Andrew Raftery

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Andrew Stein Raftery
Born (1962-05-22) May 22, 1962 (age 60)
NationalityAmerican
Education Boston University (BFA)
Yale University (MFA)
Known forBurin engraving, teaching

Andrew Stein Raftery [1] (born May 22, 1962, in Goldsboro, North Carolina) [2] is an American artist and educator, known for his paintings, burin engravings, and drawings on fictional and autobiographical narratives of contemporary American life.

Contents

Biography

In 1984, Raftery earned his B.F.A. degree in painting from Boston University, and took his first intaglio printing class with Sidney Jack Hurwitz  [ Wikidata ]. [3] In 1988, he completed his M.F.A. degree in printmaking from Yale University. [4] He is a professor at Rhode Island School of Design (RISD) teaching in the printmaking and painting departments, since 1991. [4] He credits Stanley William Hayter and his proteges in Atelier 17 as an influence, and the collection of Charles Randall Dean as a guide, before its acquisition by the Library of Congress. [3]

In 2004, Raftery's work was featured in Jonathan Weinberg’s book, Male Desire: The Homoerotic in American Art. [5] Raftery helped contribute to the 2009 publishing of the RISD Museum exhibition catalog, The Brilliant Line: Following the Early Modern Engraver, 1480-1650 alongside Emily J. Peters and Evelyn Lincoln (of Brown University). [6] His major works in this period were the portfolios Suit Shopping (2000–2002) and Open House (2004–2008). [7]

In 2009, he was elected as an academic member of the National Academy in New York City. [8] [9] From that year until 2012, Raftery assisted in research at the Metropolitan Museum of Art on the wear of engraved copper plates through printing, necessary for more confident dating of historical prints; this required using a traditional hammered copper plate and lozenge-shaped burin for the first time in his career. [10]

Awards

Raftery has earned many awards including the Fritz Eichenberg Fellowship in printmaking, narrative engraving project from the Rhode Island State Council for the arts in 2001, [11] Louis Comfort Tiffany Award in 2003, [4] the American Academy of Arts and Letters Purchase Award in 2006, [4] John R. Frazier Award for excellence in teaching from RISD in 2007 [12] and the John Simon Guggenheim Memorial Foundation Fellowship in 2008. [4]

Collections

His work is included in the public art collections of the select following;

Related Research Articles

<span class="mw-page-title-main">Engraving</span> Incising designs by cutting into a surface

Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking.

<span class="mw-page-title-main">Rhode Island School of Design</span> Art and design college in Rhode Island, US

The Rhode Island School of Design is a private art and design school in Providence, Rhode Island. The school was founded as a coeducational institution in 1877 by Helen Adelia Rowe Metcalf, who sought to increase the accessibility of design education to women. Today, RISD offers bachelor's and master's degree programs across 19 majors and enrolls approximately 2,000 undergraduate and 500 graduate students. The Rhode Island School of Design Museum—which houses the school's art and design collections—is one of the largest college art museums in the United States.

<span class="mw-page-title-main">Wood engraving</span> Printmaking technique

Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the valleys, the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character.

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<span class="mw-page-title-main">Stanley William Hayter</span> English master printmaker, painter

Stanley William Hayter was an English painter and master printmaker associated in the 1930s with surrealism and from 1940 onward with abstract expressionism. Regarded as one of the most significant printmakers of the 20th century, in 1927 Hayter founded the legendary Atelier 17 studio in Paris. Since his death in 1988, it has been known as Atelier Contrepoint. Among the artists who frequented the atelier were Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, Marc Chagall, Nemesio Antúnez, Jackson Pollock, Mark Rothko, Wassily Kandinsky, Mauricio Lasansky, K.R.H. Sonderborg, Flora Blanc and Catherine Yarrow.

<span class="mw-page-title-main">Line engraving</span> Engraved images printed on paper

Line engraving is a term for engraved images printed on paper to be used as prints or illustrations. The term is mainly used in connection with 18th- or 19th-century commercial illustrations for magazines and books or reproductions of paintings. It is not a technical term in printmaking, and can cover a variety of techniques, giving similar results.

<span class="mw-page-title-main">Rhode Island School of Design Museum</span> Art & design museum in Providence, Rhode Island

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<span class="mw-page-title-main">Daniel Robbins (art historian)</span> American art historian

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<span class="mw-page-title-main">Mauricio Lasansky</span>

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References

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