Todd Harry Rundgren is an American multi-instrumentalist, singer, songwriter, multimedia artist, sound engineer and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is known for his sophisticated and often unorthodox music, his occasionally lavish stage shows, and his later experiments with interactive entertainment. He also produced music videos and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s.
Something/Anything? is the third album by American musician Todd Rundgren, released in February 1972. It was his first double album, and was recorded in late 1971 in Los Angeles, New York City and Bearsville Studios, Woodstock. Three quarters of the album was recorded in the studio with Rundgren playing all instruments and singing all vocals, as well as being the producer. The final quarter contained a number of tracks recorded live in the studio without any overdubs, save for a short snippet of archive recordings from the 1960s.
A Wizard, a True Star is the fourth album by American musician Todd Rundgren, released March 2, 1973, on Bearsville Records. It marked a departure from his previous, Something/Anything? (1972), with its lesser reliance on straightforward pop songs, a development he attributed to his experimentation with psychedelic drugs and his realization of "what music and sound were like in my internal environment, and how different that was from the music I had been making."
Initiation is the sixth album by American musician Todd Rundgren, released May 23, 1975 on Bearsville Records. With this album, Rundgren fully embraced the synthesized prog sound he had begun exploring in more depth in his work with his band Utopia. However, unlike Utopia, in which Rundgren had limited himself to playing guitar, most of the synthesizers on Initiation were played and programmed by Rundgren himself.
Hermit of Mink Hollow is the eighth album by American musician Todd Rundgren, released May 1978 on Bearsville Records. All of the instruments and vocals were performed solely by Rundgren. He intended the songs on the album to be performed on piano with minimal arrangements, apart from the bass, drums and voices, and for the material to showcase his newly refined singing ability.
Healing is Todd Rundgren's ninth studio album, released in 1981. The album's themes are spirituality and the human condition, something Rundgren had touched on many times in earlier works but never with the consistency exhibited here as every track explores a different aspect. The back cover image of the album shows the caduceus and a Qabalistic Tree of Life each overlaid by a treble clef, reflecting Rundgren's linking of his spirituality and music.
The Ever Popular Tortured Artist Effect is Todd Rundgren's tenth studio album, released in 1982. The album is a return to the pop sound for which Rundgren is generally most lauded by critics. Considering it a contractual obligation, he spent little time working on Tortured Artist. However, the album was generally well-received, and Rundgren scored a hit with the novelty song "Bang the Drum All Day".
Runt. The Ballad of Todd Rundgren is the second album by American singer-songwriter/musician Todd Rundgren, released in 1971. Like its predecessor, Runt, this album was credited to Rundgren's group Runt, despite Rundgren handling most of the musicianship and production himself.
Faithful is Todd Rundgren's seventh album, released in 1976.
A Cappella is a 1985 album by Todd Rundgren. The album is one of Rundgren's most unusual in that every sound is the product of the artist's voice. Rundgren employed overdubbing techniques and an E-mu Emulator, electronically manipulating the sound of his voice to mimic conventional rock instruments, handclaps, and other sounds. This approach to music making was later explored by artists such as Mike Patton and Björk.
One Long Year is Todd Rundgren's seventeenth album, released in 2000. It is composed of recordings that were released initially only to subscribers to Rundgren's online PatroNet facility, as well as other miscellany. To promote the album Rundgren performed "I Hate My Frickin' I.S.P." on Late Night with Conan O'Brien.
Utopia was an American rock band formed in 1973 by Todd Rundgren. During its first three years, the group was a progressive rock band with a somewhat fluid membership known as Todd Rundgren's Utopia. Most of the members in this early incarnation also played on Rundgren's solo albums of the period up to 1975. By 1976, the group was known simply as Utopia and featured a stable quartet of Rundgren, Kasim Sulton, Roger Powell and John "Willie" Wilcox. This version of the group gradually abandoned progressive rock for more straightforward rock and pop.
Runt is the self-titled debut album of the band Runt, commercially released September 1970. Runt was a trio consisting of Todd Rundgren, Hunt Sales (drums), and Tony Fox Sales (bass). The entire album was written and produced by Rundgren, formerly of Nazz, and he performed most of the instruments. Many regarded Runt as Rundgren's debut solo album, and later reissues credit the album to Rundgren rather than to the group.
Gregory A. Hawkes is an American musician best known as the keyboardist for the rock band The Cars.
The New Cars were a band formed in 2005 by two of the original members of the 1970s/1980s new wave band the Cars. The band was composed of original Cars members Elliot Easton and Greg Hawkes, along with vocalist/guitarist Todd Rundgren, vocalist/bassist Kasim Sulton, and drummer Prairie Prince. The band performed the Cars' songs, some new material, and selections from Rundgren's career.
"Can We Still Be Friends" is a song written and originally performed by Todd Rundgren.
Kasim Sulton is an American bass guitarist, keyboardist and vocalist. Best known for his work with Utopia, Sulton sang lead on 1980's "Set Me Free," Utopia's only top 40 hit in the United States. As a solo artist, Sulton hit the Canadian top 40 in 1982 with "Don't Break My Heart".
"I Saw the Light" is a song written and performed by American musician Todd Rundgren that was released as the opening track from his 1972 album Something/Anything?. In the album's liner notes, Rundgren states that he intended the song to be the hit of the album, and copied the Motown tradition of putting hit songs at the beginning of albums.
"Bang the Drum All Day" is a 1983 song by Todd Rundgren. The lyrics describe, in the first person, the narrator's drive to play drums or improvised percussion to the exclusion of other activities such as work or education. All the instruments on this track are performed by Rundgren.
"Hello It's Me" is a song written by American musician Todd Rundgren. It was the first song he wrote, and was recorded by his group Nazz as a slow ballad, released as the B-side of the band's first single, "Open My Eyes", in 1968. A mid-tempo version of "Hello It's Me", recorded for Rundgren's 1972 solo album Something/Anything?, was issued as a single in 1973, reaching No. 5 on the Billboard Hot 100 chart.
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