Healing | ||||
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Studio album by | ||||
Released | January 28, 1981 | |||
Genre | New-age, pop rock, art pop | |||
Length | 53:37 | |||
Label | Bearsville Rhino | |||
Producer | Todd Rundgren | |||
Todd Rundgren chronology | ||||
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Singles from Healing | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Rolling Stone | [2] |
Healing is Todd Rundgren's ninth studio album, released in 1981. The album's themes are spirituality and the human condition, something Rundgren had touched on many times in earlier works but never with the consistency exhibited here as every track explores a different aspect. The back cover image of the album (artwork by Prairie Prince) shows the caduceus and a Qabalistic Tree of Life each overlaid by a treble clef (Which is reversed for the Tree of Life), reflecting Rundgren's linking of his spirituality and music.
The original vinyl release includes a bonus 7" 33rpm single featuring the tracks "Time Heals" and "Tiny Demons" which are unlisted on the album sleeve but are included at the end of the later CD release as tracks 10 and 11. "Tiny Demons" was used in the Miami Vice season 1 episode "Little Prince" during a scene with a strung out heroin user. [3]
"Time Heals" and "Compassion" were both released as singles and a promotional video was made for the former, which was the eighth music video to air on MTV during its launch on August 1, 1981.
In September 2010, Rundgren performed his Todd and Healing albums live for the first time in Akron, Ohio, followed by concerts in Muskegon MI, Indianapolis IN, St. Louis MO, Glenside PA, and Morristown NJ. Whereas the original Healing album had been entirely performed by Rundgren in the studio, the live performances featured the same band as for the Todd shows: Jesse Gress, Greg Hawkes, Prairie Prince, Bobby Strickland, and Kasim Sulton. Led by choirmaster Dirk Hillyer, local choirs from near each venue joined the band during parts of the Healing set. Large LED display and lasers were on display throughout the shows with Rundgren and the band dressed in extravagant costumes. The shows have been released on DVD.
In some releases of the LP, "Time Heals" and "Tiny Demons" have been added to the end of the second side.
Album
Year | Chart | Position |
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1981 | US Billboard Pop Albums [4] | 48 |
Single
Year | Single | Chart | Position |
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1981 | "Time Heals" | Billboard Pop Singles [5] | 107 |
1981 | "Time Heals" | Billboard Mainstream Rock [5] | 18 |
1981 | "Compassion" | Billboard Mainstream Rock [5] | 48 |
Todd Harry Rundgren is an American musician, singer, songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the bands Nazz and Utopia. He is known for his sophisticated and often unorthodox music, his occasionally lavish stage shows, and his later experiments with interactive art. He also produced music videos and was an early adopter and promoter of various computer technologies, such as using the Internet as a means of music distribution in the late 1990s.
Charles Lempriere "Prairie" Prince is an American drummer and visual artist. He came to prominence in the 1970s as a member of the San Francisco–based rock group The Tubes, was a member of Jefferson Starship from 1992 to 2008 and has worked with a wide range of other performers as a session musician.
Nazz is the debut album by American rock group Nazz. It was released in 1968. The album spawned two singles, "Open My Eyes" and "Hello It's Me", with the latter reaching number 66 on the Billboard Pop Singles chart. "Open My Eyes" failed to chart but came to be regarded as a psychedelic rock classic, appearing on several compilations of the genre. "Hello It's Me" became a hit when Nazz guitarist Todd Rundgren re-recorded it for his 1972 solo album Something/Anything?.
Love Bomb is the seventh studio album by the Tubes, and their second to be produced by Todd Rundgren. It was released in 1985 on Capitol Records. It is the last major-label release by the Tubes.
Next Position Please is the seventh studio album by American rock band Cheap Trick, produced by Todd Rundgren and released in 1983.
Something/Anything? is the third album by American musician Todd Rundgren, released in February 1972. It was Rundgren's first album released under his own name, following two records credited to the quasi-group project Runt, and was also his first double album. It was recorded in late 1971 in Los Angeles, New York City and Bearsville Studios, Woodstock. The album is divided into four sections focused on different stylistic themes; the first three parts were recorded in the studio with Rundgren playing all instruments and singing all vocals in addition to producing. The final quarter contained a number of tracks recorded live in the studio without any overdubs, save for a short snippet of archive recordings from the 1960s.
Todd is the fifth studio album by American musician Todd Rundgren, released in February 1974 on Bearsville Records. It is the follow-up to the previous year's A Wizard, a True Star and features a comparatively heavier reliance on guitar playing and synthesizers. About half of the tracks were performed by Rundgren alone, with the other half recorded with varying configurations of musicians. In the US, the album peaked at number 54, while lead single "A Dream Goes On Forever" reached number 69.
Utopia was an American rock band formed in 1973 by Todd Rundgren. During its first three years, the group was a progressive rock band with a somewhat fluid membership known as Todd Rundgren's Utopia. Most of the members in this early incarnation also played on Rundgren's solo albums of the period up to 1975. By 1976, the group was known simply as Utopia and featured a stable quartet of Rundgren, Kasim Sulton, Roger Powell and John "Willie" Wilcox. This version of the group gradually abandoned progressive rock for more straightforward rock and pop.
Runt is the self-titled debut album of the band Runt, commercially released September 1970. Runt was a trio consisting of Todd Rundgren, Hunt Sales (drums), and Tony Fox Sales (bass). The entire album was written and produced by Rundgren, formerly of Nazz, and he performed most of the instruments. Many regarded Runt as Rundgren's debut solo album, and later reissues credit the album to Rundgren rather than to the group.
The Complete Works is a box set issued by the rock band Queen in 1985. It contained all of the band's original studio albums, live album and non-album tracks to that point. It was available in vinyl format only.
We're an American Band is the seventh studio album by American hard rock band Grand Funk Railroad, credited as Grand Funk. The album was released by Capitol Records on July 15, 1973, and was certified gold by the RIAA a little over a month after its release. Two singles were released from the album. The title track was the first single from the album released on July 2, 1973 and the second, "Walk Like a Man", was released on October 29, 1973. Both were sung by drummer Don Brewer. There was also an addition to the band's membership with this release - Craig Frost - who played the organ, clavinet and Moog. Prior to We're an American Band being released, Grand Funk Railroad had been a power trio. Craig was credited as an additional musician on Phoenix, which was released the previous year.
Skylarking is the ninth studio album by the English rock band XTC, released 27 October 1986 on Virgin Records. Produced by American musician Todd Rundgren, it is a loose concept album about a nonspecific cycle, such as a day, a year, the seasons, or a life. The title refers to a type of bird (skylark), as well as the Royal Navy term "skylarking", which means "fooling around". It became one of XTC's best-known albums and is generally regarded as their finest work.
Nearly Human is a 1989 album by the rock musician Todd Rundgren, released by Warner Bros. Records. It was his first release in four years, although he had been active as a producer in the intervening years. Many of the album's songs deal with loss, self-doubt, jealousy and spiritual recovery. It was also the first collaboration between Rundgren and Michele Gray, a singer and ex-model who helped to organize the sessions. Gray sang backing vocals, both on the record and on subsequent tours, and the pair later married.
Forever Now is the third studio album by the English rock band the Psychedelic Furs. The 10-song album, including the hit single "Love My Way", was recorded in the spring of 1982 and released on 24 September of that year by Columbia/CBS. A 20th-anniversary reissue included six related bonus tracks.
The New Cars were a band formed in 2005 by two of the original members of the 1970s/1980s new wave band the Cars. The band was composed of original Cars members Elliot Easton and Greg Hawkes, along with vocalist/guitarist Todd Rundgren, bassist/vocalist Kasim Sulton, and drummer Prairie Prince. The band performed the Cars' songs, some new material, and selections from Rundgren's career.
Kasim Sulton is an American bass guitarist, keyboardist and vocalist. Best known for his work with Utopia, Sulton sang lead on 1980's "Set Me Free," Utopia's only top 40 hit in the United States. As a solo artist, Sulton hit the Canadian top 40 in 1982 with "Don't Break My Heart".
Remote Control is the fourth studio album released by the Tubes. This was their first to be produced by Todd Rundgren. It is a concept album about a television-addicted idiot savant.
Utopia is the second of two self-titled albums by the rock group Utopia. It was released in 1982. It was also their only album for Network Records.
Ra is the second studio album and third release by Utopia on Bearsville Records, released in 1977. Band leader Todd Rundgren planned on releasing the LP in 1976 on his own label, Ethereal Records, as the new four-piece line up was not signed to Bearsville. Replete with an elaborate $250,000 stage show featuring a 22-foot-tall (6.7 m) pyramid and golden sphinx which took 18 months of prep, Ra was Rundgren's most ambitious live undertaking.
Nazz Nazz is the second studio album by American rock band Nazz, released in April 1969 by SGC Records. The album's recording was marked by bitter artistic disagreements and power struggles among the group, and the Nazz broke up shortly after it was completed. It sold only modestly well upon release but has gained greater attention due to positive critical reappraisals following Nazz guitarist Todd Rundgren's emergence as a star.