Anne Barlow is a curator and director in the field of international contemporary art, and is currently Director of Tate St Ives, [1] Art Fund Museum of the Year 2018. [2] [3] There she directs and oversees the artistic vision and programme, including temporary exhibitions, collection displays, artist residencies, new commissions, and a learning and research programme. At Tate St Ives, Barlow has curated solo exhibitions of work by artists including Thảo Nguyên Phan (2022), Petrit Halilaj (2021), Haegue Yang (2020), Otobong Nkanga (2019), Huguette Caland (2019), Amie Siegel (2018) and Rana Begum (2018). She was also co-curator of "Naum Gabo: Constructions for Real Life" (2020) and collaborating curator with Castello di Rivoli, Turin for Anna Boghiguian at Tate St Ives (2019). [4]
Barlow was formerly Artistic Director of Tate St Ives (2017–2018) [5] [6] and Director of Art in General [7] in New York City (2007–2016). During her tenure at Art in General, she commissioned and curated projects [8] with artists including: Dineo Seshee Bopape (2016); Donna Huanca (2015); Adelita Husni-Bey (2015); Marwa Arsanios (2015); Basim Magdy (2014); Sara Greenberger Rafferty (2014); Jill Magid (2013); Meriç Algün Ringborg (2013); Shezad Dawood (2013); Anetta Mona Chişa and Lucia Tkáčová (2013); Ohad Meromi (2010); Surasi Kusolwong (2007) and Ana Prvacki (2007). Barlow also initiated and oversaw programmatic partnerships with arts organizations in Brisbane, Bucharest, Cairo, Holon, Lisbon, London, Manchester, Riga, Tallinn, Tbilisi, Vilnius, Warsaw, and Zagreb. In 2014, she launched Art in General’s award-winning annual symposium "What Now?" on critical and timely issues in the field, establishing an educational partnership with the Vera List Center for Art and Politics at The New School, New York, and overseeing the symposia “Collaboration and Collectivity” [9] (2014); “The Politics of Listening” [10] (2015); and “On Future Identities” [11] (2016).
Barlow has curated and contributed to a number of biennial projects including “Tactics for the Here and Now”; [12] [13] “North by Northeast”, [14] Latvian Pavilion at the 55th Venice Biennale (Co-Curator, 2013); 2nd Tbilisi Triennial, [15] Georgia (Guest project curator, 2015) and “Shifts and Interruptions” for The Jerusalem Show VII, [16] presented in framework of second Qalandiya International (Guest film curator, 2014). In 2013, she curated the Centennial Edition “Armory Open Forum” [17] program for The Armory Show, New York.
Prior to Art in General, Barlow was Curator of Education and Media Programs at the New Museum, New York (1999–2007) where she led the department’s new media, public programs, and collaborative projects. From 2004–2006, she conceptualized and developed the "Museum as Hub" [18] initiative and established its first partnerships [19] in Cairo, Eindhoven, Mexico City, and Seoul. She also curated numerous museum and on-line exhibitions; initiated and produced the museum’s Digital Culture Programs; and organized inter-disciplinary roundtables, public programs, performances and broadcasts. She was formerly Curator of Contemporary Art and Design at Glasgow Museums (1994–1999), where she oversaw its collection of international contemporary art and design, exhibitions program, artists’ residencies, commissions, and new acquisitions.
Barlow has been a jury member of numerous selection panels and awards including: British Pavilion Selection Committee, 58th Venice Biennale (2019); [20] MAC International 2018, Belfast, Northern Ireland (2018); [21] “Montblanc Cultural Foundation Curatorium” (2017–2019); [22] Curatorial Advisory Committee, Mumbai Art Room, India (2017–ongoing); Exposure 8, Beirut Art Center, Lebanon (2016); kim? Contemporary Art Award, Latvia (2016 and 2015); T-HT Award, Zagreb, Croatia (2014); and the Akbank Curatorial Prize, Istanbul, Turkey (2013). Barlow has also been a panelist/advisor to funding organizations including: Creative Capital, New York (2005 and 2006); New York State Council on the Arts (2003–2005); and the Rockefeller Foundation (2002 and 2003); and has lectured, moderated or participated in talks at organizations including Istanbul Modern (2020); Govett-Brewster Gallery, New Plymouth, New Zealand (2019); Art Basel Conversations Programme, Art Basel Hong Kong (2019); [23] Tate Modern (2018 and 2019); [24] [25] the Institute of Modern Art, Brisbane (2015); [26] the Sharjah Art Foundation (2012); IASPIS Stockholm (2011); ARCO Madrid (2011); [27] Center for Contemporary Art, Warsaw (2009); [28] and the IMLS National Leadership Awards (2004).
Barlow is editor/contributor to a number of publications including:
Barlow has also published in numerous arts magazines and journals such as ArteEast Quarterly, ArtPulse Magazine, The Journal for Curatorial Studies, and Ibraaz.
Barlow holds a Masters in the History of Art from the University of Glasgow, Scotland.
Tate St Ives is an art gallery in St Ives, Cornwall, England, exhibiting work by modern British artists with links to the St Ives area. The Tate also took over management of another museum in the town, the Barbara Hepworth Museum and Sculpture Garden, in 1980.
The Bucharest Biennale is a contemporary art biennale held in Bucharest, Romania.
Hou Hanru is an international art curator and critic based in San Francisco, Paris and Rome. He is Artistic Director of the MAXXI in Rome, Italy.
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Beatrice "Bice" Curiger is a Swiss art historian, curator, critic and publisher. In 2011 she became only the third woman to curate the Venice Biennale. She is currently the Artistic Director of the Fondation Vincent van Gogh Arles.
June Yap is a Singaporean curator, art critic, and writer. She is currently the Director of Curatorial & Collections at the Singapore Art Museum.
Athanasios Argianas is a Greek and British artist living and working in London, England. Argianas' practice is interdisciplinary; incorporating sculpture, painting, text, performance and often music or sound, and concerns itself with metaphorical or translated representations of aural experiences. He received his MA from Goldsmiths College, London and previously studied under Jannis Kounellis at the Kunstakademie Düsseldorf.
Omar Kholeif is an Egyptian-born artist, curator, writer and editor. Kholeif's curatorial practice focuses on art that intersects with the internet, as well as works of art from emerging geographic territories that have yet to be seen in the mainstream.
Ala Younis is a research-based artist and curator, based in Amman. Younis initiates journeys in archives and narratives, and reinterprets collective experiences that have collapsed into personal ones. Through research, she builds collections of objects, images, information, narratives, and notes on why/how people tell their stories. Her practice is based on found material, and on creating materials when they cannot be found or when they do not exist.
Alex Farquharson is a British curator and art critic who was appointed Director, Tate Britain in Summer 2015. As Director, Tate Britain he is Chair of the Turner Prize.
Christine Y. Kim is an American curator of contemporary art. She is currently Curator of Contemporary Art at the Los Angeles County Museum of Art. Before her appointment at LACMA in 2009, she was Associate Curator at The Studio Museum in Harlem in New York. She is best known for her exhibitions of and publications on artists of color, diasporic and marginalized discourses, and 21st-century technology and artistic practices.
Defne Ayas is a curator, educator, and publisher in the field of contemporary art and its institutions. Ayas directed and advised many institutions and collaborative platforms across the world, including in China, South Korea, United States, Netherlands, Russia, Lithuania and Italy. She is known for conceiving exhibition and biennale formats within diverse geographies, in each instance composing interdisciplinary frameworks that provide historical anchoring and engagement with local conditions. Until June 2021, Ayas was the Artistic Director of 2021 Gwangju Biennale, together with Natasha Ginwala.
Otobong Nkanga (born 1974) is a Nigerian-born visual artist and performance artist, based in Antwerp, Belgium. In 2015 she won the Yanghyun Prize.
Claire Tancons is a curator, critic, and historian of art. She was born in Guadeloupe and is currently based in Paris, after spending three years in Berlin and eighteen in the US, of which she lived a decade in New Orleans.
Candice Hopkins is a Carcross/Tagish First Nation independent curator, writer, and researcher who predominantly explores areas of indigenous history, and art.
Stefanie Hessler is a German-born contemporary art curator, an art writer, and the current director of Kunsthall Trondheim in Trondheim, Norway.
Thảo Nguyên Phan is a Vietnamese visual multimedia artist whose practice encompasses painting, filmmaking, and installation. She currently lives and works in Ho Chi Minh City and has exhibited widely in Vietnam and abroad. Drawing inspiration from both official and unofficial histories, Phan references her country's turbulent past while observing ambiguous issues in social convention, history, and tradition. She has exhibited in solo and group exhibitions in Vietnam and abroad, at many public institutions, including the Factory Contemporary Art Centre, Ho Chi Minh City; Nha San Collective, Hanoi; Rockbund Art Museum, Shanghai; Times Art Center in Berlin, Timișoara; and The Mistake Room, Los Angeles.
Susanna Gyulamiryan, Armenian curator, art critic and feminist scholar. She is the appointed curator of the Pavilion of the Republic of Armenia at 58th International Art Exhibition, La Biennale di Venezia (2019). Gyulamiryan is co-founder and the president of the non-governmental organization “Art and Cultural Studies Laboratory” (ACSL), and artistic director of the “Art Commune” International Artist-in-Residence Program. The “Art Commune” is a general member of the Res Artis worldwide network of artist residencies (resartis.org). Gyulamiryan is a (board) member of AICA-Armenia. She has led courses in Gender Studies and Feminist Art [Theory and Practice] at the Department of Fine Arts, Armenian Open University, and has also carried out MA course in Gender Studies at Yerevan State University, Department of Cultural Studies. She worked as a contributing editor and leader of the monthly columns “The Name of Art” and “Art Situations” at “CinemArt” –the journal on cinematography and contemporary art. The circle of Gyulamiryan's professional interests and studies embraced feminist art, participatory /community art and art of social and political engagement in conjunction with civil and political activism.
Petrit Halilaj is a Kosovar visual artist living and working between Germany, Kosovo and Italy. His work is based on documents, stories, and memories related to the history of Kosovo.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which was described by ARTnews as one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.