Antje Weithaas | |
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 Weithaas in 2019 | |
| Born | 1966 (age 57–58) |
| Education | Hochschule für Musik Hanns Eisler in Berlin |
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| Website | antje-weithaas |
Antje Weithaas (born 1966) [1] [2] is a German classical violinist. Apart from solo recitals and chamber music performances, she has played with leading orchestras in Europe, Asia and the United States.
Born in Guben, Weithaas studied at the Hochschule für Musik "Hanns Eisler" in Berlin. [3] In 1987 she won the Kreisler-Wettbewerb in Graz, in 1988 the International Johann Sebastian Bach Competition in Leipzig and in 1991 the International Joseph Joachim Violin Competition in Hannover, [3] whose artistic director she became in 2019. [4] Weithaas worked for some years as a professor at the Berlin University of the Arts [3] and moved in 2004 to the Hochschule für Musik "Hanns Eisler". [5] Since 2017, she has also taught at the Kronberg Academy. [6]
Weithaas plays a 2001 instrument by Stefan-Peter Greiner. [7] [5]
Apart from solo recitals and chamber music performances, Weithaas has played with the Deutsches Symphonie-Orchester Berlin and Bamberg Symphony as well as with the Los Angeles Philharmonic, San Francisco Symphony, Philharmonia Orchestra, BBC Symphony Orchestra and leading orchestras in the Netherlands, Scandinavia and Asia, [3] with conductors such as Vladimir Ashkenazy, Neville Marriner, Marc Albrecht, Yakov Kreizberg, Sakari Oramo and Carlos Kalmar. [6] Central to her chamber music work is the Arcanto Quartet, with Daniel Sepec, Tabea Zimmermann and Jean-Guihen Queyras. [8] Harmonia Mundi has published her recordings of works by Béla Bartók, Johannes Brahms, Maurice Ravel, Henri Dutilleux, Claude Debussy and Franz Schubert. [9]
Weithaas partners with the pianist Silke Avenhaus on tours [10] and on five recordings of works by Schubert, Brahms, Felix Mendelssohn, Antonín Dvořák, Josef Suk and French composers on the label CAvi-Music. [11] As the artistic director of Camerata Bern, Weithaas was responsible for the recording of two Beethoven works for the ensemble's 50th anniversary, the String Quartet No. 11 and Richard Tognetti's arrangement of the Kreutzer Sonata. [12]
Other collaborators in chamber music include the cellist Clemens Hagen , the clarinettist Sharon Kam, Christian Tetzlaff (violin) and Tanja Tetzlaff (cello) and the pianist Lars Vogt. Weithaas is part of the core of artists appearing at the festival Spannungen – Musik im Kraftwerk Heimbach, at the electrical power station Kraftwerk Heimbach. [13] Weithaas, Avenhaus and the horn player Marie-Luise Neunecker perform as a trio. [14]
Weithaas has a repertoire of classical concertos by Mozart, Beethoven and Robert Schumann, contemporary works such as Jörg Widmann's first concerto, and modern classics such as the concertos by Dmitri Shostakovich, Sergei Prokofiev, Georg Hartmann and György Ligeti, as well as rarely performed concertos such as those by Erich Wolfgang Korngold, Othmar Schoeck and Sofia Gubaidulina. Fiona Maddocks, a reviewer for The Guardian , wrote in 2015 that a recording by Weithaas of Bruch's Violin Concerto reminded her "with quiet and compelling eloquence, why it's a masterpiece". [7]
Christian Tetzlaff is a German violinist who has performed internationally, with a focus on chamber music.
Tabea Zimmermann is a German violist who has performed internationally, both as a soloist and a chamber musician. She has been artist in residence of the Concertgebouw Orchestra, the Berlin Philharmonic, and the Bavarian Radio Symphony Orchestra. In 2004, Zimmermann founded the Arcanto Quartet, a string quartet that performed until 2016. Several composers have written music for her, including György Ligeti, and she has made her own version of Bartók's Viola Concerto from the composer's sketches.
Alina Pogostkina is a Russian-born German violinist.
Lars Vogt was a German classical pianist, conductor and academic teacher. Noted by The New York Times for his interpretations of Brahms, Vogt performed as a soloist with major orchestras, including the Berlin Philharmonic. He was the music director of the Orchestre de chambre de Paris at the time of his death and also served as the music director of the Royal Northern Sinfonia. He ran a festival of chamber music, Spannungen, from 1998, and succeeded his teacher Karl-Heinz Kämmerling as professor of piano at the Musikhochschule Hannover.
Veronika Eberle is a German violinist.
Marie Luise Neunecker is a German horn player and professor at the Hochschule für Musik "Hanns Eisler".
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Julian Steckel is a German cellist and academic teacher.
Caspar Frantz is a German pianist and music educator.
Werner Scholz was a German violinist and director of a master class for violin.
Peter Herrmann was a German composer and academic teacher. He composed three operas and a ballet, but mainly instrumental music both for orchestra and chamber music. His works have been performed internationally; his second string quartet was awarded a prize at the Prague Spring International Music Festival. He was professor of composition at the Musikhochschule Leipzig from 1969, serving as its rector from 1984 to 1987.
Pauline Sachse is a German violist, chamber musician, and professor at the Hochschule für Musik und Theather Felix Mendelssohn Bartholdy.
Tanja Tetzlaff is a German cellist. She played first as an orchestra member, but then as a soloist, a founding member of the Tetzlaff Quartet, a string quartet led by her brother Christian Tetzlaff, and as a chamber musician. She has recorded cello concertos and chamber music, including contemporary music, and has appeared internationally.
Diana Tishchenko is a Ukrainian born classical violinist and the winner of the International Long Thibaud Crespin Competition in Paris 2018. Named "Rising Star" by the European Concert Hall Organisation (ECHO) in 2020, she has performed at the leading concert halls of Europe.
Timothy Ridout is a British violist and 1st Prizewinner of the prestigious Lionel Tertis International Viola Competition.
Spannungen is an annual summer festival for chamber music in Heimbach, North Rhine-Westphalia, Germany, founded by pianist Lars Vogt in 1998. It is subtitled Musik im Kraftwerk Heimbach. Performances take place over one week in the power station Kraftwerk Heimbach. Many of the concerts with friends and colleagues were recorded live, broadcast by Deutschlandfunk and recorded for label Avi.
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