John Anthony Genzale, known professionally as Johnny Thunders, was an American guitarist, singer and songwriter. He came to prominence in the early 1970s as a member of New York Dolls. He later played with the Heartbreakers and as a solo artist.
The Heartbreakers, sometimes referred to as Johnny Thunders and the Heartbreakers, were an American punk rock band formed in New York City in 1975. The band spearheaded the first wave of punk rock.
Ship Arriving Too Late to Save a Drowning Witch is an album by American musician Frank Zappa, released in May 1982 and digitally remastered in 1991. It features five tracks composed by Zappa, and one song, "Valley Girl", co-written with his then-14 year old daughter Moon Zappa, who provided the spoken monologue mocking Valley girls, including phrases like "Gag me with a spoon!".
Sid Sings is the first released solo live album by English punk rock musician Sid Vicious. It was released posthumously in 1979 and entered the British album charts on 15 December where it peaked at number 30.
Gerard Nolan was an American rock drummer, best known for his work with the New York Dolls and The Heartbreakers.
L.A.M.F. is the only studio album by the American punk rock band The Heartbreakers, which included Johnny Thunders, Jerry Nolan, Walter Lure and Billy Rath. It was released on October 3, 1977 by the British independent record label Track Records, and the music of the album is a mixture of punk and rock and roll.
So Alone is the debut solo studio album by Johnny Thunders, then leader of the Heartbreakers and formerly lead guitarist for New York Dolls. The album was released on 6 October 1978 and was produced by Thunders and Steve Lillywhite. So Alone was preceded by the singles "Dead or Alive" and "You Can't Put Your Arms Round A Memory", the former originally being omitted from the album and later included as a bonus track on the 1992 reissue. The album featured Heartbreakers-members Walter Lure and Billy Rath, as well as several guest musicians, including Phil Lynott, Steve Marriott, Paul Gray, Peter Perrett, Steve Jones, Paul Cook, Mike Kellie, Patti Palladin, and Chrissie Hynde.
In the Flesh is a posthumous live CD by punk rock guitarist/singer/songwriter Johnny Thunders. It consists of the full live set featuring a reunion of Thunders with fellow ex-New York Dolls and Heartbreakers drummer Jerry Nolan, ex-Dolls bassist Arthur "Killer" Kane, and ex-Idols & London Cowboys guitarist Barry Jones, recorded at the Roxy Theatre in Los Angeles, California on January 4, 1987. Given Thunders' notoriety for performing in a smacked-out or alcoholic haze, this more sober and professional Thunders performance led one reviewer to declare the CD to contain "an ample track selection, generally superb performances, and surprisingly good fidelity all in one package -- a Triple Crown rarely achieved in the world of J.T. live recordings."
Live at Max's Kansas City is a live album by The Heartbreakers. Recorded at a "reunion"/"farewell" show on September 16, 1978 at the famous Max's Kansas City nightclub, the album's performance — loud, sloppy, and laden with bawdy introductions and/or lyric changes to many of the familiar songs from their only studio album, L.A.M.F. — further cemented the band's live reputation. A classic of early punk rock, the album has been called "probably the best official document of any New York band of the era."
Red Patent Leather is a live album by the American rock and roll group New York Dolls, released in 1984. It was recorded in New York a decade earlier, in March 1975, just a month before the group broke up while on tour in Florida.
Stills is a 1975 studio album by American musician Stephen Stills. It is his third solo album and his first release on Columbia Records. The album was a commercial success on release, charting at number 19 on the US album charts, but was released to mixed critical reaction.
Stations of the Cross is a Johnny Thunders album recorded over two sets at The Mudd Club in New York on September 30, 1982. Film director Lech Kowalski had originally planned to record a live Johnny Thunders performance for his movie, Stations of the Cross. The spoken dialogue was recorded at the Carlton Arms Hotel, New York City, in Room 29, on August 25, 1982.
The Idols with Sid Vicious is a concert album of former Sex Pistols bassist Sid Vicious performing with The Idols; though recorded in September 1978, it wasn't released until 1993. Steve Dior provided a recording of this performance to the New Rose record label. It was originally released by the Fan Club division of New Rose. It was also released in Japan by Teichiku Records, under license from New Rose.
Seven Day Weekend is a collection of demos by rock band the New York Dolls. The tracks were recorded at Planet Studios in 1973 but the collection was not released until 1992. In addition to early versions of tracks released on New York Dolls and Too Much Too Soon, there are five tracks that were not released on the studio albums: "Seven Day Weekend", "Back in the USA", "Endless Party", "Great Big Kiss", and "Hoochie Coochie Man". Guitarist Johnny Thunders performed a version of "Great Big Kiss" on his 1978 album So Alone.
Walter Lure was an American rock guitarist and singer. He was a member of the rock group The Heartbreakers.
Que Sera Sera is a 1985 album by Johnny Thunders.
In Cold Blood is a 1983 double album by Johnny Thunders. The In Cold Blood album contains studio recordings and the Live LP contains live recordings.
Thunder Island is the second studio album by American musician Jay Ferguson. The title track became a top ten hit on the Billboard Hot 100 chart.
Encore is the eighth studio album by the English ska revival band The Specials. It is their first studio album of original songs since 1998's Guilty 'til Proved Innocent!, and their first new material with vocalist Terry Hall since 1981's "Ghost Town" single.
Punk 45: Kill the Hippies! Kill Yourself! is a 2013 compilation album released by Soul Jazz Records. It was Soul Jazz Records' first release in their Punk 45 series documenting punk music released either independently or on non-major labels. The first volume focuses on American music from regions across the United States, ranging from Detroit, Cleveland, San Francisco, Austin, and New Orleans. The album was released to positive reviews from The Guardian, The Irish Times and The Quietus.
