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Her quality is essentially Teutonic, in her portraits, for example, there is a suggestion of the powerful realism that tends to overstatement, so characteristic of the modern German school, but which, in her case, is counterbalanced by a strong decorative quality and distinguished color sense. [4]
In 1977, a comprehensive exhibition of Annot's works appeared at the Haus am Lützowplatz in Berlin. In 1978, her work was featured in the Galerie von Abercron in Munich. [2] [24] [25]
Rudolf Jacobi, Annot's spouse, died in 1972. Annot died on October 20, 1981, in Munich, Germany. [2]
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A comprehensive documentation of Bildersturm, the campaign against art the Nazi government considered degenerate, and of the efforts to recover the looted artworks after the war... Annot is listed among the artists at the Berlin: Nationalgalerie.
Unfortunately we are missing for this the most important illustrative material because so little has survived, all that has not been burnt or been stolen has been shipped abroad.
Exhibition of paintings and gouaches by Annot Marie Sterner Gallery, New York, February 5 to February 17, 1934