"Give Him a Great Big Kiss" | ||||
---|---|---|---|---|
Single by the Shangri-Las | ||||
from the album Leader of the Pack | ||||
B-side | "Twist and Shout" | |||
Released | December 1964 | |||
Genre | ||||
Length | 2:12 | |||
Label | Red Bird | |||
Songwriter(s) | Shadow Morton | |||
Producer(s) | Shadow Morton | |||
The Shangri-Las singles chronology | ||||
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"Give Him a Great Big Kiss" (sometimes entitled "Great Big Kiss") is a song written by Shadow Morton and performed by the Shangri-Las. It debuted at number 83 on the Billboard Hot 100 in late December 1964, [3] and peaked at number 18 for two weeks in late January and early February 1965. [4] [5] It was featured on their 1965 album Leader of the Pack . [6] The single was produced by Shadow Morton and released by Red Bird Records. [7]
The song was ranked number 200 among the greatest singles ever made in Dave Marsh's book The Heart of Rock & Soul (1989). [8] Marsh describes the song as "one of the greatest pieces of teen dialogue ever recorded, not to mention posessed of a great beat." He highlights the bit "when the music virtually ceases except for the drumbeats" and the ensuing girls' dialogue ("I hear he's bad." "He's good bad, but he's not evil"). Pitchfork magazine named the song number 96 on their 2006 list of the best songs of the 1960s. [9] In 2017, Billboard magazine's editorial staff ranked it number 51 on their list of the 100 greatest girl group songs of all time. [10] In 2023, they listed the song number 481 on their 500 best pop songs of all time list. [1]
The Shangri-Las promoted "Give Him a Great Big Kiss" on several TV shows, including Hullabaloo , Shindig! , The Lloyd Thaxton Show , Where The Action Is and Shivaree . [11] [12]
Musicology professor Jacqueline Warwick characterized the song's musical language as "upbeat and infectious" and added:
The song begins with Mary Weiss's spoken "When I say I'm in love, you'd best believe I'm in love, L-U-V!" setting the tone for a sassy and delightful declaration of adolescent love on the part of a confident girl. Rhythmically energetic percussive forces soon come to the fore, with a horn section and piano providing syncopated R&B-styled riffs over a harmonic foundation that alternates jauntily between the home key and its relative minor. At various points in the song, the backing vocalists collude with the horns to provide a fanfare-like riff that descends low into their range on the syllables "da da da," a light-hearted and amusing effect contributing to a cheerful mood. [2]
The Shangri-Las
Additional personnel
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The most frenzied pop single ever released by the traditionally doomy-and-gloomy girl group...