Annick Massis

Last updated
Annick Massis
Musique en fete a Orange - Annick Massis 3.JPG
Massis at 2015 Musique en Fête in Orange
Born
Annick, Armelle, Jacqueline Dubreuil

(1958-01-31) 31 January 1958 (age 66)
Paris, France
OccupationOperatic soprano
Years active1991–present
Awards Ordre des Arts et des Lettres
Website www.annickmassis.com

Annick Massis (born Jacqueline Dubreuil; French: [a.nikma.sis] ; born 31 January 1958) is a French operatic soprano whose career is primarily based in Europe. She performed roles from various classical music eras, spanning from baroque, operas by Mozart, to 19th-century Italian and French repertoire.

Contents

Biography

Jacqueline Dubreuil was born in the 15th arrondissement of Paris, to singer parents: mother specialising in operetta, father being a baritone in the Choir of Radio France. [1] After obtaining double degree in history and English, she worked as a school teacher till 28, [2] during which she took masterclasses and met her teacher Isabel Garcisanz. Two years later, Gabriel Dussurget, founder of the Aix-en-Provence Festival, introduced her to conductor Bernard Thomas, who engaged her in Great Mass in C minor and the entire oratorio repertoire after a simple audition. [3] Her stage career began at the Théâtre du Capitole in Toulouse in 1991, and in the same season she performed in Mozart's La finta giardiniera as the title role at the Opéra de Nantes, which brought her to public attention. Other Mozart performances included Requiem , Exsultate, jubilate . She performed in Blonde in Die Entführung aus dem Serail at the Festival de Castres, after which she entered the Conservatoire Francis Poulenc in Paris and obtained the First Prize in singing in two years. [3]

In 1992, she performed Philine in Mignon at the Théâtre Impérial de Compiègne. In 1994, she made her Paris Opera debut as Barbarina in The Marriage of Figaro at the Opéra Bastille. In 1995, she performed the role of Cunégonde in the first-ever French adaption of Bernstein's Candide , which premiered at the Opéra de Saint-Étienne and traveled to the Opéra Royal de Wallonie. [4] [5] In 1996, she participated in a new production of Hippolyte et Aricie under William Christie at the Palais Garnier. [6]

Massis debuted at the Glyndebourne Festival in 1997 with Le comte Ory , embarking her international career. [7] In 1997/98, she starred in Laurent Pelly's new production of Orphée aux enfers , [8] opening the season, and performed Marie in La fille du régiment at the Grand Théâtre de Genève . In 1998, she stepped in for Ruth Ann Swenson at short notice as Ophélie in Hamlet at the Washington Concert Opera, [9] followed by Lucia di Lammermoor and her first Leïla in Bizet's Les pêcheurs de perles in Toulouse. [10]

The year 1999 saw her role debut as Elvira in I puritani at the Opéra d'Avignon, and her US debut with two performances of Lucia di Lammermoor at Staten Island and in New Jersey with Metropolitan Opera Orchestra, followed by the same role in Toulouse. She made her official Metropolitan Opera stage debut as Lucia in 2002. [11] In October 1999, she performed in a concert performance of I Capuleti e i Montecchi at Avery Fisher Hall with the Opera Orchestra of New York. [12] In 2000, she made her Liceu debut with Lucia. In 2004, she debuted as Violetta in La traviata at the Pittsburgh Opera. [13] In December 2005, she made her Vienna State Opera debut with Lucia, and returned in the next season for Juliette and Violetta. [14] In 2009, Annick Massis sang all four major soprano roles in a production of The Tales of Hoffmann at the Opéra de Nice. [15]

In 2007, she performed Eudoxie in Pierre Audi's new production of La Juive at the Opéra Bastille. [16] Later in the year, she returned to the Metropolitan Opera for Lucia di Lammermoor, sharing the title role with Natalie Dessay in Mary Zimmerman's new production. [17]

In the 2013/14 season at the Liceu, she portrayed the Fairy in Massenet's Cendrillon alongside Joyce DiDonato, and subsequently performed in La sonnambula . [18] [19]

In 2016, Massis debuted in the title role in Maria Stuarda in concert form at the Opéra de Marseille, and then at the Opéra de Monte-Carlo. [20] [21]

In 2019 she performed Mithilde in the critically acclaimed Guillaume Tell in July at the Chorégies d'Orange. [22] [23]

Awards

Massis was named Chevalier of the Ordre des Arts et des Lettres in 2007. [24] [25] In the same year, she was awarded Siola d'oro Award. [26]

Discography

Complete operas

CD
DVD

Related Research Articles

<span class="mw-page-title-main">Patrizia Ciofi</span> Italian opera singer

Patrizia Ciofi is an Italian operatic coloratura soprano.

June Anderson is a Grammy Award-winning American coloratura soprano. She is known for bel canto performances of Rossini, Donizetti, and Vincenzo Bellini.

<span class="mw-page-title-main">Natalie Dessay</span> French singer (born 1965)

Natalie Dessay is a French soprano, best known as an opera singer before her retirement from opera stage in 2013. She gained wide recognition after her portrayal of Olympia in The Tales of Hoffmann in 1992, and then performing at leading stages, such as the Paris Opera, Vienna State Opera, and the Metropolitan Opera.

Laura Claycomb is an American lyric coloratura soprano singer.

Deborah Cook was an American operatic soprano who had a prolific international opera career during the 1970s and 1980s. Her career was primarily focused in Germany where she lived from 1972 through 1985. However, she did travel extensively throughout Europe and in the United States, performing in operas, concerts, recitals, and recording for radio productions. A gifted coloratura soprano, Cook sang a wide repertoire that encompassed English, German, French, and Italian opera from a variety of musical periods. She notably sang in a number of world premieres including Hans Werner Henze's We Come to the River at the Royal Opera, London in 1976.

<span class="mw-page-title-main">Diana Damrau</span> German soprano

Diana Damrau is a German soprano who achieved international fame for her performances, primarily in opera, but also in concert and lieder. She has been successful in coloratura soprano roles since her early career, and gradually proceeded into heavier roles of the 19th-century Italian bel canto repertoire. Her signature roles include the Queen of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta in La traviata.

<span class="mw-page-title-main">Mariella Devia</span> Italian operatic soprano (born 1948)

Mariella Devia is an Italian operatic soprano. After beginning her career as a lyric coloratura soprano, in the finale part of it she also enjoyed considerable success with some of the most dramatic roles in the bel canto repertoire.

Mary Dunleavy is an American soprano who has performed with major opera companies and orchestras around the world.

Alain Vanzo was a French opera singer and composer, one of few French tenors of international standing in the postwar era. He, along with such singers as Henri Legay and the Canadian Léopold Simoneau, represented a traditional French lyric style during a period when larger Italian and German vocal styles had become popular.

<span class="mw-page-title-main">Elizabeth Norberg-Schulz</span> Norwegian-Italian operatic soprano

Elizabeth Norberg-Schulz is a Norwegian-Italian operatic soprano.

<span class="mw-page-title-main">Lisette Oropesa</span> American operatic soprano (born 1983)

Lisette Oropesa is an American operatic soprano of Cuban ancestry. Her repertoire includes works from Gluck, Handel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet and Puccini. With her lyric coloratura soprano voice, she has performed roles in her native Spanish and English, as well as German, French and Italian. She is particularly noted in the roles of Susanna, Gilda, Konstanze, Lucia and Manon.

Diana Montague is an English mezzo-soprano, known for her performances in opera and as a concert singer. She is Married to the English Tenor David Rendall

Barry McCauley was an American operatic tenor. He sang leading roles with major opera companies throughout the world, including the Metropolitan Opera and the Paris Opera.

<span class="mw-page-title-main">Nino Machaidze</span> Georgian operatic soprano

Nino Machaidze is a Georgian operatic soprano. She performs in 19th-century Romantic repertoire, primarily in operas by Rossini and Verdi as well as French operas. Beginning her career at La Scala, she gained international attention after being cast as Juliette in Gounod's Roméo et Juliette at the 2008 Salzburg Festival, after which she earned the nickname "Angelina Jolie of Opera" from the Austrian press.

<span class="mw-page-title-main">Desirée Rancatore</span> Italian opera singer

Desirée Rancatore is an Italian dramatic coloratura soprano with an active career on the opera and concert stages of Europe.

<span class="mw-page-title-main">Celso Albelo</span> Spanish operatic tenor

Celso Albelo is a Spanish operatic tenor. He has sung leading roles in many opera houses including Teatro alla Scala (Milan), the Royal Opera House (London), Teatro La Fenice (Venice).

<span class="mw-page-title-main">Jessica Pratt (soprano)</span> Australian coloratura soprano

Jessica Pratt is an English-born Australian operatic coloratura soprano. Trained in Italy, Pratt is most recognised for her portrayal of Lucia in Donizetti's Lucia di Lammermoor, which she has performed over 100 times worldwide.

Marina Rebeka is a Latvian soprano, active on both opera and concert stages. Associated with Violetta in Verdi's La traviata, she performs primarily in the 19th-century Italian and French repertoire, most notably works by Gioachino Rossini, in addition to Donna Anna in Mozart's Don Giovanni, another frequent role.

<span class="mw-page-title-main">José Bros</span>

Josep Bros i Jiménez and primarily performing under the name José Bros, is a Catalan operatic tenor particularly known for his performances in the bel canto repertoire both on stage and in full-length opera recordings.

Silvia Tro Santafé is a Spanish lyric-coloratura mezzo-soprano. In her early career she was best known for her interpretations of Handel and became notable for her performances of Rossini, Bellini, Donizetti, and in recent years Verdi.

References

  1. Pesqué, Jérôme (2003-08-18). "Interview d'Annick Massis". ODB-Opéra (in French).
  2. Dahan, Eric (2003-04-02). "L'ex-instit Massis sidère en soprano". Libération.
  3. 1 2 Parouty, Michel (2000-09-18). "Annick Massis, le chant toutes fleurs". Altamusica.com (in French).
  4. Erikson, Franck (1995-01-05). "Candide". L'Express. Retrieved 2020-01-02.Joseph, Jean-Philippe (1995-01-20). "Opéra : "Candide" retouvre sa langue". Libération. Retrieved 2020-01-02.
  5. "Candide 1994-1995". ASP@sia. Archives et Musée de la littérature.
  6. Macia, Jean-Luc (1996-09-26). "Opéra" . La Croix. Retrieved 2020-01-02.
  7. Seckerson, Edward (1997-07-21). "Carry on crusading" . The Independent. Archived from the original on 2022-05-07.
  8. Erikson, Franck (1997-09-18). "Musique: opéra". L'Express.
  9. Page, Tim (1998-09-09). "Singer Jilts Concert Opera". The Washington Post. Retrieved 2021-02-06.
  10. Anne-Marie Chouchan (1998-11-20). "Toulouse. La première Leïla d'Annick Massis". La Dépêche du Midi.
  11. "Metropolitan Opera Association".
  12. Tommasini, Anthony (1999-10-27). "MUSIC REVIEW; With Poignant Sensuality, Romeo the Star-Crossed Lover". The New York Times.
  13. Kanny, Mark (2004-10-11). "Strong cast, direction carry 'Traviata'". Pittsburgh Tribune-Review. Retrieved 2021-02-06.
  14. "Vorstellungen mit Annick Massis". Vienna State Opera. Retrieved 2021-05-17.
  15. Ponthir, Philippe (2009-01-18). "Les Contes d'Hoffmann - Nice". Forumopera.com.
  16. Carlin, Francis (2007-02-20). "La Juive, Paris Opera (Bastille)". Financial Times.
  17. Stearns, David Patrick (2007-10-27). "Phila. tenor enjoying success at the Met". The Philadelphia Inquirer.
  18. Antoni Ribas Tur (2013-12-18). "'Cendrillon', la Ventafocs de Jules Massenet, debuta al Liceu". Ara (in Catalan).
  19. ""La sonnambula" de Bellini, al Liceu". Barcelona.cat. 2014-01-21.
  20. Faner, Philippe (2016-10-28). "Anne Massis, la voix de "Maria Stuarda"". La Provence. Retrieved 2021-01-19.
  21. "Maria Stuarda de Gaetano Donizetti à l'opéra de Monte-Carlo". Monaco Hebdo (in French). 2016-12-09.
  22. Peter, Christian (12 July 2019). "Un enchantement sous les étoiles" [An enchantment under the stars]. Forumopera.com (in French).
  23. Fourier, Paul (15 July 2019). "Chorégies d'Orange : le retour de l'homme à la pomme". Toute La Culture.
  24. "Nomination ou promotion dans l'ordre des Arts et des Lettres juillet 2004". Ministère de la Culture. 12 April 2010.
  25. Donnedieu de Vabres, Renaud (7 March 2007). Remise des insignes de Chevalier dans l'Ordre des Arts et des Lettres à Annick Massis (Speech) (in French).
  26. "Jessica Pratt vince la XV edizione del premio Pagliughi" (in Italian). Comune di Cesena. 2013-05-02. Archived from the original on 2021-07-16. Retrieved 2021-03-14.