1987). It was written by Rick Nowels, who also produced it, and Ellen Shipley. "Circle in the Sand" was the third single released from Heaven on Earth in May 1988. It reached number seven, becoming Carlisle's fourth and last top-10 hit in the United States. It also charted at number five in Canada, ending the year as the country's 69th-most-successful single.
"Violence of Summer (Love's Taking Over)" is a song by English rock band Duran Duran, released on 23 July 1990 as the first single from their sixth studio album, Liberty (1990). The single reached number two in Italy but fared poorly in other countries, reaching number 20 in the United Kingdom and number 64 in the United States.
"Real Love" is a song by American singer Jody Watley from her second studio album, Larger Than Life (1989). The single reached the number-one spot on the US Billboard Hot Black Singles and Dance Club Play charts. On the US Billboard Hot 100, "Real Love" peaked at number two for two weeks in May 1989. The song was also nominated for a Soul Train Music Award for Best Female Single.
"So Alive" is a song by British alternative rock band Love and Rockets, released in 1989 as the second single from their self-titled fourth album. The song reached No. 1 in Canada and charted within the top 30 in the United States, Australia, and New Zealand. In the US, it topped the Billboard Modern Rock Tracks chart for five weeks and was ranked No. 1 on that listing's year-end chart for 1989. The song's music video was directed by Howard Greenhalgh and produced by Pamela James.
"I Didn't Want to Need You" is a song by American rock band Heart. It was composed by veteran songwriter Diane Warren and released as the second single from the band's 10th studio album, Brigade (1990). "I Didn't Want to Need You" peaked at number 23 on the US Billboard Hot 100 and number 14 on the Canadian RPM 100 Hit Tracks chart. It also reached the top 40 in Ireland and Sweden and number 47 on the UK Singles Chart.
"Girlfriend" is a song by American singer Pebbles from her 1987 self-titled debut studio album. Written and produced by L.A. Reid and Babyface, "Girlfriend" was released as the album's lead single on October 26, 1987, by record label MCA. The song charted in several countries, peaking at number five on the US Billboard Hot 100 and reaching the top 10 in Ireland and the United Kingdom.
"Don't Wanna Fall in Love" is a song by Canadian singer-songwriter Jane Child. Released in January 1990 as the second single from her self-titled debut album, the single went to number two for three consecutive weeks on the Billboard Hot 100 from April 14 to April 28, 1990. In addition, a new jack swing remix of the song was produced by Teddy Riley and reached number six on the Billboard Hot Black Singles chart and number eleven on the Billboard Dance Club Play chart.
"Rush Hour" is a song by American musician Jane Wiedlin, taken from her second album, Fur (1988). It was backed by the album track "End of Love". The UK 12-inch single of "Rush Hour" includes an extended remix by Rusty Garner and an instrumental version.
"Living in a Box" is a song by the British band of the same name, released on 23 March 1987 as their first single from their self-titled debut album. It was the group's biggest hit single along with "Room in Your Heart" (1989), reaching No. 5 on the UK Singles Chart. "Living in a Box" became the group's only top-40 hit in the United States, peaking at No. 17 on the Billboard Hot 100. The song was later covered by Bobby Womack; his version reached No. 70 in the UK.
"The Lover in Me" is a song by Scottish singer Sheena Easton for her ninth studio album of the same name (1988). Released as the album's lead single on 11 October 1988, the song became Easton's first top-20 hit in the United Kingdom after a seven-year hiatus. The song was also Easton's final top-10 single on the US Billboard Hot 100.
"Let's Dance" is a 1987 single by British singer-songwriter Chris Rea. The song first appeared in an early form as a B-side to the "It's All Gone" single in 1986 and was re-recorded for his 1987 album, Dancing with Strangers, serving as its lead single. "Let's Dance" peaked at No. 12 on the UK Singles Chart and No. 81 on the US Billboard Hot 100. In New Zealand, it reached No. 2 for three non-consecutive weeks, and it also peaked within the top 10 in Australia, Ireland, and South Africa.
"French Kissin" is a song by American singer Debbie Harry from her second solo studio album, Rockbird (1986). It is a cover version of the 1985 song originally recorded by Carol Chapman, written by Chuck Lorre before he started creating sitcoms. Harry's version was released on November 3, 1986, as the lead single from Rockbird and became a top-10 hit in Australia, Ireland, New Zealand, South Africa, and the United Kingdom.
"That's When I Think of You" is the debut single of Australian pop rock band 1927. The song was released on 4 July 1988 and peaked at number six on the Australian ARIA Singles Chart. In May 1989, the song reached number 46 on the UK Singles Chart. The single also charted at number 100 on the US Billboard Hot 100 and number 55 on the Canadian RPM 100 Singles chart in August 1989.
"Nightmare" is an instrumental composition written, produced, and performed by Italian dance musician Brainbug, released as his debut single. The track was first issued as a single on 25 November 1996 and was re-released in the United Kingdom on 21 April 1997. Following this re-release, the song became a chart hit, reaching number 11 in the United Kingdom, number 14 in Australia, and number 15 in Ireland.
