Andrzej Nowacki was born on 15 October 1953 in Rabka-Zdrój, Poland. He spent his youth in Kraków. His first artistic experience was in interior design and art restoration. In 1977 he left Poland to study Scandinavian languages at the University of Gothenburg and later Art History in Innsbruck, Austria.
Career
During the 1980s Nowacki discovered to himself Polish constructivism. Henryk Stazewski's art had an influence on the early works of Nowacki. Since the 1990s Nowacki had collaborated with Heinz Teufel, a collector who owned one of the most prestigious art galleries for concrete art in Europe, located in Cologne and later in Berlin.
1997, 1998, 2000 and 2001 he participated in the workshops «Under the sign of Geometry» organized by Polish art critic Bozena Kowalska in Okuninka, Poland
2001 he received a scholarship from the New York Pollock-Krasner Foundation
2005 was his first exhibition in Osaka, Japan. Later, he spent a year in his studio at Anna Maria Island, Florida, USA, where he created reliefs for the Seth Jason Beitler Gallery in Miami[1]
2015 Nowacki moved to a new large-scale studio at the former industrial area in Ostrava Lower Vítkovice, Czech Republic. Here he started to create his multi-part and large-format reliefs.
Currently, Andrzej Nowacki lives and creates in Berlin, Germany.[2]
Important exhibitions
1994 Lederman Fine Art Gallery, New York, USA
1997 Exhibition in Galerie "Avantgarde", Berlin, Germany
2000 Galerie Heinz Teufel, Berlin, Germany
2005 KISSHO Fine Art Gallery, Osaka, Japany
2006 Seth Jason Beitler Gallery, Miami, USA
2008 Milan Dobeš Múzeum, Bratislava, Slovakia
2009 National museum Szczecin, Poland
2011 Concrete art (Sztuka konkretna), National Gallery of Art, Sopot, Poland
And more than 50 other individual and group exhibition around the World.
Style and medium
Op art, abstract art, concrete art, geometric abstraction
Unique optical technique performed manually on masonite board with acrylic colors.[6] Works bring the feeling of 3D perception. Viewer is the part of the work. Colours and shapes change depending on viewer's position and create the feeling of moment.
Since 1988, the sculptural form of the relief remains the exclusive medium of Nowacki's works. Since 1995, colour has assumed the leading role as a means of expression.
From 1998, Nowacki's works are inspired by such artists as Max Bill, Josef Albers, Antonio Calderara and Bridget Riley. Impacted by Malevich and Ilya Chashnik, the square remains the obligatory form for the surface of his reliefs.[7]
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