Fort McMoney is a 2013 web documentary and strategy video game about Fort McMurray, Alberta, Canada and Athabasca oil sands development, directed by David Dufresne. The documentary uses interactive game elements to allow users to decide the city's future and attempt to responsibly develop the world's largest oil sands reserves.
Magnus Isacsson was a Canadian documentary filmmaker whose films investigated contemporary political issues and topics in social activism.
Lixin Fan is a Montreal, Quebec, Canada-based documentary film director with the Canadian production company EyeSteelFilm and previously a producer/journalist at China's state broadcaster CCTV.
Nous, princesses de Clèves is a French documentary film directed by Régis Sauder, filmed at the Lycée Diderot and released on 3 March 2011.
Letters from Pyongyang is a 2012 documentary short film about the filmmaker's search for lost relatives in North Korea, directed by Korean-Canadian filmmaker Jason Lee. The film premiered at the Rencontres internationales du documentaire de Montreal also known by its acronym RIDM on 13 November 2012. The international premiere in Doha, Qatar during the 9th Aljazeera International Documentary Film Festival garnered the film the top juried prize, the Aljazeera Golden Award, in the short film category.
Parabola Films is a Montreal-based Canadian cinema production company founded by Sarah Spring and Selin Murat, a documentary filmmaker. Parabola Films focuses on the production of videos which demonstrate the role of cinema in social change. The company collaborates with other film-making organizations who emphasize storytelling.
Wavemakers is a 2012 Quebec documentary film about the Ondes Martenot, directed by Caroline Martel.
Homeland: Iraq Year Zero is a 2015 documentary film written and directed by the Iraqi-French film director Abbas Fahdel.
Callshop Istanbul is a 2015 documentary film by two film directors, the Moroccan-Canadian Hind Benchekroun and Turkish-Kurdish-Canadian Sami Mermer and produced by Turtle Films, depicting some intimate footage of the life of immigrants and of undocumented street vendors residing in cosmopolitan Istanbul. Many migrants and refugees mainly from Asia, Africa and the Arab World found temporary refuge in Istanbul considering it as their gateway to Europe and elsewhere. To cater for a great demand of communication, telephone and internet access by refugees, a booming network of "call shops" and "internet cafés" spread all over Istanbul to provide an affordable way for these refugees from all over the world to communicate with their relatives back home or for facilitating their life in the city or to help them in their plans to immigrate elsewhere. The film portrays often one-way phone conversations by the refugees in their most intimate and vulnerable moments. The film is also a subtle witness of the complicated role of Istanbul as a transcontinental city including proliferation of would-be smugglers and traffickers promising shady and often dangerous routes for immigration to Europe with Istanbul serving as a passageway for the 21st century's largest migration crisis.
Gulîstan, Land of Roses is a 2016 feature-length documentary film about women guerillas in a Kurdistan Workers' Party (PKK) Free Women's Unit, in combat against the Islamic State of Iraq and the Levant, directed by the Kurdish Montreal filmmaker Zaynê Akyol. Shot in Iraqi Kurdistan, the film is co-produced Montreal's Périphéria Productions, Germany's MitosFilm and the National Film Board of Canada.
Sophie Bissonnette is a Canadian director, editor, writer, and producer in the Quebec film industry. After graduating from Queen's University, she began creating films in Montreal. She released most of her documentary films in the 1980s. In these films, Bissonnette illustrated social and political justices, both of which were topics that were covered commonly by many Quebecois filmmakers. However, her films were distinguishable through exploring the women's perspective of male-dominated social engagements and incidents in French Canada.
All That We Make is a Canadian documentary film, directed by Annie St-Pierre and released in 2013. The film profiles four women associated with the Cercles de fermières du Québec, a provincewide network of local organizations for women involved in farming.
Wilcox is a Canadian drama film, directed by Denis Côté and released in 2019. Told entirely without dialogue, the film tells the story of Wilcox, a mysterious drifter travelling in an apparent search for adventure. Although he does interact with other characters in the film, the dialogue taking place in the story is not heard by the audience.
Little Girl is a 2020 French documentary film written and directed by Sébastien Lifshitz. The cinematography was by Paul Guilhaume, and the editing was by Pauline Gaillard. It focuses on the story of transgender seven-year-old Sasha, who was assigned male at birth but has known she is a girl since the age of four. She sees a psychiatrist with a special interest in gender who diagnosis her with gender dysphoria. The documentary follows the difficulty Sasha and her family face in helping her transition in provincial France.
Viking is a 2022 Canadian comedy film, directed by Stéphane Lafleur. The film centres on a group of people who are working as a "B team" to reenact the events of the first crewed mission to Mars, in the hopes of trying to solve the interpersonal problems among the astronauts that have impacted the real mission.
Far Beyond the Pasturelands is a Canadian documentary film, directed by Maude Plante-Husaruk and Maxime Lacoste-Lebuis and released in 2021. The film centres on a small rural village in Nepal, whose residents support themselves by foraging for yarsagumba, a rare but highly valuable fungus that grows out of the decomposing bodies of dead caterpillars in Nepal and Tibet.
The White Guard is a Canadian documentary film, directed by Julien Élie and released in 2023. A followup to his 208 film Dark Suns, the film delves further into the issue of violence in Mexico, profiling the collusion between multinational industry, organized crime and the government of Mexico to expropriate land and exploit people and natural resources.
