One Day It Will Please Us to Remember Even This

Last updated

One Day It Will Please Us to Remember Even This
One Day It Will Please Us To Remember Even This.jpg
Studio album by
New York Dolls
ReleasedJuly 25, 2006
StudioThe School House, Shelter Island, The Shed [1]
Genre Rock, rock and roll
Length47:50
Label Roadrunner
Producer Jack Douglas
New York Dolls chronology
Rock'n Roll
(1994)		One Day It Will Please Us to Remember Even This
(2006)		 Cause I Sez So
(2009)

One Day It Will Please Us to Remember Even This is the third studio album by the American hard rock band New York Dolls. It was the group's first release of original material since their 1974 album Too Much Too Soon . The album was produced by Jack Douglas and written mostly by band members David Johansen and Sylvain Sylvain.

Contents

One Day It Will Please Us to Remember Even This was released by Roadrunner Records on July 24, 2006, in the United Kingdom and July 25 in the United States. [2] It charted at number 129 on the U.S. Billboard 200 and received positive reviews from most critics.

Background

At the behest of Morrissey, the group's surviving original members David Johansen, Sylvain Sylvain, and Arthur Kane reunited the Dolls to perform at the 2004 Meltdown Festival in London, with Steve Conte, Brian Delaney and Brian Koonin joining the band for the performance. Shortly after the show, Kane died due to undiagnosed leukemia, leaving Johansen and Sylvain as the only living original members. [3] Sami Yaffa replaced Kane on bass when they returned to the studio for this album.

The title is a reference to Virgil's Aeneid , 1.203: forsan et haec olim meminisse iuvabit. Guest artists on the album include Michael Stipe, Laura Jane Grace, and Iggy Pop. A special limited edition version of the album was released with the bonus track "Seventeen" featuring blues musician Bo Diddley and a making-of-the-album DVD entitled On the Lip. The album cover was featured in the iPod nano 4th generation poster.[ citation needed ] Johansen said of the album, "It's a rock'n'roll record, and not a lot of people make rock'n'roll records today. They make weird marching music, or Hitler Youth rally music. Sheesh, there are some fucked-up records out there." [4]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [3]
Blender Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [5]
Entertainment Weekly B+ [6]
The Guardian Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [7]
NME 4/10 [8]
The Observer Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [9]
Pitchfork 6/10 [10]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [11]
Spin Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [12]
Uncut Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [13]

One Day It Will Please Us to Remember Even This was met with generally positive reviews. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 75, based on 25 reviews. [14]

Reviewing the album for Spin , Doug Brod hailed it as "a striking return to form" for the band, [12] while Q magazine called it a "career highlight" in the group's discography. [15] According to Dotmusic writer Jamie Gill, the album succeeded as a resolute "back to basics rock record" and weltering exploration of decadent rock and roll. [16] Andrew Perry from The Observer felt it was the kind of boisterous, playful collection of songs "which, genuinely, nobody has the spirit or wit to put together these days". [9] In the opinion of Rolling Stone 's David Fricke, the intense record reconciled the frenzied music of the band's early years with the matured formalism of David Johansen's 1978 self-titled solo album. [11] AllMusic's Mark Deming believed the songs were philosophical, multisyllabic, and surprisingly intellectual for a group that was once decadent and fashionably punk. [3] Writing in Blender , Robert Christgau deemed Johansen a "far more practiced and studied" songwriter, [5] who "mourns mortality and celebrates contingency in the most searching lyrics of the year—lyrics deepened by how much fun the band is having"; he assigned it an "A+" grade in his "Consumer Guide" review. [17]

Some reviewers expressed reservations. Pitchfork journalist Stuart Berman observed a less provocative style from the New York Dolls, writing that they sounded too humbled and restrained. [10] Greg Kot of the Chicago Tribune said the band's new members lacked "personality", [18] while NME magazine dismissed the new line-up as "an above-average pub-rock band". [8] Charlotte Robinson from PopMatters was confounded by the songwriting and described the album as "an odd little number perched somewhere between being embarrassing Dolls-by-numbers and true to the original band's memory". [2] Leonie Cooper of The Guardian found the "beefed-up production and Johansen's more gravelly voice" predictable, although he felt their songwriting had matured. [7]

At the end of 2006, One Day It Will Please Us to Remember Even This appeared on several critics' lists of the year's best albums. It was voted the 43rd best record of the year in The Village Voice 's annual Pazz & Jop poll[ citation needed ] and was ranked 29th by The Observer ,[ citation needed ] 27th by Mojo ,[ citation needed ] 17th by Blender,[ citation needed ] 12th by Rolling Stone,[ citation needed ] 8th by Classic Rock ,[ citation needed ] and 4th by Hits .[ citation needed ] Christgau named it his album of the year, [19] and in 2009, he ranked it as the ninth best album of the 2000s decade. [20]

Track listing

All tracks are written by David Johansen & Sylvain Sylvain, unless otherwise noted

No.TitleWriter(s)Length
1."We're All in Love"Johansen, Sami Yaffa4:38
2."Runnin' Around" 4:11
3."Plenty of Music" 4:00
4."Dance Like a Monkey" 3:38
5."Punishing World"Johansen, Steve Conte2:37
6."Maimed Happiness" 3:15
7."Fishnets and Cigarettes" 3:13
8."Gotta Get Away from Tommy"Johansen, Conte2:27
9."Dancing on the Lip of a Volcano" 4:18
10."I Ain't Got Nothing"Johansen, Brian Koonin4:27
11."Rainbow Store"Johansen, Conte2:57
12."Gimme Luv and Turn on the Light" 3:18
13."Take a Good Look at My Good Looks"Johansen, Sylvain, Conte5:00
14."Seventeen" (bonus track) 4:27
Total length:47:50

Personnel

Credits are adapted from the album's liner notes. [21]

New York Dolls

Additional personnel

Production

Charts

Chart (2006)Peak
position
Finnish Albums Chart [22] 3
French Albums Chart [22] 124
UK Albums Chart [23] 130
US Billboard 200 [24] 129
US Top Independent Albums [24] 8

Related Research Articles

<i>Free Your Mind... and Your Ass Will Follow</i> 1970 studio album by Funkadelic

Free Your Mind... and Your Ass Will Follow is the second studio album by American funk rock band Funkadelic, released in July 1970 by Westbound Records. It charted at No. 92 in the US, the band's highest charting album release until 1978's One Nation Under a Groove, and included the No. 82 single "I Wanna Know If It's Good to You?"

<span class="mw-page-title-main">New York Dolls</span> American rock band

New York Dolls were an American rock band formed in New York City in 1971. Along with the Velvet Underground and the Stooges, they were one of the first bands of the early punk rock scenes. Although the band never achieved much commercial success and their original line-up fell apart quickly, the band's first two albums—New York Dolls (1973) and Too Much Too Soon (1974)—became among the most popular cult records in rock. The line-up at this time consisted of vocalist David Johansen, guitarist Johnny Thunders, bassist Arthur Kane, guitarist and pianist Sylvain Sylvain, and drummer Jerry Nolan; the latter two had replaced Rick Rivets and Billy Murcia, respectively, in 1972. On stage, they donned an androgynous wardrobe, wearing high heels, eccentric hats, satin, makeup, spandex, and dresses. Nolan described the group in 1974 as "the Dead End Kids of today".

<span class="mw-page-title-main">A Flock of Seagulls</span> English new wave and synth-pop band

A Flock of Seagulls are an English new wave band formed in Liverpool in 1979. The group, whose best-known line-up comprised Mike Score, Ali Score, Frank Maudsley and Paul Reynolds, hit the peak of their chart success in the early 1980s.

<i>New York Dolls</i> (album) 1973 studio album by New York Dolls

New York Dolls is the debut studio album by the American rock band New York Dolls, released on July 27, 1973, by Mercury Records. An influential precursor to the 1970s punk rock movement, the eponymous album has been acclaimed as one of the best debut records in rock music and one of the greatest rock albums ever.

<i>Draw the Line</i> (Aerosmith album) 1977 studio album by Aerosmith

Draw the Line is the fifth studio album by American hard rock band Aerosmith, released on December 9, 1977. It was recorded between June–October in an abandoned convent near New York City. The portrait of the band on the album cover was drawn by the celebrity caricaturist Al Hirschfeld.

<span class="mw-page-title-main">Sylvain Sylvain</span> American guitarist (1951–2021)

Sylvain Mizrahi, known professionally as Sylvain Sylvain, was an American rock guitarist, most notable for being a member of the New York Dolls.

<span class="mw-page-title-main">David Johansen</span> American singer (born 1950)

David Roger Johansen is an American singer, songwriter and actor. He is best known as a member of the seminal proto-punk band the New York Dolls. He is also known for his work under the pseudonym Buster Poindexter, and for playing the Ghost of Christmas Past in Scrooged.

<span class="mw-page-title-main">Robert Christgau</span> American music journalist (born 1942)

Robert Thomas Christgau is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. He was the chief music critic and senior editor for The Village Voice for 37 years, during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for Esquire, Creem, Newsday, Playboy, Rolling Stone, Billboard, NPR, Blender, and MSN Music; he was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world–when he talks, people listen."

<span class="mw-page-title-main">Arthur Kane</span> Musical artist

Arthur Harold Kane Jr. was an American musician best known as the bass guitarist for the pioneering glam rock band the New York Dolls. Kane was a founding member of the Dolls in 1971 and remained an integral part of the band until he was forced out in 1975, shortly after the departure of Johnny Thunders and Jerry Nolan. In 2004, after decades of estrangement from Dolls singer David Johansen, Kane rejoined the surviving Dolls to rehearse and play a reunion concert in London, which was the subject of the 2005 documentary New York Doll. In addition to his bass playing, Kane was known for his subculture fashion sense and for uttering original aphorisms in his uniquely toned voice.

<i>The Stooges</i> (album) 1969 debut album by the Stooges

The Stooges is the debut studio album by American rock band the Stooges, released on August 5, 1969 by Elektra Records. Considered a landmark proto-punk release, the album peaked at number 106 on the US Billboard Top 200 Albums chart. The tracks "I Wanna Be Your Dog" and "1969" were released as singles; "1969" was featured on Rolling Stone's list of the "100 Greatest Guitar Songs" at number 35. In 2020, it was ranked number 488 on Rolling Stone's 500 Greatest Albums of All Time.

<i>David Johansen</i> (album) 1978 studio album by David Johansen

David Johansen is a 1978 album by the rock musician David Johansen and his first solo album following his tenure as lead singer of the New York Dolls. The album was released on Blue Sky Records, a sub-label of Columbia Records that was associated with Johnny and Edgar Winter. David Johansen also features fellow New York Doll guitarist Sylvain Sylvain, who was a member of the David Johansen Band at that time. Sylvain co-wrote four of the songs with Johansen. The single from the album was Johansen and Sylvain's "Funky But Chic", backed with "The Rope ", which has been included as a bonus track on the CD. David Johansen was voted the tenth best record of 1978 in the Pazz & Jop, an annual poll of American critics published by The Village Voice.

<i>Too Much Too Soon</i> (album) 1974 studio album by New York Dolls

Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge.

<i>Lipstick Killers – The Mercer Street Sessions 1972</i> 1981 compilation album by New York Dolls

Lipstick Killers – The Mercer Street Sessions 1972 is a 1981 album of demos by the New York Dolls.

<i>Red Patent Leather</i> 1984 live album by New York Dolls

Red Patent Leather is a live album by the American rock and roll group New York Dolls, released in 1984. It was recorded in New York a decade earlier, in March 1975, just a month before the group broke up while on tour in Florida.

<i>Seven Day Weekend</i> (album) 1992 album by New York Dolls

Seven Day Weekend is a collection of demos by rock band the New York Dolls. The tracks were recorded at Planet Studios in 1973 but the collection was not released until 1992. In addition to early versions of tracks released on New York Dolls and Too Much Too Soon, there are five tracks that were not released on the studio albums: "Seven Day Weekend", "Back in the USA", "Endless Party", "Great Big Kiss", and "Hoochie Coochie Man". Guitarist Johnny Thunders performed a version of "Great Big Kiss" on his 1978 album So Alone.

<i>Cause I Sez So</i> 2009 studio album by New York Dolls

Cause I Sez So is the fourth studio album by the New York Dolls. It was released on May 5, 2009, by Atco Records. The album was produced by Todd Rundgren, who also produced their self-titled debut album. One of the songs, "Trash", is a reggae-style remake of a song that originally appeared on their debut album. The album peaked at number 159 at the Billboard 200.

<i>In Style</i> (David Johansen album) 1979 studio album by David Johansen

In Style is the second solo album by the American musician David Johansen. It was released in 1979 on Blue Sky Records.

<i>Here Comes the Night</i> (David Johansen album) 1981 studio album by David Johansen

Here Comes the Night is an album by the American musician David Johansen. Released in 1981, Blondie Chaplin produced the album.

<i>Live It Up</i> (David Johansen album) 1982 live album by David Johansen

Live It Up, released in 1982, was the first live album released by David Johansen as a solo artist. Johansen did release a limited and promotional live album, The David Johansen Group Live in 1978, but the album was not officially released until 1993. Additionally, by the time Live It Up was released, various Bootleg recordings of Johansen's first band, the New York Dolls, were being heavily traded. The impact of the New York Dolls, as both an influential band and as a live act, was becoming a legend in the late-1970s and early-1980s when Johansen was trying to start his solo career. However, his three previous solo albums were not selling as well as expected, therefore, Johansen turned to touring and selling his stage show.

<span class="mw-page-title-main">Trash (New York Dolls song)</span> 1973 single by New York Dolls

"Trash" is the debut single by American hard rock band the New York Dolls. It was recorded for their 1973 self-titled album and released as a double A-side with the song "Personality Crisis" in July 1973. "Trash" did not chart upon its release, but has since been hailed by music critics as an anthemic glam rock and proto-punk song. In 2009, the band recorded a reggae-styled remake of the song for their album Cause I Sez So.

References

  1. ↑ "New York Dolls – One Day It Will Please Us to Remember Even This, Credits". AllMusic .
  2. 1 2 Robinson, Charlotte (July 25, 2006). "New York Dolls: One Day It Will Please Us to Remember Even This". PopMatters . Retrieved August 13, 2013.
  3. 1 2 3 Deming, Mark. Review: One Day It Will Please Us to Remember Even This. Allmusic. Retrieved on August 9, 2010.
  4. ↑ "'Before us, there was nothing'". The Guardian . July 14, 2006. Archived from the original on July 9, 2023.
  5. 1 2 Christgau, Robert (August 2006). "New York Dolls: 'One Day It Will Please Us to Remember Even This'". Blender . New York: 113. Retrieved August 13, 2013.
  6. ↑ Sinclair, Tom (July 24, 2006). "One Day It Will Please Us to Remember Even This". Entertainment Weekly . Retrieved September 28, 2016.
  7. 1 2 Cooper, Leonie. Review: One Day It Will Please Us to Remember Even This. The Guardian . Retrieved on August 9, 2010.
  8. 1 2 "Review: One Day It Will Please Us To Remember Even This". NME . London: 31. July 22, 2006.
  9. 1 2 Perry, Andrew. Review: One Day It Will Please Us to Remember Even This. The Observer . Retrieved on August 9, 2010.
  10. 1 2 Berman, Stuart. Review: One Day It Will Please Us to Remember Even This. Pitchfork Media. Retrieved on August 9, 2010.
  11. 1 2 Fricke, David (August 11, 2006). "One Day It Will Please Us To Remember Even This". Rolling Stone . New York. Retrieved August 12, 2013.
  12. 1 2 Brod, Doug. "Review: One Day It Will Please Us to Remember Even This". Spin : 82. August 2006.
  13. ↑ Uncut . London: 99. August 2006.{{cite journal}}: CS1 maint: untitled periodical (link)
  14. ↑ "One Day It Will Please Us to Remember Even This". Metacritic. Retrieved on August 9, 2010.
  15. ↑ "Review: One Day It Will Please Us to Remember Even This". Q . London: 109. September 2006.
  16. ↑ Gill, Jaime (August 9, 2006). "New York Dolls – 'One Day It Will Please Us To Remember Even This'". Dotmusic . Archived from the original on January 7, 2007. Retrieved August 13, 2013.{{cite web}}: CS1 maint: unfit URL (link)
  17. ↑ Christgau, Robert. "Consumer Guide Drafts for Rhapsody, 2007". Robert Christgau. Retrieved August 13, 2013.
  18. ↑ Kot, Greg. Review: One Day It Will Please Us to Remember Even This. Chicago Tribune . Retrieved on August 9, 2010.
  19. ↑ "2006: Dean's List". Robert Christgau. February 14, 2007. Retrieved August 13, 2013.
  20. ↑ "Rolling Stone Ballot: The 00's Best Songs & Albums". Robert Christgau. December 24, 2009. Archived from the original on January 2, 2010. Retrieved August 13, 2013.
  21. ↑ One Day It Will Please Us to Remember Even This (CD liner notes). New York Dolls. Roadrunner Records. 2006. 168 618 045-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  22. 1 2 "New York Dolls – One Day It Will Please Us To Remember Even This". lescharts.com. Hung Medien. Retrieved August 13, 2013.
  23. ↑ "Chart Log UK 1994–2010: Nadanuf – Michael Nyman". zobbel.de. Retrieved July 18, 2020.
  24. 1 2 "New York Dolls Chart History". Billboard . Retrieved July 18, 2020.

Further reading

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.