Music from Big Pink is the debut studio album by the Band. Released in 1968, it employs a distinctive blend of country, rock, folk, classical, R&B, blues, and soul. The music was composed partly in "Big Pink", a house shared by bassist/singer Rick Danko, pianist/singer Richard Manuel and organist Garth Hudson in West Saugerties, New York. The album itself was recorded in studios in New York and Los Angeles in 1968, and followed the band's backing of Bob Dylan on his 1966 tour and time spent together in upstate New York recording material that was officially released in 1975 as The Basement Tapes, also with Dylan. The cover artwork is a painting by Dylan.
Sailin' Shoes is the second studio album by the American rock band Little Feat, released in 1972. Produced by Ted Templeman, it marked a shift away from the sound of the band's eponymous debut, to that of their subsequent album, Dixie Chicken. It also introduced the cover artwork of Neon Park to the group, and was the last album appearance of original bassist Roy Estrada.
The Wind is the twelfth and final studio album by American singer-songwriter Warren Zevon. The album was released on August 26, 2003, by Artemis Records. Zevon began recording the album shortly after he was diagnosed with inoperable pleural mesothelioma, and it was released just two weeks before his death on September 7, 2003. The album was awarded the Grammy Award for Best Contemporary Folk Album, and "Disorder in the House", performed by Zevon with Bruce Springsteen, won the Grammy for Best Rock Vocal Performance. Songs from the album were nominated for an additional three Grammys.
Before the Flood is a live album by American singer-songwriter Bob Dylan and The Band, released on June 20, 1974, on Asylum Records in the United States and Island Records in the United Kingdom. It was Dylan's first live album, although live recordings of earlier performances would later be released. It is the 15th album by Dylan and the seventh by the Band, and documents their joint 1974 American tour. It peaked at No. 3 on the Billboard 200, reached No. 8 on the popular album chart in the UK, and has been certified Platinum by the Recording Industry Association of America.
Under the Red Sky is the 27th studio album by American singer-songwriter Bob Dylan, released on September 10, 1990, by Columbia Records. It was produced by Don Was, David Was, and Dylan.
The Night is the fifth and final studio album by the alternative rock band Morphine, released in 2000 via DreamWorks. The album expands the band's sound beyond their usual arrangements of previous albums, introducing acoustic guitars, organs, strings and female backing vocals.
Hotcakes is the fourth studio album by American singer-songwriter Carly Simon, released by Elektra Records, on January 11, 1974. Featuring the major hits "Haven't Got Time for the Pain" and "Mockingbird", the latter a duet with her then-husband James Taylor, Hotcakes became one of Simon's biggest selling albums. Her first concept album, the autobiographical songs portray Simon happily married and beginning a family.
With a Little Help from My Friends is the debut album by singer-songwriter Joe Cocker, released in late April 1969. It was certified gold in the US and peaked at number 35 on the Billboard 200. In the UK, the album charted in May 1972 at number 29 when it was re-released as a double pack with Cocker's second LP Joe Cocker!.
Smiler is the fifth studio album by English rock singer-songwriter Rod Stewart. It was released September 27, 1974 by Mercury Records. It reached number 1 in the UK album chart, and number 13 in the US. The album included covers of Chuck Berry, Sam Cooke and Bob Dylan songs, as well as a duet with Elton John of John's song "Let Me Be Your Car". Stewart also covered Carole King's "(You Make Me Feel Like) A Natural Woman" where 'Woman' is switched to 'Man'. This track was selected for special derision by critics. The release of the album itself was held up for five months due to legal problems between Mercury Records and Warner Bros. Records.
Whistle Rymes is the second solo studio album by English rock musician John Entwistle, released on 3 November 1972 by Track Records in the UK and on 4 November 1972 by Decca Records in the US. Entwistle co-produced the album with John Alcock, his first work with a producer after self-producing his debut studio album, Smash Your Head Against the Wall (1971), and it was recorded at Island Studios in West London's Notting Hill district. The album features guitar contributions from both Peter Frampton and Jimmy McCulloch.
Peculiar is an album by the New York City ska band The Slackers. It was released on Hellcat Records in 2006.
T Shirt is a 1976 album by Loudon Wainwright III. Unlike his earlier records, this saw Wainwright adopt a full blown rock band (Slowtrain) - though there are acoustic songs on T Shirt, including a talking blues. According to Wainwright on the 2006 CD liner notes, it received a scathing review from Rolling Stone which depressed him so much he stayed in bed for five days. By the early 1990s, he disowned the album in a radio interview broadcast in Australia. However, by the time of the CD remaster he admitted to a much more sympathetic view of the album(s), which he referred to as his 'puppies'.
The Best of Joe Walsh is a compilation album by the American singer-songwriter and multi-instrumentalist Joe Walsh. The album was released in late 1978, on the label ABC Records. It features songs from his tenure with the James Gang as well as solo songs. Two tracks from 1974's So What were newly remixed for this compilation; "Turn to Stone" and "Help Me Through the Night".
Briefcase Full of Blues is the debut album by The Blues Brothers, released on November 28, 1978, by Atlantic Records. It was recorded live on September 9, 1978, at the Universal Amphitheatre in Los Angeles, when the band opened for comedian Steve Martin. The album consists of covers of blues and soul songs from the 1950s to 1970s.
Leon Russell and the Shelter People is the second solo album by the singer-songwriter and multi-instrumentalist Leon Russell. Released in 1971, it peaked at number 17 on the Billboard Hot 200 in the United States. The album has gold certification for sales of over 500,000 albums in the US and Canada.
Mott the Hoople is the debut studio album by the band of the same name. It was produced by Guy Stevens and released in 1969 by Island Records in the UK, and in 1970 by Atlantic Records in the US. It was re-issued by Angel Air in 2003 (SJPCD157).
Deep in the Night is the thirteenth studio album by Etta James, released in 1978.
Night Lights is the third major label album by singer-songwriter Elliott Murphy produced by Steve Katz and recorded at Electric Lady Studio. It was reviewed by Dave Marsh in Rolling Stone, where he wrote "In 1973 and 1974 it seemed to many of us in New York that it was a tossup whether Bruce Springsteen, the native poet of the mean streets, or Elliott Murphy, the slumming suburbanite with the ironic eye would became a national hero." The album featured guest appearances by fellow Long Island native Billy Joel and former Velvet Underground member Doug Yule. The cover photo of Murphy standing in Times Square early one Sunday Morning was taken by photographer Michael Dakota although stylised by Steven Meisel. The song "Lady Stilletto" was thought to be an homage to Patti Smith.
Down Where the Spirit Meets the Bone is the 11th studio album by American singer-songwriter Lucinda Williams. The double album was released on September 30, 2014. It is the first album on Williams' own Highway 20 Records label. The song "Compassion", from which the album title is derived, is based on a poem by her father, Miller Williams.
Lost Generation was the second major label album by singer-songwriter Elliott Murphy produced by Paul A. Rothchild and recorded at Elektra Studio in Los Angeles and was reviewed by Paul Nelson in Rolling Stone. The album featured an all-star band of top session musicians including drummer Jim Gordon and keyboardist Richard Tee. The cover photo of Murphy standing in front of an open parachute was taken by photographer Ed Caraeff. Paul Nelson's Rolling Stone review called the album "brilliant but extraordinarily difficult" and gave Murphy the Hemingwayesque accolade, "When he's on the street, the sun also rises on one of the best."
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