Angry Inuk | |
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Directed by | Alethea Arnaquq-Baril |
Written by | Alethea Arnaquq-Baril |
Produced by | Alethea Arnaquq-Baril |
Cinematography | Qajaaq Ellsworth |
Edited by | Sophie Farkas Bolla |
Music by | Florencia Di Concilio |
Release date |
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Running time | 85 minutes |
Country | Canada |
Language | Inuktitut |
Angry Inuk is a 2016 Canadian Inuit-themed feature-length documentary film written and directed by Alethea Arnaquq-Baril that defends the Inuit seal hunt, as the hunt is a vital means for Inuit to sustain themselves. Subjects in Angry Inuk include Arnaquq-Baril herself as well as Aaju Peter, an Inuit seal hunt advocate, lawyer and seal fur clothing designer who depends on the sealskins for her livelihood. Partially shot in the filmmaker's home community of Iqaluit, as well as Kimmirut and Pangnirtung, where seal hunting is essential for survival, the film follows Peter and other Inuit to Europe in an effort to have the EU Ban on Seal Products overturned. The film also criticizes NGOs such as Greenpeace and the International Fund for Animal Welfare for ignoring the needs of vulnerable northern communities who depend on hunting for their livelihoods by drawing a false distinction between subsistence-driven Inuit hunters and profit-driven commercial hunters. [1] [2]
Angry Inuk was co-produced by Arnaquq-Baril and the National Film Board of Canada (NFB) in association with EyeSteelFilm. [3]
Angry Inuk premiered May 2, 2016 at the Hot Docs Canadian International Documentary Festival, where the film received the Vimeo On Demand Audience Award along with the Canadian Documentary Promotion Award. [1] [4] In October 2016, the film received the Alanis Obomsawin Best Documentary Award at the imagineNATIVE Film + Media Arts Festival in Toronto. [5] The following month, it received both the Women Inmates' Prize and the Magnus Isacsson Award at the Montreal International Documentary Festival. [6] On December 7, 2016, Angry Inuk was named in the Toronto International Film Festival's annual Canada's Top 10 list, [7] and took home the People's Choice Award at the TIFF Canada's Top Ten Festival. [8]
While Arnaquq-Baril has stated that the anti-sealing movement has forced Inuit to turn to the mining and the natural gas industry to support themselves, with dire consequences for the Arctic environment, supporters of the EU ban on seal products have countered that such a ban does not block Inuit from seal hunting to sustain themselves and supply market demand. [9] However, the film argues that even with the exemption for Inuit, the ban drives down demand and prices so greatly that hunters can no longer financially support themselves or their communities. [10]
Tanya Tagaq, also credited as Tagaq, is a Canadian Inuk throat singer, songwriter, novelist, actor, and visual artist from Cambridge Bay (Iqaluktuuttiaq), Nunavut, Canada, on the south coast of Victoria Island.
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My Ancestors Were Rogues and Murderers is a 2005 National Film Board of Canada documentary film by Newfoundland filmmaker Anne Troake, which explores her own family's ties to the seal hunt and seeks to mount a defense for the now-controversial practice. Troake documents how the seal hunt began to attract international outrage in 1977 following opposition from the International Fund for Animal Welfare (IFAW) and a high-profile visit by French film star and animal rights activist Brigitte Bardot.
Sealskin is the skin of a seal.
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Alethea Arnaquq-Baril is an Inuk filmmaker, known for her work on Inuit life and culture. She is the owner of Unikkaat Studios, a production company in Iqaluit, which produces Inuktitut films. She was awarded the Canadian Meritorious Service Cross, in 2017 in recognition of her work as an activist and filmmaker. She currently works part-time at the Qanak Collective, a social project which supports Inuit empowerment initiatives.
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One Day in the Life of Noah Piugattuk is a Canadian drama film, directed by Zacharias Kunuk and released in 2019. The film dramatizes the true story of Noah Piugattuk, an Inuk hunter, over the day in 1961 when he was fatefully approached by a Canadian government agent who encouraged him to give up the traditional Inuit lifestyle and assimilate into a conventionally modern settlement.
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