Anita Raja

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Anita Raja
AnitaRaja NYUflorence.jpg
Lecturing at NYU, Florence, 2015
Born
Anita Raja

(1953-04-05) 5 April 1953 (age 71)
Naples, Italy
Occupation(s)Translator and Author
Years active1980-present
Spouse Domenico Starnone
ChildrenViola Starnone

Anita Raja (born 5 April 1953) is a prize-winning Italian literary translator and library director. She is chiefly known for translating most of the Christa Wolf works, from German into Italian. She is also known for translating poetry and prose by Franz Kafka, Hans Magnus Enzensberger, Ilse Aichinger, Hermann Hesse, Sarah Kirsch, The Brothers Grimm and Bertolt Brecht into Italian. [1] [2]

Contents

Anita Raja is widely presumed to be the Italian novelist writing under the pen name Elena Ferrante, whose Neapolitan Novels became an international publishing phenomenon. [3] [4] [5] [6]

Early life and education

Anita Raja was born in 1953 [7] in Naples, Italy, the daughter of a teacher named Golda Frieda Petzenbaum, and Renato Raja, a Neapolitan magistrate. Raja's maternal family was Polish-Jewish though her mother was born in Worms, in Germany. The family fled Nazi Germany for Italy in 1937. [8] [9] From the age of 3, Anita Raja was raised in Rome. [10]

Career

Translation

Anita Raja has translated many literary works from German to Italian. [11] Authors of these works include Christa Wolf, [12] Franz Kafka, [13] The Brothers Grimm, [14] Hermann Hesse, and Bertolt Brecht [15] as well as Ilse Aichinger, Irmtraud Morgner, Sarah Kirsch, Christoph Hein, Ingeborg Bachmann, Georg Büchner, Helga Königsdorf, Hans Magnus Enzensberger, and Veit Heinichen. [16] Raja has written articles on Italian and German literature and on the philosophy of translation. [17] As a translator, "Raja has been particularly devoted to the work of Christa Wolf, well known for her explorations of Communist life in East Germany and her feminist reinterpretations of ancient Greek tales", wrote Rachel Donadio in The Atlantic in 2018. [18] [19]

Translating Christa Wolf

After Christa Wolf’s death, in 2011, Raja wrote a short essay to commemorate her mentor and inspiration, who had also become a dear friend:

"The assiduous study of the words of an author generates affinity, closeness. If the person writing is a great writer, translating becomes an experience that profoundly enriches she who translates. Her work of verbalization acted upon my poorer and more common work of welcoming into my language. Her work strengthened mine, leading me to paths I never would have thought of taking. To the point that I had the impression that the texts of Christa were expressing me, that I would have liked to write them just as they were written, that Christa wrote them thinking of me. But translating Christa Wolf I also—and above all—came to understand that the relationship between two languages ends up developing though the relationship between two people: and Christa, whom I met in 1984, revealed herself from the very first moment to be a model of humanity, closeness, concreteness, curiosity, attention, generosity. Always, right up to the end, when we heard from each other, she would first of all ask questions about children, family, health, work, about politics and vacations, about common and quotidian things, at length and with real attention, and then almost seamlessly we would be talking about books or problems of translation." [20]

Talks and lectures

Raja's talks at the University of Bologna in 2015 include Tradurre Letteratura (Translating Literature) 2015, La traduzione letteraria come ponte fra due culture (Literary Translation as a Bridge Between Two Cultures) 2015, and Interpretatione e Traduzione (Interpretation and Translation) 2012. [21] [22] At the Literary Festival of Mantova, in September 2014, Raja spoke with Sandra Petrignani and Liliana Rampello on Rewriting the Lives of Famous Writers (Margaritte Duras, Jane Austin and Christa Wolf respectively). [23]

In a much published [24] [25] [26] [27] [28] lecture, Translation as a Practice of Acceptance, at the New York University at Villa La Pietra near Florence in 2015, Raja said "For thirty-five years I have had a secondary but constant side job as a literary translator from German. I have translated—and continue to translate—essentially for pleasure. Since translation for me has never been a job to pay the bills, I have always been able to choose the texts that interest me, texts of good, even lofty, literary quality, texts requiring an intense involvement." [29]

Writing

In 2016, the Italian journalist Claudio Gatti published the claim that Raja was the author behind the pen name Elena Ferrante. He gained access to a document showing payments from Ferrante's publisher commensurate with a large increase in book sales. [30] [31] [32] [33] The quartet of Neapolitan Novels by Elena Ferrante that begins with My Brilliant Friend has sold more than 5.5 million sets in 42 countries, with more than 2 million copies sold in the U.S.A. It is published in America by Europa Editions. [34] In 2017, Arjuna Tuzzi and Michele A. Cortelazzo of the University of Padova published research comparing the use of the Italian language in Ferrante's seven published novels with 150 novels by 39 authors, published in Italian over the preceding 30 years. [35] The question of Ferrante's identity continued in 2018 when My Brilliant Friend was dramatised on HBO and RAI TV and on stage in London at the Royal National Theatre. [36] [37] By mid 2024, the New York Times was still publishing articles about the real identity of Elena Ferrante. [38]

Ferrante has said in many email interviews organised via her publishers, that being anonymous is crucial to her writing. "I have gained a space of my own, a space that is free, where I feel active and present. To relinquish it would be very painful." [39] Whatever the identity of Elena Ferrante, which a great many fans would prefer to leave unexplored, the feminist view is central to the work of Christa Wolf, the German writer most often foregrounded by Anita Raja in her work as translator. [40] [41] [42] For her part, Ferrante has said in an interview, “We women have been pushed to the margins, towards subservience, even when it comes to our literary work. The female story, told with increasing skill, increasingly widespread and unapologetic, is what must now assume power." [43]

Other work

Raja was the Director of the municipal European Library (Biblioteca Europea) in Rome, a collaboration between the Goethe Institute and the European Parliament, until retiring from the post in 2015. [44] [45] [46] Raja is a long time editorial consultant at Edizioni E/O, which has published most of her translations and other works. The company has offices in Rome, Milan, London and New York and Europea Editions is their American imprint. [47]

Personal life

Raja is married to the novelist and screenwriter Domenico Starnone; they have one daughter together, classicist and translator Viola Starnone.[ citation needed ]

Awards

In 2007, Raja received a German–Italian translator award. [48]

In 2008, she won the Italo-German prize for literary translation. [49] awarded by the German Foreign Ministry and the Italian Ministry of Culture and Mass-Media, in association with the Goethe Institute. [50]

Translations - German to Italian

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References

  1. ↑ "Duplice Conferenza di Anita Raja". Metra, Centre for Interdisciplinary Studies in Translating Works for Young People (in Italian). 30 November 2015.
  2. ↑ "Translators- Anita Raja". La Nota del Traduttore. Retrieved 17 September 2024.
  3. ↑ Benedictus, Leo (7 October 2016). "Elena Ferrante and the trouble with anonymity". The Guardian .
  4. ↑ Schwartz, Alexandra (3 October 2016). "The Unmasking of Elena Ferrante". The New Yorker .
  5. ↑ Jacob, Didier (17 May 2018). "In a rare interview, Elena Ferrante describes the writing process". Los Angeles Times .
  6. ↑ Kington, Tom; Malvern, Jack (4 October 2016). "Anger at 'ugly' campaign to unmask mystery author". The Times .
  7. ↑ "Is Elena Ferrante the child of a Holocaust survivor?". www.timesofisrael.com. 5 October 2016. Retrieved 31 August 2023.
  8. ↑ Gatti, Claudio (2 October 2016). "The Story Behind a Name". NYBooks.com. New York: NYREV, Inc. Retrieved 12 June 2023.
  9. ↑ Werger, Gundula (19 January 2017). "Golda Petzenbaum". Der Freitag . p. 17.
  10. ↑ Donadio, Rachel (2 October 2016). "Who Is the Real Elena Ferrante". The New York Times.
  11. ↑ "Translation as a Practice of Acceptance, transcribed from a lecture by Anita Raja". Asymptote Journal. Translated by Falkoff, Rebecca; Milkova, Sylvana. 25 November 2015.
  12. ↑ Raja, Anita. "Against the Ruin of the World: Reflections on the Language of Christa Wolf". Asymptote Journal. Retrieved 17 September 2024.
  13. ↑ "Author - Anita Raja". Marsilio Editions (Italian). Retrieved 17 September 2024.
  14. ↑ "I Musicanti di Brema (The Town Musicians of Bremen)". Orecchio Acerbo Editore. Retrieved 17 September 2024.
  15. ↑ "Anita Raja- La Traduzione come practica". La Pietra NYU in Florence. 25 November 2015.
  16. ↑ "Katalog, Ergebnis der Suche nach 113526865". Deutschen Nationalbibliothek. Retrieved 17 September 2024.
  17. ↑ "Anita Raja - Words Against the Ruin of the World- Reflections on the language of Christa Wolf (trans Rebecca Falkoff)". Academia.edu. Retrieved 17 September 2024.
  18. ↑ Donadio, Rachel (December 2018). "An Open Letter to Elena Ferrante". The Atlantic .
  19. ↑ "La restituzione del Linguagio - A colloquio con Anita Raja". Il Manifesto (in Italian).
  20. ↑ Falkoff, Rebecca (5 October 2016). "To Translate is to Betray – the Elena Ferrante phenomenon". The Guardian .
  21. ↑ "Anita Raja". Università di Bologna (in Italian). Retrieved 17 September 2024.
  22. ↑ "Duplice Conferenza di Anita Raja". Bologna Dipartimento di Interpretazione e Tranduzione (in Italian). 30 November 2015.
  23. ↑ "Riscrivere la vita di una scrittrice famosa". Literary Festival Archivio. 6 September 2014.
  24. ↑ "Not One Between Equals: Anita Raja dives into Translation's Secrets". Poetry Foundation . Retrieved 17 September 2024.
  25. ↑ Leviant, Erika P. (19 November 2019). "Translation as a Practice of Acceptance". Rutgers.Edu.
  26. ↑ Raja, Anita (19 June 2020). "La Traduzione come practica dell'accoglienza". Gli Asini, Revista.
  27. ↑ Casterman, Anne (June 2024). "Exceptionnel–une leçon magistrale d'Anita Raja". Traduqtiv- French.
  28. ↑ Egan, Greer M. (6 November 2019). "Raja Response – Italian in Translation". Rutgers University New Brunswick.
  29. ↑ Raja, Anita. "Translation as a Practice of Acceptance". Asymptote. Retrieved 17 September 2024.
  30. ↑ Donadio, Rachel (9 March 2017). "Domenica Starnone's New Novel is Also a Piece in the Elena Ferrante Puzzle". The New York Times .
  31. ↑ Laurino, Marina (2018). "The Reporter Who (May Have) Unmasked Elena Ferrante". The National Book Review.
  32. ↑ Schwartz, Alexandra (3 October 2016). "The Unmasking of Elena Ferrante". The New Yorker .
  33. ↑ Kirchgaessner, Stephanie (3 October 2016). "Stop the siege of Elena Ferrante". The Guardian .
  34. ↑ Jacob, Didier (17 May 2018). "In a rare interview, Elena Ferrante describes the writing process". Los Angeles Times .
  35. ↑ Tuzzi, Arjuna; Cortelazzo, Michele A. (September 2018) [19 January 2018]. "What is Elena Ferrante? A Comparative Analysis of a Secretive Bestselling Italian Writer" (PDF). Digital Scholarship in the Humanities. 33 (3). Oxford, England: Oxford University Press on behalf of The European Association for Digital Humanities: 685–702, esp. pp. 685-688, 691, 698. doi:10.1093/llc/fqx066 . Retrieved 12 June 2023.
  36. ↑ Donadio, Rachel (December 2018). "An Open Letter To Elena Ferrante". The Atlantic .
  37. ↑ Armitstead, Claire (27 November 2019). "My Brilliant Friend Review, National Theatre London". The Guardian .
  38. ↑ Joumanah, Khatib (12 July 2024). "Who is Elena Ferrante, Really?". The New York Times .
  39. ↑ Benedictus, Leo (7 October 2016). "Elena Ferrante and the trouble with anonymity". The Guardian .
  40. ↑ Weil, Lise. "In Memoriam Christa Wolf". Trivia-Voices of Feminism. Retrieved 17 September 2024.
  41. ↑ Lucamente, Stefania (Spring 2018). "Undoing Feminism-The Neapolitan Novels of Elena Ferrante". Italica Journal. Vol. 95. JSTOR   44983657.
  42. ↑ Steger, Jason (4 October 2016). "Unmasking a Shadowy Author did Nobody Any Favours". The Sydney Morning Herald .
  43. ↑ Thorp, Clare (1 September 2020). "The remarkable cult of Elena Ferrante". BBC Culture.
  44. ↑ "Anita Raja La Traduzione". La Pietra NY Edu (in Italian). 25 November 2015.
  45. ↑ "Migrazioni/Biblioteche, l'Europea parla più lingue". PiuCulture Journal (in Italian). Retrieved 17 September 2024.
  46. ↑ "Simone de Beauvoir Diverse sedi Roma". Undo.net. 15 February 2009.
  47. ↑ "Chi siamo". Edizionieo.it. Retrieved 17 September 2024.
  48. ↑ "Anita Raja". Orecchio Acerbo Editions (Italian). Retrieved 17 September 2024.
  49. ↑ "Autore Anita Raja". Marsillio Editori. Retrieved 17 September 2024.
  50. ↑ "Un Premio dedicato alle migliori traduzione letteraria dal tedesco". La Repubblica . 16 February 2008.
  51. ↑ Pigliaru, Alessandra (25 March 2015). "Anita Raja Tradutrice". Il Manifesto.
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