| And the Horse They Rode In On | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1990 | |||
| Recorded | 1990 | |||
| Genre | Alternative rock | |||
| Length | 42:14 | |||
| Label | A&M | |||
| Producer | Steve Jordan | |||
| Soul Asylum chronology | ||||
| ||||
And the Horse They Rode In On is the fifth full-length album by the American rock band Soul Asylum, released on A&M Records in 1990. [1] [2] The vinyl, cassette, and CD versions of the album have different, but related, cover art. The band supported the album with a North American tour. [3] The first single was "Spinnin'". [4]
The album was produced by Steve Jordan. [5] The majority of it was recorded live on an A&M sound stage in Los Angeles, and finished in Cannon Falls. [6] [7] The band decided to record what they felt like, rather than worry about a consistent style. [8] Soul Asylum spent so much time recording that they collected several outtakes. [9] "We 3" is about an eternal triangle. [10] "Nice Guys (Don't Get Paid)" is about drug dealing. [11]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [12] |
| Robert Christgau |  [13] |
| Entertainment Weekly | A− [14] |
| Orlando Sentinel | [10] |
| Q | [ citation needed ] |
| Rolling Stone |  [15] |
| Spin Alternative Record Guide | 6/10 [16] |
| Vancouver Sun | [17] |
| Windsor Star | B+ [18] |
The Windsor Star wrote that "'Gullible's Travels' is one of the best half-dozen rock tracks of the year." [18] The Vancouver Sun determined that Soul Asylum "have channelled their hardcore angst and drunkards-on-skateboards mentality into some of the freshest and most melodic songwriting around." [17]
The Dallas Morning News stated that the band "maintains its tradition of combining tightly flexed funk rhythms, sharp melodies, raggedly tuneful guitars and rough, passionate vocals." [19] The Richmond Times-Dispatch noted that "All the King's Friends" "impressively welds a '60s-sounding rock melody to an almost speed-metal structure." [20]
All songs written by Dave Pirner unless otherwise noted.
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Soul Asylum is an American rock band formed in 1981 in Minneapolis, Minnesota. Their 1993 hit "Runaway Train" won the Grammy Award for Best Rock Song.
David Anthony Pirner is an American songwriter, singer, and producer best known as the lead vocalist and frontman for the alternative rock band Soul Asylum.
Thomas Eugene Stinson is an American rock musician. He came to prominence in the 1980s as the bass guitarist for The Replacements, one of the definitive American alternative rock groups. After their breakup in 1991, Stinson formed Bash & Pop, acting as lead vocalist, guitarist and frontman. In the mid-1990s he was the singer and guitarist for the rock band Perfect, and eventually joined the hard rock band Guns N' Roses in 1998.
Daniel David Murphy is an American musician best known as a co-founder lead guitarist for the alternative rock band, Soul Asylum from 1981 to 2012. He is also a member of Golden Smog.
Say What You Will... is the debut studio album by American rock band Soul Asylum. It was originally released on August 24, 1984 by Twin/Tone Records, and produced by Hüsker Dü's Bob Mould.
Hang Time is the fourth full-length studio album by the American rock band Soul Asylum. Released in 1988 by A&M Records, the album was the band's debut for a major label.
Let Your Dim Light Shine is the seventh studio album by American rock band Soul Asylum, released June 6, 1995, on Columbia Records. Critically, it suffered in comparison to its predecessor, Grave Dancers Union, the band's breakout release. It includes the hit "Misery", which was parodied by "Weird Al" Yankovic as "Syndicated Inc." on his album Bad Hair Day.
Golden Smog is an alternative country-rock supergroup of loosely connected musicians mostly from the Minneapolis area. At various times members of Soul Asylum, The Replacements, Wilco, The Jayhawks, Run Westy Run, The Honeydogs, and Big Star have worked with Golden Smog. Given the fluid collaborative nature of Golden Smog the lineup has often changed, but relative constant members who appear on all the recordings are guitarists Kraig Johnson, Dan Murphy, and Gary Louris along with bassist Marc Perlman.
Stink is an EP by the band the Replacements. It was recorded at Blackberry Way, Minneapolis, Minnesota, on March 13, 1982, and released on June 24, 1982.
Made to Be Broken is the second full-length album by Soul Asylum. It was released on January 18, 1986. It was the first of the three albums released by Soul Asylum in 1986.
The Silver Lining is the ninth album by American rock band Soul Asylum. It was released on July 11, 2006, eight years after Candy from a Stranger.
Candy from a Stranger is Soul Asylum's eighth studio album. It was released on May 12, 1998. It follows 1995's Let Your Dim Light Shine.
The discography of American alternative rock band Soul Asylum consists of 12 studio albums, two live albums, five compilation albums, two extended plays (EPs), 22 singles, and 17 music videos. Formed in 1981 in Minneapolis, Minnesota using the name Loud Fast Rules, the band's original lineup consisted of vocalist Dave Pirner, guitarist Dan Murphy, bassist Karl Mueller, and drummer Pat Morley. The band changed their name to Soul Asylum prior to the release of Say What You Will... Everything Can Happen in 1984. Later that year, Morley was replaced on drums by Grant Young.
"Runaway Train" is a song by American alternative rock band Soul Asylum, released in June 1993 by Columbia Records as the third single from their sixth album, Grave Dancers Union (1992). The power ballad became a success around the world, reaching numbers five and four on the US Billboard Hot 100 and Cash Box Top 100, and climbing to the top position on the Canadian RPM 100 Hit Tracks chart. The single earned a gold sales certification from the Recording Industry Association of America (RIAA) after selling 600,000 copies in the US. Outside North America, it reached number two in New Zealand, Norway, Sweden, and Switzerland and peaked within the top five on the charts on several other European countries.
Backbeat is the original soundtrack of the 1994 film Backbeat starring Stephen Dorff, Sheryl Lee, Gary Bakewell and Ian Hart. The music was produced by Don Was. A score based album with Don Was' original music was also released. Recording sessions for the album started on March 26, 1993 at Ocean Way Recording, in Los Angeles, California. Many of the songs on the album were first takes. Don Was stated in an interview with Variety, that "the makeshift band recorded 15 songs in three days with virtually no overdubs and no more than two takes. “The self-imposed deadline was one of the devices that I used to keep it raw and spontaneous, so we wouldn’t scrutinize too much,” Was said. “Because at that stage the Beatles were a wild teenage band that compensated for their lack of finesse with a tremendous amount of energy". The promotional video for "Please Mr. Postman" was filmed in Germany, in March, 1994, for the UK promo single, which was released on May 3, 1994.
Welcome to the Minority – The A&M Years 1988–1991 is a compilation album that contains three CDs of Soul Asylum's work during the time they were under their A&M label. 5,000 copies were issued for this limited edition set.
"Somebody to Shove" is a song by American alternative rock band Soul Asylum, released in 1992. The song was written by Soul Asylum's lead singer, Dave Pirner. It was the first single from their sixth studio album, Grave Dancers Union (1992). It reached number one on the US Billboard Modern Rock Tracks chart and number nine on the Billboard Album Rock Tracks chart. The music video for the song was directed by American filmmaker Zack Snyder, who also directed the "Black Gold" videoclip.
Hurry Up and Wait is the twelfth studio album by American alternative rock band Soul Asylum, released in 2020.
EEE is an album by the American musician Don Dixon, released in 1989.
Serious is an album by the American musical group the O'Jays, released in 1989. It was the group's first album for EMI Records. "Out of My Mind" and "Have You Had Your Love Today?" were released as singles. The O'Jays supported the album by playing the Hampton Jazz Festival and touring with LeVert.
