In Etruscan mythology, Voltumna or Veltha was the chthonic deity, who became the supreme god of the Etruscan pantheon, the deus Etruriae princeps, according to Varro. Voltumna's cult was centered in Volsini, a city of the Etruscan civilization of central Italy. Voltumna is shown with contrasting characteristics, such as a maleficent monster, a chthonic vegetation god of uncertain sex, or a mighty war god.
Freeborn women in ancient Rome were citizens (cives), but could not vote or hold political office. Because of their limited public role, women are named less frequently than men by Roman historians. But while Roman women held no direct political power, those from wealthy or powerful families could and did exert influence through private negotiations. Exceptional women who left an undeniable mark on history include Lucretia and Claudia Quinta, whose stories took on mythic significance; fierce Republican-era women such as Cornelia, mother of the Gracchi, and Fulvia, who commanded an army and issued coins bearing her image; women of the Julio-Claudian dynasty, most prominently Livia and Agrippina the Younger, who contributed to the formation of Imperial mores; and the empress Helena, a driving force in promoting Christianity.
Richard John Alexander Talbert is a British-American contemporary ancient historian and classicist on the faculty of the University of North Carolina at Chapel Hill, where he was William Rand Kenan, Jr., Professor of History and is currently Research Professor in charge of the Ancient World Mapping Center. Talbert is a leading scholar of ancient geography and ideas of space in the ancient Mediterranean world.
Pollice verso or verso pollice is a Latin phrase, meaning "with a turned thumb", that is used in the context of gladiatorial combat. It refers to a hand gesture or thumb signal used by Ancient Roman crowds to pass judgment on a defeated gladiator.
Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome, but sexuality was not excluded as a concern of the mos maiorum, the traditional social norms that affected public, private, and military life. Pudor, "shame, modesty", was a regulating factor in behavior, as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods. The censors—public officials who determined the social rank of individuals—had the power to remove citizens from the senatorial or equestrian order for sexual misconduct, and on occasion did so. The mid-20th-century sexuality theorist Michel Foucault regarded sex throughout the Greco-Roman world as governed by restraint and the art of managing sexual pleasure.
A thumb signal, usually described as a thumbs-up or thumbs-down, is a common hand gesture achieved by a closed fist held with the thumb extended upward or downward, respectively. The thumbs-up gesture is associated with positivity, approval, achievement, satisfaction and solidarity, while the thumbs-down gesture is associated with concern, disapproval, dissatisfaction, rejection and failure.
Homosexuality in ancient Rome often differs markedly from the contemporary West. Latin lacks words that would precisely translate "homosexual" and "heterosexual". The primary dichotomy of ancient Roman sexuality was active / dominant / masculine and passive / submissive / feminine. Roman society was patriarchal, and the freeborn male citizen possessed political liberty (libertas) and the right to rule both himself and his household (familia). "Virtue" (virtus) was seen as an active quality through which a man (vir) defined himself. The conquest mentality and "cult of virility" shaped same-sex relations. Roman men were free to enjoy sex with other males without a perceived loss of masculinity or social status, as long as they took the dominant or penetrative role. Acceptable male partners were slaves and former slaves, prostitutes, and entertainers, whose lifestyle placed them in the nebulous social realm of infamia, excluded from the normal protections accorded to a citizen even if they were technically free. Freeborn male minors were off limits at certain periods in Rome, though professional prostitutes and entertainers might remain sexually available well into adulthood.
Elaine Fantham was a British-Canadian classicist whose expertise lay particularly in Latin literature, especially comedy, epic poetry and rhetoric, and in the social history of Roman women. Much of her work was concerned with the intersection of literature and Greek and Roman history. She spoke fluent Italian, German and French and presented lectures and conference papers around the world—including in Germany, Italy, the Netherlands, Norway, Argentina, and Australia.
In ancient Rome the Latin word adlocutio means an address given by a general, usually the emperor, to his massed army and legions, and a general form of Roman salute from the army to their leader. The research of adlocutio focuses on the art of statuary and coinage aspects. It is often portrayed in sculpture, either simply as a single, life-size contrapposto figure of the general with his arm outstretched, or a relief scene of the general on a podium addressing the army. Such relief scenes also frequently appear on imperial coinage.
Pollice Verso is an 1872 painting by French artist Jean-Léon Gérôme, featuring the eponymous Roman gesture directed to the winning gladiator.
Declamation is an artistic form of public speaking. It is a dramatic oration designed to express through articulation, emphasis and gesture the full sense of the text being conveyed.
Anthony Edward Schiappa, Jr. is an American scholar of communication and rhetoric, currently Professor of Comparative Media Studies/Writing at the Massachusetts Institute of Technology, where he holds the John E. Burchard Chair of Humanities; from 2013 to 2019, he also served as the program's Head. Previously, he spent seventeen years in the Communication Studies Department at the University of Minnesota, the last seven of which he served as chair. He is the author of eight books and numerous articles that have appeared in classics, communication, English/Composition, philosophy, psychology, and law journals.
Judith P. Hallett is Professor and Distinguished Scholar-Teacher Emerita of Classics, having formerly been the Graduate Director at the Department of Classics, University of Maryland. Her research focuses on women, the family, and sexuality in ancient Greece and Rome, particularly in Latin literature. She is also an expert on classical education and reception in the nineteenth and twentieth centuries.
Hand gestures are used in regions of Italy and in the Italian language as a form of nonverbal communication and expression. The gestures within the Italian lexicon are dominated by movements of the hands and fingers, but may also include movements of facial features such as eyebrows and the mouth. Theories persist as to the exact origin of hand gestures as a method of communication in Italy, however it is likely that they emerged through necessity as a universal, non-verbal method of communicating across different Italian local languages and dialects. Despite the majority of today's Italian population speaking Italian, hand gestures have persisted as a method of expression to accompany verbal speech in many regions of Italy.
John Jack Winkler was an American philologist and Benedictine monk.
Raffaella Razzini Cribiore was professor of Classics at New York University. She specialised in papyrology, ancient education, ancient Greek rhetoric and the Second Sophistic.
The Cavillargues medallion is a Roman Imperial terracotta relief medallion of the 2nd or 3rd century, 16 centimetres (6.3 in) across, found at Cavillargues in southern France. It depicts a gladiatorial combat between a retiarius and a secutor. The medallion has been studied by American historian Anthony Corbeill and he believes it shows a games official signalling pollicēs premere, the granting of mercy to fighters whose combat ends in a draw.
Kristina Milnor is Professor of Classics in the Department of Classics and Ancient Studies at Barnard College, Columbia University. She specialises in Latin literature, Roman history, feminist theory and gender studies.
Richard Brilliant is an American art historian, university professor, and writer whose work combines a specialist knowledge of ancient Greek and Roman art with overarching themes in the history and theory of art. As noted by the American Academy of Arts and Sciences, he “transformed the field of classical art, opening it up to new critical methods of historical and stylistic analysis.” His publications, landmarks in the field, have raised the reputation of Roman art, especially that of the later period, which had been disparaged by earlier nineteenth and twentieth pro-Greek critics and scholars. Encouraged by his broad vision and scope of interests, his students have pursued significant careers as academics, researchers, and practitioners in the field of classical art history.
