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Ania Loomba is an Indian literary scholar who works as a professor at the University of Pennsylvania. Her work focuses on colonialism and postcolonial studies, race and feminist theory, contemporary Indian literature and culture, and early modern literature. [1] She studied at the University of Delhi, where she received her BA, MA and MPhil degrees, before moving to England to study at the University of Sussex, where she received her PhD. [1]
Postcolonial literature is the literature by people from formerly colonized countries, originating from all continents except Antarctica. Postcolonial literature often addresses the problems and consequences of the decolonization of a country, especially questions relating to the political and cultural independence of formerly subjugated people, and themes such as racialism and colonialism. A range of literary theory has evolved around the subject. It addresses the role of literature in perpetuating and challenging what postcolonial critic Edward Said refers to as cultural imperialism.
Postcolonial feminism is a form of feminism that developed as a response to feminism focusing solely on the experiences of women in Western cultures and former colonies. Postcolonial feminism seeks to account for the way that racism and the long-lasting political, economic, and cultural effects of colonialism affect non-white, non-Western women in the postcolonial world. Postcolonial feminism originated in the 1980s as a critique of feminist theorists in developed countries pointing out the universalizing tendencies of mainstream feminist ideas and argues that women living in non-Western countries are misrepresented.
Catherine Hall is a British academic. She is Emerita Professor of Modern British Social and Cultural History at University College London and chair of its digital scholarship project, the Centre for the Study of the Legacies of British Slavery. Her work as a feminist historian focuses on the 18th and 19th centuries, and the themes of gender, class, race and empire.
Uma Narayan is an American feminist scholar and a current professor of philosophy at Vassar College on the Andrew W. Mellon Chair of Humanities. Narayan's work focuses on the epistemology of the inequities involving postcolonial feminism.
Arif Dirlik was a Turkish-American historian who published on historiography and political ideology in modern China, as well as issues in modernity, globalization, and post-colonial criticism. Dirlik received a BSc in Electrical Engineering at Robert College, Istanbul in 1964 and a PhD in History at the University of Rochester in 1973.
Elleke Boehmer, FRSL, FRHistS is Professor of World Literature in English at the University of Oxford, and a Professorial Governing Body Fellow at Wolfson College. She is an acclaimed novelist and a founding figure in the field of Postcolonial Studies, internationally recognised for her research in colonial and postcolonial literature and theory. Her main areas of interest include the literature of empire and resistance to empire; sub-Saharan African and South Asian literatures; modernism; migration and diaspora; feminism, masculinity, and identity; nationalism; terrorism; J. M. Coetzee, Katherine Mansfield, and Nelson Mandela; and life writing.
Postcolonialism is the critical academic study of the cultural, political and economic legacy of colonialism and imperialism, focusing on the impact of human control and exploitation of colonized people and their lands. The field started to emerge in the 1960s, as scholars from previously colonized countries began publishing on the lingering effects of colonialism, developing a critical theory analysis of the history, culture, literature, and discourse of imperial power.
In feminist theory, kyriarchy is a social system or set of connecting social systems built around domination, oppression, and submission. The word was coined by Elisabeth Schüssler Fiorenza in 1992 to describe her theory of interconnected, interacting, and self-extending systems of domination and submission, in which a single individual might be oppressed in some relationships and privileged in others. It is an intersectional extension of the idea of patriarchy beyond gender. Kyriarchy encompasses sexism, racism, ableism, ageism, antisemitism, Islamophobia, anti-Catholicism, homophobia, transphobia, classism, xenophobia, economic injustice, the prison-industrial complex, colonialism, militarism, ethnocentrism, speciesism, and other forms of dominating hierarchies in which the subordination of one person or group to another is internalized and institutionalized.
Ranjana Khanna is a literary critic and theorist recognized for her interdisciplinary, feminist and internationalist contributions to the fields of post-colonial studies, feminist theory, literature and political philosophy. She is best known for her work on melancholia and psychoanalysis, but has also published extensively on questions of post-colonial agency, film, Algeria, area studies, autobiography, Marxism, the visual and feminist theory. She received her Ph.D in 1993 from the University of York. She has taught at the University of Washington in Seattle and at the University of Utah, and in 2000 began teaching at Duke University, where she is Professor of English, Literature and Women's Studies. Her theorization of subjectivity and sovereignty, including her recent work on disposability, indignity and asylum, engages with the work of diverse thinkers such as Derrida, Irigaray, Kant, Marx, Heidegger, de Beauvoir, and Spivak. From 2007 until 2015, she was the Margaret Taylor Smith Director of Women's Studies, and in July 2017, she was appointed to be the incoming Director of the John Hope Franklin Humanities Institute, both at Duke University.
Angana P. Chatterji is an Indian anthropologist, activist, and feminist historian, whose research is closely related to her advocacy work and focuses mainly on India. She co-founded the International People's Tribunal on Human Rights and Justice in Kashmir and was a co-convener from April 2008 to December 2012.
Une Tempête is a 1969 play by Aimé Césaire. It is an adaptation of Shakespeare's The Tempest from a postcolonial perspective, set on an island in the Caribbean. The play was first performed at the Festival d'Hammamet in Tunisia under the direction of Jean-Marie Serreau. It later played in Avignon and Paris. Césaire uses all of the characters from Shakespeare's version, with some additions and new renderings of the original cast.
Alison Donnell is an academic, originally from the United Kingdom. She is Professor of Modern Literatures and Head of the School of Literature, Drama and Creative Writing at the University of East Anglia. She was previously Head of School of Literature and Languages at the University of Reading, where she also founded the research theme "Minority Identities: Rights and Representations". Her primary research field is anglophone postcolonial literature, and she has been published widely on Caribbean and Black British literature. Much of her academic work also focuses questions relating to gender and sexual identities and the intersections between feminism and postcolonialism.
Native American feminism or Native feminism is, at its root, understanding how gender plays an important role in indigenous communities both historically and in modern-day. As well, Native American feminism deconstructs the racial and broader stereotypes of indigenous peoples, gender, sexuality, while also focusing on decolonization and breaking down the patriarchy and pro-capitalist ideology. As a branch of the broader Indigenous feminism, it similarly prioritizes decolonization, indigenous sovereignty, and the empowerment of indigenous women and girls in the context of Native American and First Nations cultural values and priorities, rather than white, mainstream ones. A central and urgent issue for Native feminists is the Missing and murdered Indigenous women crisis.
Rajeswari Sunder Rajan is an Indian feminist scholar, a professor in English, and author of several books on issues related to feminism and gender. Her research interest has covered many subjects such as of the pre and post colonial period, Indian English writing, gender and cultural issues related to South Asia, and the English literature of the Victorian era. She has also edited a series called the "Issues in Contemporary Indian Feminism", and "Signposts: Gender Issues in Post-Independence India". She has authored many books of which the notable ones are the Scandal of the State: Women, Law and Citizenship in Postcolonial India and Real and Imagined Women: Gender, Culture and Postcolonialism.
Ratna Kapur is a law professor and former director of the Center for Feminist Legal Research in New Delhi, India [1995–2012].
The River Bank (Ophelia) is a 1980 painting by the English painter David Inshaw. The subject is from William Shakespeare's play Hamlet. It was made for a joint exhibition of the Brotherhood of Ruralists, where each artist made his own interpretation of the subject. Since 2015 it belongs to the Victoria Art Gallery in Bath, Somerset.
Heidi Safia Mirza is a British academic, who is Professor of Race, Faith and Culture at Goldsmiths, University of London, Professor Emerita in Equalities Studies at the UCL Institute of Education, and Visiting Professor in Social Policy at the London School of Economics (LSE). She has done pioneering research on race, gender and identity in education, multiculturalism, Islamophobia and gendered violence, and was one of the first black women professors in Britain. She is author and editor of several notable books, including Young, Female and Black (1992), Black British Feminism (1997), Tackling the Roots of Racism: Lessons for Success (2005), Race Gender and Educational Desire: Why Black Women Succeed and Fail (2009), Black and Postcolonial Feminisms in New Times (2012), and Respecting Difference: Race, Faith, and Culture for Teacher Educators (2012).
Priyamvada Gopal is an Indian-born academic, writer and public intellectual who is Professor of Postcolonial Studies at the University of Cambridge. Her primary teaching and research interests are in colonial and postcolonial studies, South Asian literature, critical race studies, and the politics and cultures of empire and globalisation. She has written three books engaging these subjects: Literary Radicalism in India (2005), The Indian English Novel (2009) and Insurgent Empire (2019). Her third book, Insurgent Empire, was shortlisted for the 2020 Nayef Al-Rodhan Prize for Global Cultural Understanding.
Viktoria Schmidt-Linsenhoff was a German art historian and professor with particular research interest in the fields of gender studies and postcolonial studies.
Raka Ray is an American sociologist and academic. She is a full-time professor at the University of California, Berkeley in the departments of Sociology and Southeast Asian Studies. She became the Dean of Social Sciences at UC-Berkeley in January 2020. Ray's research interests include gender and feminist theory, postcolonial sociology, emerging middle classes, South Asia, inequality, qualitative research methods, and social movements. Her current project explores changes in the meanings and relations of servitude in India. Ray is also an editor of the publication Feminist Studies.
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