New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—New York Dolls (1973) and Too Much Too Soon (1974)—became among the most popular cult records in rock. The line-up at this time consisted of vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today".
New York Dolls is the debut studio album by the American rock band New York Dolls, released on July 27, 1973, by Mercury Records. An influential precursor to the 1970s punk rock movement, the eponymous album has been acclaimed as one of the best debut records in rock music and one of the greatest rock albums ever.
Draw the Line is the fifth studio album by American hard rock band Aerosmith, released on December 9, 1977. It was recorded between June–October in an abandoned convent near New York City. The portrait of the band on the album cover was drawn by the celebrity caricaturist Al Hirschfeld.
Buffalo Springfield Again is the second album by Buffalo Springfield, released on Atco Records in October 1967. The album features some of the group's best-known songs, including "Mr. Soul", "Bluebird", "Expecting to Fly" and "Rock & Roll Woman", all of which were released as singles. In contrast to the band's hastily made debut album, recording for Again took place over a protracted nine-month span and was fraught with dysfunction, with each member eventually producing his own material largely independent of one another.
Sylvain Mizrahi, known professionally as Sylvain Sylvain, was an American rock guitarist, most notable for being a member of the New York Dolls.
David Roger Johansen is an American singer, songwriter and actor. He is best known as a member of the seminal proto-punk band the New York Dolls. He is also known for his work under the pseudonym Buster Poindexter, and for playing the Ghost of Christmas Past in Scrooged.
Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."
Arthur Harold Kane Jr. was an American musician best known as the bass guitarist for the pioneering glam rock band the New York Dolls. Kane was a founding member of the Dolls in 1971 and remained an integral part of the band until he was forced out in 1975, shortly after the departure of Johnny Thunders and Jerry Nolan. In 2004, after decades of estrangement from Dolls singer David Johansen, Kane rejoined the surviving Dolls to rehearse and play a reunion concert in London, which was the subject of the 2005 documentary New York Doll. In addition to his bass playing, Kane was known for his subculture fashion sense and for uttering original aphorisms in his uniquely toned voice.
ATCO Records is an American record label founded in 1955. It is owned by Warner Music Group and operates as an imprint of Atlantic Records. After several decades of dormancy and infrequent activity under alternating Warner Music labels, the company was relaunched by Atlantic Records in early 2020.
David Johansen is a 1978 album by the rock musician David Johansen and his first solo album following his tenure as lead singer of the New York Dolls. The album was released on Blue Sky Records, a sub-label of Columbia Records that was associated with Johnny and Edgar Winter. David Johansen also features fellow New York Doll guitarist Sylvain Sylvain, who was a member of the David Johansen Band at that time. Sylvain co-wrote four of the songs with Johansen. The single from the album was Johansen and Sylvain's "Funky But Chic", backed with "The Rope ", which has been included as a bonus track on the CD. David Johansen was voted the tenth best record of 1978 in the Pazz & Jop, an annual poll of American critics published by The Village Voice.
Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge.
Lipstick Killers – The Mercer Street Sessions 1972 is a 1981 album of demos by the New York Dolls.
Red Patent Leather is a live album by the American rock and roll group New York Dolls, released in 1984. It was recorded in New York a decade earlier, in March 1975, just a month before the group broke up while on tour in Florida.
One Day It Will Please Us to Remember Even This is the third studio album by the American hard rock band New York Dolls. It was the group's first release of original material since their 1974 album Too Much Too Soon. The album was produced by Jack Douglas and written mostly by band members David Johansen and Sylvain Sylvain.
In Style is the second solo album by the American musician David Johansen. It was released in 1979 on Blue Sky Records.
Here Comes the Night is an album by the American musician David Johansen. Released in 1981, Blondie Chaplin produced the album.
Live It Up, released in 1982, was the first live album released by David Johansen as a solo artist. Johansen did release a limited and promotional live album, The David Johansen Group Live in 1978, but the album was not officially released until 1993. Additionally, by the time Live It Up was released, various Bootleg recordings of Johansen's first band, the New York Dolls, were being heavily traded. The impact of the New York Dolls, as both an influential band and as a live act, was becoming a legend in the late-1970s and early-1980s when Johansen was trying to start his solo career. However, his three previous solo albums were not selling as well as expected, therefore, Johansen turned to touring and selling his stage show.
Dancing Backward in High Heels is the fifth and final studio album by the New York Dolls, and the third since their 2004 reunion. Released on March 15, 2011, on 429 Records, it contains covers of the 1946 Leon René standard "I Sold My Heart to the Junkman," and "Funky But Chic," originally from David Johansen's 1978 self titled album.
"Trash" is the debut single by American hard rock band the New York Dolls. It was recorded for their 1973 self-titled album and released as a double A-side with the song "Personality Crisis" in July 1973. "Trash" did not chart upon its release, but has since been hailed by music critics as an anthemic glam rock and proto-punk song. In 2009, the band recorded a reggae-styled remake of the song for their album Cause I Sez So.
Christgau's Consumer Guide: Albums of the '90s is a music reference book by American music journalist and essayist Robert Christgau. It was published in October 2000 by St. Martin's Press's Griffin imprint and collects approximately 3,800 capsule album reviews, originally written by Christgau during the 1990s for his "Consumer Guide" column in The Village Voice. Text from his other writings for the Voice, Rolling Stone, Spin, and Playboy from this period is also featured. The book is the third in a series of influential "Consumer Guide" collections, following Christgau's Record Guide: Rock Albums of the Seventies (1981) and Christgau's Record Guide: The '80s (1990).
