Pyromania is the third studio album by English rock band Def Leppard, released on 20 January 1983 through Vertigo Records in UK and Europe and through Mercury Records in the US. The first album to feature guitarist Phil Collen who replaced founding member Pete Willis, Pyromania was produced by Robert John "Mutt" Lange. The album was a shift away from the band's traditional heavy metal roots toward a more radio-friendly sound, finding massive mainstream success. Pyromania charted at No. 2 on the Billboard 200, No. 4 on the Canadian RPM Album chart and No. 18 on the UK Albums Chart. Selling over ten million copies in the US, it has been certified diamond by the RIAA.
Let It Bleed is the 8th British and 10th American studio album by the English rock band the Rolling Stones, released on 28 November 1969 London Records in the United States and shortly thereafter by Decca Records in the United Kingdom. Released shortly after the band's 1969 American Tour, it is the follow-up to 1968's Beggars Banquet. As with Beggars Banquet, the album marks a return to the group's more blues-sound approach that was prominent in the pre-Aftermath period of their career. Additional sounds on the album draw influence from gospel, country blues and country rock.
Nursery Cryme is the third studio album by the English rock band Genesis, released in November 1971 on Charisma Records. It was their first to feature drummer/vocalist Phil Collins and guitarist Steve Hackett. The album received a mixed response from critics and was not initially a commercial success; it did not enter the UK chart until 1974, when it reached its peak at No. 39. However, the album was successful in Continental Europe, particularly Italy. At approximately 39 minutes long, it is the shortest studio album by the band to date.
Black and Blue is the 13th British and 15th American studio album by the English rock band the Rolling Stones, released on 23 April 1976 by Rolling Stones Records.
June 1, 1974 is a live album of songs performed at the Rainbow Theatre in London on the titular date. The album is officially attributed to Kevin Ayers, John Cale, Brian Eno and Nico, although other well-known musicians, including Mike Oldfield, Robert Wyatt and Ollie Halsall, also contributed to the concert.
Hard Rain is a live album by American singer-songwriter Bob Dylan, released on September 13, 1976 by Columbia Records. The album was recorded during the second leg of the Rolling Thunder Revue.
Metamorphosis is the third compilation album of the Rolling Stones music released by former manager Allen Klein's ABKCO Records after the band's departure from Decca and Klein. Released in 1975, Metamorphosis centres on outtakes and alternate versions of well-known songs recorded from 1964 to 1970.
Behind the Sun is the ninth solo studio album by Eric Clapton, released on 11 March 1985 by Duck Records / Warner Bros. Records. It is Clapton's first collaborative project with Phil Collins who co-produced the album and played on some of the tracks. While recording the album Clapton temporarily split with his wife.
Elliott James Murphy is an American rock singer-songwriter, novelist, record producer and journalist living in Paris.
Aquashow was the 1973 debut album by singer-songwriter Elliott Murphy. It was reviewed by Paul Nelson in 'Rolling Stone along with Bruce Springsteen's The Wild, the Innocent and the E Street Shuffle under the headline "He's the Best Dylan since 1968", which earned both artists the "New Dylan" tag. When Aquashow was released on CD in 1988 it was reviewed by Robert Hilburn in the Los Angeles Times under the headline "A Compelling Aquashow", and in 2006, thirty-three years after the original release, the album was called an "Album Classic" in a full-page review in UNCUT magazine.
Ace is an album by Grateful Dead singer and guitarist Bob Weir. His first solo album, it was released in 1972. It is essentially a Grateful Dead album, as almost all of the members of The Grateful Dead at the time played on it.
Misfits is the seventeenth studio album by the English rock band the Kinks, released in 1978. Following the minor success of Sleepwalker in the United States, Misfits featured a more rock-oriented style than many other Kinks records of the 1970s. Despite internal conflicts within the band, leading to both bassist Andy Pyle and pianist John Gosling quitting the band, the album made the Top 40 in America. The album also contained the minor hit single "A Rock 'n' Roll Fantasy", as well as less successful releases "Live Life" and "Black Messiah".
"Moonlight Mile" is a song recorded by the Rolling Stones. Written by Mick Jagger and Keith Richards, it appears as the closing track on their 1971 album Sticky Fingers. The song features multiple musicians playing alternate instruments due to the frequent absence of Richards during recording sessions of the period.
Now Look is the second solo album by English musician Ronnie Wood, released in July 1975. In the United States, it peaked at number 118 on Billboard's top 200 albums listings, during a six-week chart run. Produced by Wood, Bobby Womack and Ian McLagan, the album also includes musical contributions from Keith Richards, Mick Taylor, Willie Weeks and Andy Newmark – all of whom had played on Wood's debut, I've Got My Own Album to Do.
The Big Don't Argue is the third studio album released by Australian rock band Weddings Parties Anything. The album was produced by Jim Dickinson, who had worked with Big Star and the Rolling Stones.
"A Tale they won't Believe" relates to a tale from Australia’s colonial past, a macabre account of escaped convicts making their way across Tasmania, resorting to cannibalism to survive the long trek in the bush. It was based on a passage in Robert Hughes’ The Fatal Shore.
Brussels Affair is a live album by the Rolling Stones, released in 2011. It is compiled from two shows recorded in Brussels at the Forest National Arena on Wednesday 17 October 1973, during their European Tour. At the time, the band was unable to enter France, as guitarist Keith Richards had been temporarily banned from visiting the country after being charged with drug possession by a French court. The album was released exclusively as a digital download through Google Play Music on 18 October 2011 in the US and through the Rolling Stones Archive website for the rest of the world in both lossy MP3 and lossless FLAC format. The 2011 digital edition has been bootlegged on physical CD. On 29 August 2012, an official announcement was made, stating its physical release as a high-priced boxset. All three releases include a triple LP and double CD.
Night Lights is the third major label album by singer-songwriter Elliott Murphy produced by Steve Katz and recorded at Electric Lady Studio. It was reviewed by Dave Marsh in Rolling Stone, where he wrote "In 1973 and 1974 it seemed to many of us in New York that it was a tossup whether Bruce Springsteen, the native poet of the mean streets, or Elliott Murphy, the slumming suburbanite with the ironic eye would became a national hero." The album featured guest appearances by fellow Long Island native Billy Joel and former Velvet Underground member Doug Yule. The cover photo of Murphy standing in Times Square early one Sunday Morning was taken by photographer Michael Dakota although stylised by Steven Meisel. The song "Lady Stilletto" was thought to be an homage to Patti Smith.
"If You Can't Rock Me" is a song written by Mick Jagger and Keith Richards that was first released as the opening track to the Rolling Stones 1974 album It's Only Rock 'n Roll.
Lost Generation was the second major label album by singer-songwriter Elliott Murphy produced by Paul A. Rothchild and recorded at Elektra Studio in Los Angeles and was reviewed by Paul Nelson in Rolling Stone. The album featured an all-star band of top session musicians including drummer Jim Gordon and keyboardist Richard Tee. The cover photo of Murphy standing in front of an open parachute was taken by photographer Ed Caraeff. Paul Nelson's Rolling Stone review called the album "brilliant but extraordinarily difficult" and gave Murphy the Hemingwayesque accolade, "When he's on the street, the sun also rises on one of the best."
Stop All That Jazz is an album by singer and songwriter Leon Russell. The album was recorded in 1974 at Leon Russell's House Studio in Tulsa, Oklahoma; Paradise Studios in Tia Juana, Oklahoma; Pete's Place in Nashville, Tennessee; and Shelter The Church Studio, in Tulsa. Stop All That Jazz is Russell's sixth solo album.
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